[Strofa 1: male vocals; storytelling style; expressive delivery; electronic beats; bass line; subtle synths; reflective; capturing struggles and dreams; Dynamic male vocals tell a story of hope and resilience, supported by a synth-driven beat, creating an uplifting atmosphere.]
Lontano dalla Grande Mela
C'è un piccolo uomo in una favela
Ogni giorno si sveglia e si allena
Con il pallone da mattina a sera
Molte le strade sbagliate possibili, ma
Purtroppo poche possibilità
Si tiene stretto quel poco che ha
Tra povertà e criminalità
Come fortuna due piedi con cui
Corre lontano dai vicoli bui
Sa che non può commettere gli errori altrui
Loro non hanno il talento che ha lui
Sorridente anche se non ha molto
Ogni giorno rivive il suo sogno
Davanti a quel pallone sgonfio
Chiude gli occhi e palleggia col mondo
Sognando di scendere in campo
Mentre il Dio del calcio lo guarda dall'alto
Tira da scalzo pensando alla curva
Segna ed esulta emulando Ronaldo

[Pre-Ritornello: male vocals; motivational tone; building instrumentation; percussion layers; motivational; inspiring listeners; The vocals adopt a motivational tone, layering with percussive elements that build excitement.]
Ripete a sé stesso che ce la farà
Dalle favelas alla Serie A
Sarà l'orgoglio di mamma e papà
Un nuovo idolo al Maracanã

[Ritornello: male vocals; catchy and anthemic; drums; vibrant synths; anthemic chords; infectious; gets listeners to sing along; Anthemic male vocals burst forth, creating a catchy refrain accompanied by powerful drums and vivid synths, fostering a celebratory mood.]
Questa sera (Questa sera) c'è il delirio al Maracanã
Da qua fuori (Da qua fuori) sento i cori: sha la la la
Un sospiro (Un sospiro), gli occhi chiusi e sono già là
Tra i tamburi (Tra i tamburi) e i colori della città

[Strofa 2: male vocals; vibrant and competitive storytelling; driving beat; layered synths; impactful bass; competitive; exciting atmosphere; celebrating football; The energetic rap continues with a vibrant competitive theme, male vocals deliver an expressive portrayal of a celebratory mood as the beat drives forward.]
Seh, già da un po' l'aspettavo, tu lo aspettavi (Bravo)
È il Mondiale dei Mondiali (Ah)
A parte Ibra non manca nessuno
Solo i numero uno
Agli ingressi già vedo le file
Atteggiamento tutt'altro che ostile
Competitivi fino alla fine
Tecnica e stile, che bomba i mondiali in Brasile
Milano così non si è vista mai (No)
Per le strade nessun via vai (Ah)
Chiedi perché, ma dai, non lo sai? (Seh)
Tutto il Paese stasera è su Sky
Leggi i nomi sopra gli striscioni (Ah)
Le bandiere fuori dai balconi (Ah)
Questa sera delirio e l'alcol
Tifosi in camper, i campioni in campo
E chissà che cosa succederà
Nel calcio tutto è possibile
Io amo l'Italia perché è imprevedibile
Ti ricordi di otto anni fa?
Comunque vada sarà uno spettacolo
Ma se andrà bene si festeggerà
Saremo insieme fino a notte fonda
Vivendo un miracolo al Maracanã

[Ritornello: male vocals; celebratory and anthemic; strong drum presence; vibrant sounds; celebratory synths; community; solidarity in celebration; The chorus repeats with strong energy, as the instrumentation strengthens, evoking a sense of community and festivity.]
Questa sera (Questa sera) c'è il delirio al Maracanã
Da qua fuori (Da qua fuori) sento i cori: sha la la la
Un sospiro (Un sospiro), gli occhi chiusi e sono già là
Tra i tamburi (Tra i tamburi) e i colori della città

[Pre-Ritornello: male vocals; uplifting message; rhythm section enhancing the message; unity; embracing diversity; The vocals take on an uplifting message supported by rhythm that resonates with inclusivity and hope.]
E per quanto siam lontani tutti siamo nati qua
Pelle bianca o pelle nera, al mondo si viene e si va
Io metto la maglia azzurra, la tua che colore ha?
Formeremo un grande arcobaleno qui al Maracanã

[Ritornello: male vocals; energetic and festive; powerful drums and synths creating festive atmosphere; festive; culminates the vibrant narrative; A finale of rich instrumentation and dynamic vocals. The drums and synths come together for a festive culmination.]
Questa sera (Questa sera) c'è il delirio al Maracanã
Da qua fuori (Da qua fuori) sento i cori: sha la la la
Un sospiro (Un sospiro), gli occhi chiusi e sono già là
Tra i tamburi (Tra i tamburi) e i colori della città

The lyrics portray themes of aspiration, struggle, and celebration surrounding football culture. They emphasize resilience and hope, capturing the vivid emotions associated with passionate fandom and the joy of togetherness during key moments.

A high-energy track that captures the essence of celebration and aspiration. The combination of driving beats and anthemic vocals creates a festive groove that invites listeners to immerse themselves in the excitement of football. The instrumentation is vibrant, featuring synths and dynamic drums that enhance the spirited atmosphere throughout the song, effectively reflecting the passion of its narrative.

The song begins with an engaging introduction that sets a rhythmic tone. As it progresses, it alternates between reflective verses and soaring, triumphant choruses. The use of repetitive refrains drives the energy forward, inviting audience participation while keeping the excitement alive through layers of instruments that build up to a climactic finale.

Energetic male vocals deliver a powerful storytelling experience, filled with motivational messages and dynamic expressions that resonate with listeners. The structuring creates an infectious call to unity, further amplified during the repetitive and catchy chorus.

Energetic, upbeat track blending pop rap rhythms with Brazilian funk-inspired percussion, electronic drums, samples of crowd noise and stadium ambience, prominent basslines, rhythmic acoustic and electric guitar elements, melodic synth layers, assertive male vocal delivery with fast-paced rap verses, catchy chant-influenced chorus, celebratory and anthemic vibe referencing soccer culture, no duet, notable for being associated with major sports events.


[G]Tocaste mi mano y no fu[G]e por error[G][F#][Em]
[Em]Sé tus intenciones, no hay que apa[Em]rentar
Aunque me mue[C]ra por un beso
Tú sólo est[Cm]ás buscando un beso que al fin[G]al
Cure una herida que dejó[D] alguien más.
[G]No pretendas reparar tu cora[G]zón[G][F#][Em]
[Em]Con pedazos que te entregan los demás
Porque arregla[C]rlo no es tan fácil
Podrá lat[Cm]ir pero es tan frágil que al fin[G]al
Cualquier recuerdo lo va a d[D]esarmar
Y yo no quie[C]ro estar ah[D]í cuando tú llo[Em]res
Cuando te ente[C]res de que el tiemp[G]o, no ha hecho su[D]s labores
Volve[C]ré
Puede que ta[G]rde un rato
[D]Cuando se acaben los segu[Em]ndos pla[D]tos
[C]Yo volver[G]é a enamorar[D]te
Volve[C]ré
Solo cuando [G]estés lista
[D]Será un amor a se[Em]gunda vi[D]sta
[C]Y Yo volver[G]é a enamorar[D]te
Porque no qui[C]ero estar ahí[D] cuando tú ll[Em]ores
Y que el recu[C]erdo de alguien m[D]ás riegue mis flor[G]es
[G]Tú tan vulnerable y fácil de [G]leer[G][F#][Em]
[Em]Yo con un adiós difícil de a[Em]dmitir
Quiero jug[C]ar muy bien mis cartas
Voy a esp[Cm]erar lo que haga falta
Porque sé[G]
Que yo no quiero enamora[D]rte así
Volve[C]ré
Puede que ta[G]rde un rato
[D]Cuando se acaben los segu[Em]ndos pla[D]tos
[C]Yo volver[G]é a enamorar[D]te
Volve[C]ré
Solo cuando [G]estés lista
[D]Será un amor a se[Em]gunda vi[D]sta
[C]Y Yo volver[G]é a enamorar[D]te
Porque no qui[C]ero estar ahí[D] cuando tú ll[Em]ores
Y que el recu[C]erdo de alguien m[D]ás riegue mis flor[G]es
Volve[C]ré...[G][D]
Y volve[C]rás a sentir m[G]ariposas
[D]A que un mensaje te pon[Em]ga ner[D]viosa
Y[C] yo, volver[G]é a enamorar[D]te
Volve[C]ré
Solo cuando [G]estés lista
[D]Será un amor a se[Em]gunda vi[D]sta
[C]Y Yo volver[G]é a enamorar[D]te
Porque no qui[C]ero estar ahí[D] cuando tú ll[Em]ores
(Volveré[Em])[D]
Lágrimas nu[C]evas, pero de[D] viejos amor[Em]es
(Volveré[Em])[D]
Y que el re[C]cuerdo de alguien [D]más riegue mis flo[G]res


Trop de médisance dans l'secteur
Focus Beatz
Trop de médisance dans l'secteur
Trop réticent à leur bon cœur (DA Uzi) Yeah

On est jamais réticent pour l'salaire
On est méfiant sur le corner
Produit stupéfiant dans l'grinder
J'fais des bangers
J'lève mon finger

Connu depuis que j'ai seize
Piges, montagne de problèmes j'ai pas d'vertiges
Je dérape, l'ESP me corrige
Aucun dirigeant ne me dirige et puis mehlich
T'aimes pas Pape ça ne m'empêche pas de dormir
J'les ai pas vu dans mon avenir, j'les ai perdu dans mes souvenirs
J'suis le Capo je relève les compteurs
La terre est ronde y a pas d'cachette
Tu es une copie de moi mal faite
J'ai des tresses, de l'or comme un Aztèque, comme un Aztèque

Sous ma casquette j'regarde la ville qui s'endort
Talents gâchés pleins les
Baumettes, y en a combien qui s'en sortent?
Et ouais mec, c'est le bordel
En T-Max je traverse le magma et ça depuis l'époque de Pac-Man
On voulait tous baiser Bulma (fuck)

La vie m'a donné toi tu m'en veux
Pour ça (j'traîne plus en bas d'chez moi)
J'ai charbonné pour arriver là (showcase à 'me-'da')
Faut faire le mal pour être bien
Chez moi (je sais qu'ça parle sur moi)
J'avance, je les perds en chemin (vrai de vrai)

Si j'peux me permettre, qu'ils aillent se faire mettre, yah, yah
On est sur l'terrain, on pense qu'à faire le plein, yah
Si j'peux me permettre, qu'ils aillent se faire mettre, yah, yah
On est sur l'terrain, on pense qu'à faire le plein, yah

J'ai grandi à Sevran, près d'ma cités, tout s'passait
J'ai rempli des prisons avec mes collègues
L'ambition d'avancer sans m'retourner, me permettra
Oui, j'ai les mains sales quand j'dis qu'j'suis honnête (vrai de vrai)

Connu depuis que j'suis sortis
Le sourire j'le donne mais le cœur s'est
Renfermé T'es malin, prépare ta guerre avec ton famas
Mais tombe pas amoureux d'une sorcière
Chaque année, ça pleure quelques morts de l'an dernier
Tout l'monde veut devenir chef comme Georges au
Libéria ou comme Sergio Ramos au Réal de Madrid

J'me cagoulerais comme tous mes senseis (ah)
Vécu sur le papier (ah), y a pas mieux (ah)
Y a pas mieux, pour ça qu'y a l'Pack M
Le p'tit d'la cité sous talkie ou
Bien sous Toka', ça pourrait t'choquer
Ils voulaient nous donner des miettes mais
J'veux pas d'assiette, j'vais prendre dans l'gâteau
Ils feront pas les Gotti ou ils
Passeront pas la semaine à Gotham (vrai de vrai)

La vie m'a donné toi tu m'en veux
Pour ça (j'traîne plus en bas d'chez moi)
J'ai charbonné pour arriver là (showcase à 'me-'da')
Faut faire le mal pour être bien
Chez moi (je sais qu'ça parle sur moi)
J'avance, je les perds en chemin (vrai de vrai)

Si j'peux me permettre, qu'ils aillent se faire mettre, yah, yah
On est sur l'terrain, on pense qu'à faire le plein, yah
Si j'peux me permettre, qu'ils aillent se faire mettre, yah, yah
On est sur l'terrain, on pense qu'à faire le plein, yah

Yeah, DA Uzi


[Verse 1: female vocals; soft and gentle; synthesizer; light percussion; dreamy; engaging mood; Light synthesizer pads create a dreamy backdrop as soft, gentle female vocals introduce the track, setting a romantic mood.]
위험 sign 위 불빛이 켜져
두 귓가엔 알람이 마구 울리고
왜 이러는 거야 나 답지가 않아
침착해줘 no no
벗어나 이렇게 난 매번
네게만 더 반응을 하는지
내 맘이 이러다
또 탈이 날지 몰라 궤도를 지켜

[Pre-Chorus: female vocals; lilting and playful; synthesizer; soft pads; playful; inviting; The vocals become playful and lilting, accompanied by soft atmospheric synth, enhancing the whimsical feel.]
별일 아니란 듯이 안녕
자 그럼 또 안녕
잠깐 인사한 뒤
너의 먼발치에서 난 불시착

[Chorus: female vocals; powerful yet sweet; full band; drums and bass prominent; uplifting; catchy; The energy amplifies as powerful yet sweet female vocals take center stage, supported by dynamic instrumentation that draws listeners in.]
Gravity 온 힘을 다해서
너를 스쳐 가는 걸
You’re my gravity
아님 단숨에 너를 안아버릴 테니
You’re you’re my gravity
You’re you’re my gravity
스쳐 가 버렸지만
You’re you’re my gravity
날 봤을까
You’re you’re my gravity

[Verse 2: female vocals; tender and reflective; synthesizer; gentle beats; nostalgic; reflective; The mood shifts to a tender reflection, showcasing heartfelt female vocals against gentle synthesizer beats.]
할 수 있다면 시계를 되감아 줘
널 발견한 그 순간보다 앞으로
이 어긋난 어긋난 하룬
분명 너 때문이겠지

[Pre-Chorus: female vocals; ethereal; synthesizer; atmospheric sounds; dreamy; atmospheric; Ethereal female vocals float amidst ambient synth sounds, heightening the emotional connection.]
금세 지워질 글씨
이게 내 마음이란 걸
너는 모르겠지
새까만 밤을 건너 또 불시착

[Chorus: female vocals; powerful yet sweet; full band; dynamic instrumentation; passionate; engaging; The chorus returns with powerful vocals, creating a blend of passion and sweetness that captivates the listener.]
Gravity 온 힘을 다해서
너를 스쳐 가는 걸
You’re my gravity
아님 단숨에 너를 안아버릴 테니

[Refrain: female vocals; melodic and catchy; synthesizer; percussion; full instrumentation; catchy; repetitive; Melodic and catchy, the refrain features repeating phrases that reinforce the song's central themes.]
You’re, you’re my gravity (Gravity)
You’re, you’re my gravity (스쳐 가 버렸지만)
You’re, you’re my gravity (날 봤을까)
You’re, you’re my gravity (Gravity)

[Bridge: female vocals; emotional and yearning; ambient synths; soft beats; emotional; introspective; The female vocals express deep longing over ambient synths, adding an emotional layer as listeners are drawn into the narrative.]
홀로 흠뻑 빠져버린
너란 행성 주변에서
혹 길 잃은 날 발견하면
어서 오라 손짓해줘
넌 넌 날 봤을까

[Chorus: female vocals; powerful yet sweet; full band; enhanced dynamics; passionate; dynamic finish; A final chorus echoes with passionate, dynamic vocals that elevate the song to its climax.]
Gravity 온 힘을 다해도
다시 네게 가는 걸
You’re my gravity (Ohh)
나는 그때 왜 너를 알아버린 건지

[Refrain: female vocals; melodic and catchy; synthesizer; repeating rhythmic pattern; catchy; concluding repetition; The repetition of the refrain leaves an infectious impression, gradually tapering off the song's exuberance.]
You’re, you’re my gravity (You’re my gravity)
You’re, you’re my gravity (스쳐 간 나였지만)
You’re, you’re my gravity (날 잊지마)
You’re, you’re my gravity (Gravity)
You’re, you’re my gravity
You’re, you’re my gravity (Gravity)
You’re, you’re my gravity
You’re, you’re my gravity (Gravity)

Beginning with soft synth pads and gentle vocals, the song builds in energy through the pre-chorus and reaches its peak intensity during the choruses. Each section smoothly transitions into the next, maintaining a consistent romantic atmosphere while showcasing various vocal expressions and instrumental layers.

A vibrant pop track pulsating with infectious energy and dreamy soundscapes. The blend of soft synths and dynamic beats creates an uplifting atmosphere that easily transports listeners into a romantic realm. The powerful yet sweet female vocals shine throughout the track, reflecting themes of love and attraction. Overall, the song invites one to immerse themselves in its melodious charm and uplifting energy.

The lyrics explore themes of romantic attraction, drawing metaphors about gravity and connection that evoke imagery and warmth.

The vibrant female vocals deliver a delightful mix of gentleness and strength. Their soft and sweet texture is particularly effective in evoking emotions tied to love and attraction.


(AZA)
Unom már azt, hogy mások miatt vagyok egy senki
Unalmas a környezet, nem motivál már semmi
Nem vágom miért akar mindenki keresztbe tenni
Nekem ahhoz, hogy jófej legyek nem kell szereket szedni!
Sok hiba van az életben, könnyű beléjük esni
Hallgasd a cuccunkat, a flessbe fogsz beleveszni!
Kijártuk az utat, ne próbálj te letegezni
Ez egy verseny te kis fasz, úgyhogy ne próbálj benevezni!
Volt olyan, hogy 10 grammot is elszívtunk mi estig
Ha világkörüli útra indulsz, gyere el Pestig!
A graffitisek a falra a mi nevünket festik
Szarozod a zenénket, pedig vágjuk, hogy tetszik..
Mi hátráltat téged a Killakikittet edzi
Ha oltást akarsz magadnak rádpakolunk egy mercit
Az album itt van, türelmetlenek nesztek
A két Killa bazdmeg soha nem marad veszteg!
(Tirpa)
Ha sokat vártok türelmetlenek lesztek
Itthon a Killakikitt az igazi "Kezdet"
Nem költészet ez, a brigád a reppre edzett
Ne gondold, hogy Azánál a zenét te jobban metszed!
Nem mondom többször, maximum egyszer
A jóságot itt belepi a gengszter vegyszer
Mi minden nap tesó hidd el hadban állunk a stresszel
Oldódj fel te kis fasz a Stress In Dress-el
A mi alapunkra a kiscsaj szexin dance-el
A gádzsik nem oltanak már rám, hogy: Ez mit hesszel?
Rég meguntam, hogy az összes tesztel
Scarcitybe tömörült az összes mester!
A csúcsról jövünk le, éppen a győztes flessel
Ha nem akar kúrni a gádzsi, hát győzd meg szesszel!
Bassza be az albumot, a zöld meg nem kell!
Küldük a zenét a Földnek, mert kell!

"Küldjük a zenét a Földnek, mert kell
Aki beszól az kettétörve kel fel!
Ezek az arcok ölnek a trenddel
Ez olyan album, amit nem felejt el az ember!"

(AZA)
A rádióban a zenénket ezrek kérték
És ez hivatalos adat, mert a tesztet mérték!
[Tirpa]
Valamit itthon csak Akkezdet ér még
Miattuk érzik sokan, hogy itthon lesz remény még!

(Saiid)
A szó igaz: ez az a Kezdet
És ez akkor is igaz, ha az Aza kezdett!
"Éreztem a szíveden a szerelem ég"
(Aza)
Szívj velem!
(Saiid)
Megszívlelem!
(Tirpa)
A szerem elég...
(Saiid)
Temetni a múltat, egyszerűen nyomom a bonyolultat (kuss)
Fhészek ugat, egyszerűen csak nyomom a bonyolultat
Vagy viccelek: hozzátok vissza az MSZMP-t
A rendőr az pénz, és én nem eszem pénzt!
Azt hallottad, hogy: úgy tudod, hogy nem téveszme:
Hogy az SZDSZ az zsidó, és ezt téveszt meg?!
Pedig van aki mindent megtenne a FIDESZÉRT
De lidegyünk őszidinték, mi fidaszért?
Ó kedvesem, ha te lennél a KDNP
Kb. átmennék álnéven, és rádélveznék
Semmi bajom nem lenne az MDF-el
Ha joggal végeztek volna, nem TF-el
Akkezdet PH-val, jó ebédhez szól a nóta Létrával
A csávó téglából van, te nem állhatnál trébb lábbal!
Szép párbaj, hisz más zongorán más szól
Pár sor Zorán rádszól: Cseh Tamás a sáncon!
Spanom mivel játszol? "nun cagar' un cazzo"
Adagoljuk neki, amíg bírjuk vénával a gangokon
Szivárvány tizenhár' a bajnokok
Itt a rajthoz csak a rajt hozd, vagy a faszt szopod
Itt a Tirpus, kacsók fel a keresztapának!
Szívjad Tirpuska!
(Tirpa)
Csók fel a keresztapámnak!
(Saiid)
Minden picsa nyirkos, mert jól meglesz ma kapálva
Kap az ágyon, kap ülve, és az utcán is kap állva
Faszik haptákban ha a gyilkos méh a kaptárba'
Vagy be lesz találva, mer' az élet előtt halál van...

Káros a jelenléted, kár már, nálam ez nem fless
Hogy egy seggfejjel szerepeltem egy lemezen, ez szégyen
Hálátlan dagadék, többször tettem a zsebedbe kesst
Te meg próbáltál felmászni a hátunkon, de ennek vége
Enni adtam csíra, kezedben kanál, kés, villa
Egy pillanatra bejött a flow, és azt hittem, hogy bírlak
Mostanra kajak ugyanúgy reppelsz, mint a két Killa
Jé, Jézusom, meglett nyúzva a Csini Csincsilla

The vocal delivery is characterized by confident, assertive tones. The style is both energetic and aggressive, capturing the essence of urban storytelling.

The song opens with powerful vocals accompanied by heavy bass and electronic beats, quickly establishing an intense atmosphere. As it progresses through distinct verses and bridges, the instrumental layers shift, creating dynamic transitions that maintain listener engagement. The latter sections showcase a mix of raw emotion and introspection, culminating in a thought-provoking outro that leaves a lasting impression.

An energetic and aggressive track that embodies the spirit of urban life. The songs pulse with heavy bass lines and sharp snares, giving it a raw and defiant character. Vocals are delivered in a confident and assertive manner, reflecting personal struggles and resilience. Instrumentally, it's rich with electronic beats and layered synths that contribute to the lively and confrontational mood. The track flows seamlessly through powerful verses and introspective bridges, showcasing a blend of raw emotion and streetwise bravado.

The lyrics delve into themes of struggle and resilience, reflecting the realities of life in the streets and personal battles faced by the artist.


[Refrán]
Arrabalera, noche de luna llena
Hoy cargo con mi pena', la rabia por mi' vena'
Arrabalera, noche de luna llena
Ternura que condena, mi sangre se acelera

[Verso 1]
Hoy nada abría, me pierdo a mí misma
La sed que me habita
Ya no soy yo, ya no soy yo
Bajo cenizas dormía mi vo'
La Niña de Fuego se despertó, se despertó
[Verso 2]
Esta ve' no me va' a reconocer
Estoy cambiando la piel
Si me pierdo inventaré un camino
Esta ve' no me va' a reconocеr
A mi miedo lo maté por mi abuela que guía mi dеstino

[Refrán]
Arrabalera, noche de luna llena
Hoy cargo con mi pena', la rabia por mi' vena'
Arrabalera, noche de luna llena
Ternura que condena, mi sangre se acelera

[Verso 3]
Dentro de mi alma yo tengo una fuente
Para que tu culpa se incline a Belén
Si cierro los ojos siempre hay un lucero
Quite mi armadura mientra' me animo a perder

[Puente]
Con lo' lobo' corro yo (Yo, oh; La Niña de Fuego)
Con lo' lobo' corro yo (Oh-oh-oh)
Dulce risa porque voy sin miedo
Con lo' lobo' corro yo (Soy Niña de Fuego)
Con lo' lobo' corro yo
Dulce risa porque voy sin miedo

[Outro]
Ah, a-ay, ah, a-ay


[VERSE 1: male vocal; reflective storytelling; subtle piano and synth background; soft percussion; thoughtful; contemplative; A soothing piano leads into reflective male vocals, expressing a sense of lost ambition and introspection amid soft percussion.]:
Không còn cố giữ bản tính mơ màng, không còn là kẻ hay thích thở than
Loạng choạng con đường duyên nghiệp dở dang, tâm hồn hạn hẹp dần tự biết mở mang
Không biết tương lai bao điều chờ đợi, không biết đã bỏ lại bao nhiêu cơ hội
Không biết cần phải làm sao để gỡ rối, đôi chân vẫn lặng thầm lao về ngõ tối
Áp lực đồng tiền vẫn hàng ngày nhức nhối
Trước kia luôn vui vẻ, thì bây giờ hay tức tối
Chẳng cất lời than vãn vì cuộc sống luôn hối hả
Gạt phiền muộn trôi qua cùng làn mưa tuôi xối xả
Vẫn chưa thể tự vứt bỏ sự bồng bột lại đây
Vẫn ôm lấy những tâm tư không một ai hay
Giấu trong những khoảng tối tăm không chốn giãi bày
Vẫn cố hết sức để sống tốt mai này
Vẫn còn hiếu thắng, vẫn quá tranh giành
Vẫn dám đối đầu, dám phá tanh bành
Dám nhận lỗi lầm chẳng thể vẻ vang
Hàn gắn những vết nứt không hề dễ dàng
Vẫn biết chẳng có thành công mà không yêu cầu quá trình
Cũng nặng lòng chẳng dám bỏ lại đằng sau gia đình
Và người thân để liều lĩnh với những dự định mơ hồ
Đầy tham vọng và mộng tưởng tự tay xây dựng cho mình cơ đồ
Chúng bạn ít dần đi, mỗi người một dự định riêng
Người theo đuổi sự nghiệp, người vì hai chữ tình duyên
Người vẫn tự tìm kiếm một lý do để tồn tại
Vẫn đang cố để chống lại bao nhiêu khó dễ chông gai
Đâu là thật giả, luôn phải cố giữ tinh thần
Để nhìn đâu là người thật, đâu là lũ hình nhân
Giữa bầy người thú tính dám vứt bỏ tình thân
Đứa trẻ bên trong mình run sợ, không biết bao giờ nó bình tâm
Vẫn được dạy thật thà, ghét thói dối trá
Để một ngày nhận ra đó đều là nói dối cả
Đạo lý này giờ đã như làn khói thổi qua
Xã hội đang ưu ái những kẻ lang sói thối tha
Lời bố nói tối qua, sáng ra đã quên
Lời dèm pha của kẻ lạ thì lại vật vã cả đêm
Mải mê theo đuổi những thứ gió trăng lả lơi
Nhưng lại bỏ mặc những người vì mình mà lo lắng cả đời
Và một mình ta lại ...

[HOOK: male vocal; melodic and emotional; piano with a melodic line; yearning; nostalgic; The melodic hook carries an emotional weight, enhanced by gentle piano, echoing the theme of solitude and hope.]:
Trôi lang thang đôi chân đưa tâm hồn cô liêu
Vang đâu tiếng rao thoáng qua phiên chợ chiều
Từng nhiều ước ao, nhiều mộng đẹp biết bao
Đã một thời khát khao tới những vùng trời mới
Tiếng sáo nơi xa nghe mà thê lương
Tiếng hát ai vấn vương lạ thường
Ôm chí lớn lao vươn tay chạm trời cao
Nhưng đâu hay sớm mai sẽ lênh đênh phương nào

[VERSE 2: male vocal; introspective; soft beats and synth sounds; resilient; self-reflective; The vocals shift to a more intense, introspective tone, as the backing sounds evolve into a more vibrant arrangement, capturing the struggle for identity.]:
Vẫn bị hút bởi những lớp vỏ dễ nhìn
Nhưng lại quá nghi hoặc để có thể tin
Lòng tự trọng ra vẻ không chịu núp bóng cha mẹ khi sự nghiệp đang bị một màu xám đó che kín
Không khóc vì mình sinh ra là nam nhi
Cái tự tôn từ lúc thành hình đã phải mang đi
Họ dạy phải cứng rắn, không được phí hoài tráng chí
Nhưng không dạy để như thế thì mình phải làm gì
Không được một giây hoang mang, không được ngồi đấy than vãn
Làm con người phải có trách nhiệm, trên đôi vai này cáng đáng
Ngày qua ngày mang vác bao nhiêu những bổn phận
Nhưng giờ vẫn đứng chôn chân hết ngày này tháng khác
Nếm đắng cay, mặn chát, cuộc đời chợt thấy chẳng khác một bát cơm đầy đất cát
Không phải món ngon cho trẻ con
Đã sống hơn hai chục tuổi vẫn cùng tương lai rượt đuổi
Vẫn chưa bắt được, có lớn bao nhiêu vẫn như đứa con nhỏ đẻ non
Vẫn còn non nớt, vẫn chưa dám trưởng thành
Càng sợ hãi thì lại càng ương ngạnh
Tỏ ra là kẻ bất cần nhưng lộ vẻ thất thần khi kéo lê bước chân đi trong màn sương lạnh
Vẫn đứng một chỗ, tự hỏi mình cần chờ ai?
Những người bạn cũ mình vẫn còn nhớ nhưng sao bóng hình dần mờ phai
Giấc mơ không còn nguyên vẹn, tưởng đem hết những dự định chôn vùi sâu
Cảm ơn lòng sĩ diện của tuổi trẻ vì đã giúp mình không cúi đầu
Rồi ta sẽ gặp thêm rất nhiều điều mới lạ
Trên những con đường mà cả triệu người qua
Ai sẽ vẫn nhớ những tháng ngày đẹp cũ, ai sẽ vẫn còn nhận ra điệu cười ta?
Đi hay dừng lại chỉ tạm thời mà thôi
Bạn bè xưa giờ ở những góc trời xa xôi
Thời gian trôi, tình bạn nơi ta đổi
Ước hẹn một thuở đã thành lời phai phôi
Hết hồn nhiên khi cơ thể này đã biết đau
Gom những mảnh ký ức vào đôi tay ta viết mau
Trong căn phòng trí nhớ, trên trang giấy đã biến màu
Chảy trôi những bến bờ, đời ta thấy là chuyến tàu
Hôm nay ở đây, ngày nào đó tới phương xa
Có còn gì lưu lại nơi con ngõ tối thường qua
Rồi phai mờ dần dần khi thời giờ chầm chậm
Mang những đợi chờ âm thầm tan vào trong gió với hương hoa
Và một mình ta lại ...

[HOOK: male vocal; melodic and emotional; piano with a melodic line; yearning; nostalgic; The melodic hook carries an emotional weight, enhanced by gentle piano, echoing the theme of solitude and hope.]:
Trôi lang thang đôi chân đưa tâm hồn cô liêu
Vang đâu tiếng rao thoáng qua phiên chợ chiều
Từng nhiều ước ao, nhiều mộng đẹp biết bao
Đã một thời khát khao tới những vùng trời mới
Tiếng sáo nơi xa nghe mà thê lương
Tiếng hát ai vấn vương lạ thường
Ôm chí lớn lao vươn tay chạm trời cao
Nhưng đâu hay sớm mai sẽ lênh đênh phương nào

[BRIDGE: male vocal; hopeful and uplifting; crescendos with full instrumental support; uplifting; motivational; Brightening melodies accumulate, accompanied by a full instrumental range, uplifting the message of hopeful reconnecting.]:
Nghe gọi mời, tới mọi nơi, ta còn trẻ ta biết đâu
Ta ngây ngô và đón nhận như chú rùa bé ra biển sâu
Kỷ niệm sẽ chẳng phai đâu, dù cách xa vùng trời mới
Và ta sẽ gặp lại nhau, một nơi ta chưa từng ngờ tới

Beginning with an introspective mood, the song gradually develops through contemplative verses, uplifting hooks, and culminates in a hopeful bridge, presenting a narrative arc of personal growth and resilience.

The vocal performance is characterized by its conversational and fluid style, showcasing a baritone range that delivers emotional depth.

A compelling exploration of self-discovery and introspection, this piece marries emotive lyricism with a gentle yet engaging instrumental backdrop. The combination of mellow piano, subtle synths, and smooth percussion provides an inviting soundscape for the reflective themes being conveyed. The vocal delivery is both lyrical and narrative, drawing the listener into a journey of ambition, growth, and nostalgia, encapsulating the struggles of youth and aspiration.

Themes of self-reflection, ambition, and personal growth prevail throughout the lyrics, exploring the complexities of youth and the passage of time.


Hey

Adrenalin, komm' wir schieben schnell ein Whiskey auf Eis
Nebenbei noch Knastworkout in meim' Backstagebereich
Was für kiffen? Der Erfolg macht mich high
Wenn sich die Nackenhaare aufstellen beim Gang Richtung Bühne
Und du hörst wie zehntausend Menschen einen Namen schreien
Doch realer kann ein Traum nicht mehr sein
Verdammt ja, nenn' es Glück und ich sag sicher nicht nein
Doch leider zum allergrößten Teil
Denn auch ein blinder Hund hat diesen einen Tag im Leben verdient
An dem die Sonne nur für ihn alleine scheint
Und ja, wie hell sie für mich scheint
Ich genieße den Moment in Slow-Motion
Mach' ein Polaroid im Kopf für die Zeit nach meiner Zeit

Macht alle Spotlights an die ihr habt
Dreht die Scheinwerfer hoch bis sie glühen
Wir sind da, putzt die Kameras raus
Was habt ihr nur getan?
Gestern noch so broke wie ein Penner aber heute in den Charts
Baby, Spotlights an
Dreh die Scheinwerfer hoch, bis sie glühen
Ich bin da, packt die Handycams aus
Was habt ihr nur getan?
Dieses Licht macht die Träume von damals real, ey

(Spotlights an)

Ich hatte mein ganzes Leben lang so gut wie nichts
Und ich weiß als ob es gestern war
Noch wie ich mich fragte, wie's wohl Backstage is'
Nichts zu lachen, doch zehntausend Menschen vor der Bühne zaubern
Jedem von uns ein Lächeln ins Gesicht
Wir sind Live-Monster, nach der Show bist du tot
So wie wir oder du hast es nicht kapiert
Gänsehaut überall, wenn der Scheiß eskaliert, ey
Komm wir rasten aus, Hauptsache was passiert (ey)
Und auch wenn jeder von uns dank Konni jetzt 'ne Goldene hat
Sind wir noch lange nicht satt und reißen alles ab in deiner Stadt (hu!)
Komm vorbei, zieh's dir rein, du würdest gerne ein Teil davon sein
Ey, ich geb dir was ab

Macht alle Spotlights an die ihr habt
Dreht die Scheinwerfer hoch bis sie glühen
Wir sind da, putzt die Kameras raus
Was habt ihr nur getan?
Gestern noch so broke wie ein Penner aber heute in den Charts
Baby, Spotlights an
Dreh die Scheinwerfer hoch, bis sie glühen
Ich bin da, packt die Handycams aus
Was habt ihr nur getan?
Dieses Licht macht die Träume von damals real, ey

Macht alle Spotlights an
Was habt ihr nur getan?
Gestern noch so broke wie ein Penner aber heute in den Charts
Baby, Spotlights an


Je ne t'ai offert que ma salive
Pour la Saint Valentin
Oh, oh, tu m'as offert bien plus qu'un cadeau
J'ai obtenu le plus important

Fais-moi un bisou dans le cou
Ça, c'est important, woh, woh, woh, woh
Fais-moi un bisou dans le cou
Ça, c'est important, woh, woh, woh, woh

Où est-ce que tu es, qu'est-ce qu'il m'arrive
C'est la fin, j'en sais rien
Oh, oh, je me suis jetée, jetée à l'eau
J'ai obtenu le plus important

Fais-moi un bisou dans le cou
Ça, c'est important, woh, woh, woh, woh
Fais-moi un bisou dans le cou
Ça, c'est important, woh, woh, woh, woh

Fais-moi un bisou dans le cou
Ça, c'est important, woh, woh, woh, woh
Fais-moi un bisou dans le cou
Ça, c'est important, woh, woh, woh, woh

A bright and catchy tune that encapsulates the playful essence of romance. This indie pop song layers sweet vocals over light instrumentation, creating an uplifting and flirty vibe. The combination of guitar and synth underlines the playful interaction expressed in the lyrics, making it perfect for lighthearted moments.

The female vocals deliver a sweet and melodic performance that captures the playful and flirty mood of the song, adding sweetness and intimacy to the experience.

The lyrics are centered around romantic gestures, focusing on playful exchanges and flirty moments, all while maintaining a light and fun tone.

The song begins with gentle guitar strumming and light synths, quickly introducing rhythmic elements as it moves into the chorus. The playful back-and-forth of the melodic lines keeps the energy bright and engaging, with a consistent theme that reinforces the romantic playfulness throughout.


Cada loco con su tema, loco nadie va a escucharte
Escucha esto pa ducharte
Pídele a tu abuela aguinaldo en navidades
Pa gastarlo por las navi
Gástalo en un hole, te lo gasta en el pary
Paying for some coke, te lo gastas en el pary
I dont give a wooh, me lo gasto en el pary
Me quedo en mi casa, no more money no more pary
No hay un futuro no hay na'
Shit goes down the world's going mad
I'm sippin on some, i don't even know what
Dime lo que quieres, lo que quieres de verdad
Tu tienes mucha noche pa' tener tan poca edad
Yo shit goes down, the world's going mad
Shit goes down, the world's going mad
Shit goes down, the world's going mad

See you in the club with a fake smile on you face
(With a fake smile on you face)
See you in the club with a fake smile on you face
(With a fake smile on you face)
See you in the club with a fake smile on you face
(With a fake smile on you face)
See you in the club with a fake smile on you face
(With a fake smile on you face)
Te he visto en el club no lo estas pasando bien
(No lo estas pasando bien)
Te he visto en el club lo estabas pasando bien
(Lo estabas pasando bien)
Te he visto en el club no lo estas pasando bien
(No lo estas pasando bien)
Te he visto en el club lo estabas pasando bien

Got a voice inside my head
Que me dice lo que tengo que hacer
Que me dice que esto no esta bien
Pepito Grillo que me quiere joder, joder, joder
Que me quiere joder, joder, joder
Que me quiere joder, joder, joder
¿Tu me quieres joder?
Po' loco vamos a joder
Soy un iluminao'
Escribís tos' de lo que he pensao
Y es que a veces pasa to tan rápido
Que de repente ya ha pasao'
Creo que ya lo he olvidado
Voy a escribir algo para poder recordarlo
Esta noche pary ya mañana escribo algo
See me in the club
Otra vez estoy olvidandooo
Se me in the club
Otra vez estoy olvidandooo

See you in the club with a fake smile on you face
(Uh-uh-uh)
See me in the club with a great smile on my face
(Uh-uh-uh)
See you in the club with a fake smile on you face,face,face

See you in the club with a fake smile on you face
(With a fake smile on you face)
See you in the club with a fake smile on you face
(With a fake smile on you face)
See you in the club with a fake smile on you face
(With a fake smile on you face)
See you in the club with a fake smile on you face
(With a fake smile on you face)
Te he visto en el club no lo estas pasando bien
(No lo estas pasando bien)
Te he visto en el club lo estabas pasando bien
(Lo estabas pasando bien)
Te he visto en el club no lo estas pasando bien
(No lo estas pasando bien)
Te he visto en el club lo estabas pasando bien


La única estrella
Que tiene mi cielo
Se está borrando

La nube negra
De mi desgracia
Poquito a poco la va tapando

Y, aunque yo quiera
Que no se vaya
Ya es mi destino jamás mirarla
Quién me lo manda:
Poner los ojos
En una estrella que está tan alta

La única estrella
Que tiene mi cielo
Se está perdiendo

La nube negra
De mi desgracia
Poquito a poco la va cubriendo

Y, aunque yo quiera
Que no me deje
Ella se aleja mientras yo grito

Quién me lo manda:
Poner los ojos
En una estrella del infinito

The song opens softly with a gentle guitar introduction, leading to emotive verses that build in intensity. As the chorus arrives, the instrumentation expands, incorporating brass and strings, amplifying the heartfelt expression. The song maintains a steady emotional arc, drawing listeners deeper into its narrative of loss and desire.

A deeply emotional song that resonates with themes of sorrow and longing. The poignant blend of traditional instruments enriches the soundscape, while the powerful male vocals infuse a heartfelt authenticity that draws listeners in. The overall mood is nostalgic and melancholic, inviting contemplation and memory.

The lyrics explore themes of heartbreak, love, and longing, painting a vivid picture of emotional struggles and a yearning heart.

The powerful male vocals excel in delivering an emotional and dramatic performance that captures the listener's heart, marked by dynamic nuances and passionate expressions.


Grazie, amore mio
Di aver sfidato
Tutto il mondo insieme a me
Di aver cercato
Un'altra vita accanto a me
Di aver sbagliato
E poi pagato anche di più
Insieme a me

Grazie perché so
Che questo amore
Non potrà finire mai
Anche se il mondo
Sta crollando intorno a noi
Non piangerò
In qualche modo riuscirò
A dirti addio

Ma dirti addio non è possibile
Pensare a te e non sorridere
Non esser lì negli occhi tuoi
Ma no, non dico addio
Perché tu vivi in me
Noi siamo ormai
La terra e l'albero
La luce, il sole, di più non so
Di più non so

No, non so

Ma dirti addio non è possibile
Pensare a te e non sorridere
Non esser lì negli occhi tuoi
Ma no, non dico addio
Perché tu vivi in me
Noi siamo ormai
La terra e l'albero
La luce, il sole, di più non so

Grazie, amore mio
Da questa sera
A casa solo tornerò
Dal tuo bicchiere
Come al solito berrò
Sul tuo cuscino
La mia mano correrà
E sarai là


Qu'est-ce que tu crois qu'tu vas devenir
Avec ces dessins sur ton corps
Tu crois que tu vas jamais mourir
Et que ça va conjurer le sort
Qu'est-ce que c'est que tous ces petits squelettes
Sur tes p'tits bras de crevette
Tu n'es pas éternel
Alors ne fais pas cette tête de mort

À quoi penses-tu donc échapper
Avec tout tes macchabées
Auras-tu un traitement spécial
Le jour de la boîte fatale
Crois-tu que la mort te fera un prix
Et que ce sera moins fini
Tu n'es pas éternel
Alors ne fais pas cette tête de mort

Les nervis, les copains, les frères
Y'en a plein les cimetières
Les pissenlits par la racine
C'est leur nouvelle cantine
Pas cette tête, ne fais pas cette tête
Ne fais pas cette tête de mort
Ne fais pas cette tête, ne fais pas cette tête
Ne fais pas cette tête de mort

Ne fais pas cette tête, ne fais pas cette tête
Ne fais pas cette tête de mort
Ne fais pas cette tête, ne fais pas cette tête
Ne fais pas cette tête de mort

Tu dis que les faces de pirates
Et les gueules de bandits
Les blousons noirs, les ongles sales
Ça va pas au paradis
Mais le corbillard n'est pas un truc magique
Ça ne démarre pas au kick
Tu n'es pas éternel
Alors ne fais pas cette tête de mort

Quand ton palpitant affichera zéro
La nuit de Noël t'auras bonne mine
En train de te taper une boîte de maquereaux
En slibard dans la cuisine

Tu seras aussi mort qu'Elvis à Graceland
Étendu dans tes guirlandes
Les mecs du SAMU seront tous d'accord
Tu feras une belle tête de mort

Les nervis, les copains, les frères
Y'en a plein les cimetières
Et les pissenlits par la racine
C'est leur nouvelle cantine
Pas cette tête, ne fais pas cette tête
Ne fais pas cette tête de mort non non
Ne fais pas cette tête, ne fais pas cette tête
Ne fais pas cette tête de mort

Tu ne peux calancher qu'une fois
Tu n'es pas immortel
Mais rappelle-toi que dans cette vie-là
T'as pas fait dans la dentelle
Si la réincarnation t'y crois
Essaie la prochaine fois
De revenir un peu moins con
Sans faire ta tête de mort

Ne fais pas cette tête, ne fais pas cette tête
Ne fais pas cette tête de mort
Ne fais pas cette tête, ne fais pas cette tête
Ne fais pas cette tête de mort

Ne fais pas cette tête, ne fais pas cette tête
Ne fais pas cette tête de mort
Ne fais pas cette tête, ne fais pas cette tête
Ne fais pas cette tête de mort


Das ist ein Gruß an heute Morgen
Und ein Gruß an letzte Nacht
An den einen, der mich weckte
Und an den, der immer lacht
An den Typen an der Kasse
Dem egal ist wer ich bin
Du kennst den Sinn

Das ist ein Gruß an die zu Hause
Und an alle um mich 'rum
An die Leute, die uns mögen
An die, die finden wir sind dumm
An die Menschen aus dem Fernsehen
Und die davor, die uns versteh'n
Wir könn' euch seh'n

Ihr seid die anderen
Wir sind der Rest
Ihr nehmt es an und
Wir halten es fest

Das ist ein Gruß an unsre Schwestern
Und ein Gruß an jedes Kind
Deren Väter mit uns reisen
Und die deshalb einsam sind
Ein Gruß an all die Leute
Ohne die das hier nicht geht
Ihr seid der Weg

Einen Gruß an unsre Freunde
Und an die, die das 'ma' war'n
An die, die sagen was sie denken
Und an die, die sich das spar'n
An die Leute, die uns glauben
Dass wir nichts im Schilde führ'n
Ich kann euch spür'n

Wir sind die anderen
Ihr seid der Rest
Ihr nehmt es an
Und wir halten es fest

Ich werde alles tun
Dass ihr es nie mehr vergesst
Ich werde alles tun
Und ich halte euch fest
Ich werde alles tun
Und ich hoffe ihr lasst uns
Nie wieder los

Ich werde alles tun
Dass ihr das nie mehr vergesst
Ich werde alles tun
Und ich halte euch fest
Ich werde alles tun
Und ich hoffe ihr lasst uns
Nie wieder los

Ich werde alles tun
Dass ihr das nie mehr vergesst
Ich lass' euch nie wieder los
Ich werde alles tun
Dass ihr das nie mehr vergesst
Ich lass' euch nie wieder los


Quizás porque mi niñez
Sigue jugando en tu playa
Y escondido tras las cañas
Duerme mi primer amor,
Llevo tu luz y tu olor
Por dondequiera que vaya,
Y amontonado en tu arena
Guardo amor, juegos y penas.

Yo, que en la piel tengo el sabor
Amargo del llanto eterno
Que han vertido en ti cien pueblos
De Algeciras a Estambul
Para que pintes de azul
Sus largas noches de invierno.

A fuerza de desventuras,
Tu alma es profunda y oscura.

A tus atardeceres rojos
Se acostumbraron mis ojos
Como el recodo al camino.
Soy cantor, soy embustero,
Me gusta el juego y el vino,
Tengo alma de marinero.

Qué le voy a hacer, si yo
Nací en el Mediterráneo.

Y te acercas, y te vas
Después de besar mi aldea.
Jugando con la marea
Te vas, pensando en volver.
Eres como una mujer
Perfumadita de brea
Que se añora y se quiere
Que se conoce y se teme.

Ay, si un día para mi mal
Viene a buscarme la parca.
Empujad al mar mi barca
Con un levante otoñal
Y dejad que el temporal
Desguace sus alas blancas.

Y a mí enterradme sin duelo
Entre la playa y el cielo...

En la ladera de un monte,
Más alto que el horizonte.
Quiero tener buena vista.
Mi cuerpo será camino,
Le daré verde a los pinos
Y amarillo a la genista.
Cerca del mar. Porque yo
Nací en el Mediterráneo.


[Verse 1]
Você tem quilos de tédio
Eu ando tão distraído
Vou te tirar daqui, a gente pode ir
Pra outro planeta, um abrigo
Pegue o cigarro, pegue o seu jeans
E o meu casaco laranja
A gente pode até, tentar multiplicar
Jardim do Éden sem política
[Chorus]
Júpiter pode ser começar de novo
Se por lá não houver esse mesmo povo
Que só quer controlar o que a gente quer
E o que a gente só quer
Júpiter pode ser começar de novo
Se por lá não houver esse mesmo povo
Que só quer controlar o que a gente quer
E o que a gente só quer

[Verse 2]
Praça da Sé num domingo
Paris, Madrid, São Francisco
Eu já cansei até, parei de procurar
É tédio em cada recinto
Você também se sente assim
A gente é tão parecido
Então venha pra cá, é só subir aqui
Se Deus existe a gente chega

[Chorus]
Júpiter pode ser começar de novo
Se por lá não houver esse mesmo povo
Que só quer controlar o que a gente quer
E o que a gente só quer
Júpiter pode ser começar de novo
Se por lá não houver esse mesmo povo
Que só quer controlar o que a gente quer
E o que a gente só quer

[Outro]
É amar

Dreamy synth layers, mellow electric piano, understated electronic beats, soft acoustic guitar arpeggios, prominent warm bassline, gentle male vocals in Portuguese, subtle percussive textures, atmospheric pads, airy reverb effects, lush harmonies, intimate and introspective mood, seamless blend of indie pop and MPB influences, hints of funk groove, smooth production with a floating, celestial vibe.


[Couplet 1]
Une photo, une date, c'est à n'y pas croire
C'était pourtant hier mentirait ma mémoire
Et ces visages d'enfants, et le mien dans ce miroir

[Couplet 2]
Oh c'est pas pour me plaindre ça a vous n'avez rien à craindre
La vie m'a tellement gâtée, j'ai plutôt du mal à l'éteindre
Oh mon Dieu j'ai eu ma part, et bien plus à tant d'égards

[Pre-Refrain 1]
Mais quand on vit trop beau, trop fort, on en oublie le temps qui passe
Comme on perd un peu le nord au milieu de trop vastes espaces
À peine le temps de s'y faire, à peine on doit laisser la place
Si je pouvais
[Refrain]
Encore un soir, encore une heure, encore une larme de bonheur
Une faveur, comme une fleur
Un souffle, une erreur
Un peu de nous, un rien de tout
Pour tout se dire encore ou bien se taire en regards
Juste un report, à peine encore, même s'il est tard

[Couplet 3]
J'ai jamais rien demandé, ça c'est pas la mer à boire
Allez, face à l'éternité, ça va même pas se voir
Ça restera entre nous, oh juste un lèger retard

[Pre-Refrain 2]
Y'en a tant qui tuent le temps, tant et tant qu'ils le perdent ou le passent
Tant qui se mentent, inventent en les rêvant des instants de grâce
Oh je donne ma place au paradis, si l’on m’oublie sur Terre
Encore hier

[Refrain]
Encore un soir, encore une heure, encore une larme de bonheur
Une faveur, comme une fleur
Un souffle, une erreur
Un peu de nous, un rien de tout
Pour tout se dire encore ou bien se taire en regards
Juste un report, à peine encore, je sais, il est tard

[Pont]
C’est pas grand-chose, rien qu’une pause
Que le temps, les horloges se reposent
Et caresser, juste un baiser
Un baiser

[Outro]
Encore un soir, encore une heure, un peu de nous, un rien de tout, encore un heure
Un soir

Elegant French pop ballad with lush orchestration, led by emotive lead vocals over gentle piano, subtle string arrangements, soft acoustic guitar, restrained drums, and warm bass

features delicate synth textures in the background

dynamic build in the chorus with swelling harmonies

widely acclaimed, achieved major chart success in France and francophone countries.


Que música é essa que nóis vai fazer?
Que música... que música é, jão'?
Isso aí
Isso é hit

Nóis tá fundão, social clandestino
Onde as tchuca brota só pra sentar pra bandido
É o bicho, você vai...

Versão brasileira, se não fode, não me liga
Essa é a Thug Records, os verdadeiro cria
(Já pode pagar é cheque)

Vai sentando pro chefe, loucona de Chevette
Transando com o chefe, é o bicho
Vai, vai sentando pro chefe, loucona de Chevette
Transando com o chefe, é o bicho (manda assim, vai ó)

Baile funk tá tipo Disney, lotado de princesa
Elas tão acanhada que só toca safadeza
Uma mão vai no joelho, outra na consciência
Um pouquinho de remorso, mesmo assim...

Tá sentando pro chefe, loucona de Chevette
Quicando pro chefe, é o bicho
Vai, vai sentando pro chefe, loucona de Chevette
Quicando pro chefe, vai

Vai, vai sentando pro chefe, loucona de Chevette
Transando com o chefe, é o bicho
Vai sentando pro chefe, loucona de Chevette
Transando com o chefe, é o bicho

Nóis tá fundão, social clandestino
Onde as tchuca brota só pra sentar pra bandido
É o bicho, você vai...

Versão brasileira, se não fode, não me liga
Essa é a Thug Records, os verdadeiro cria
(Já pode pagar é cheque)

Vai, vai sentando pro chefe, loucona de Chevette
Transando com o chefe, é o bicho
Vai, vai sentando pro chefe, loucona de Chevette
Transando com o chefe, é o bicho (manda assim, vai ó)

Baile funk tá tipo Disney, lotado de princesa
Elas tão acanhada que só toca safadeza
Uma mão vai no joelho, outra na consciência
Um pouquinho de remorso, mesmo assim...

Tá sentando pro chefe, loucona de Chevette
Quicando pro chefe, é o bicho
Vai, vai sentando pro chefe, loucona de Chevette
Quicando pro chefe, vai

Esse é o Fioti, ele é o bicho chefe


[Lily white「知らないLove*教えてLove」歌詞]

風が吹いたの　激しい風にさらわれたい

ふと気がついた…私から会いたいことに気がついた
待ちきれない放課後の帰り道は

ひとりになって寄りかかる　街路樹の陰
俯いて足音だけ数えても　だめっ…だめだめっ

運命感じてよと(願うわ)
初めてなの　胸騒ぎで泣きたくなるなんて
知らないLove*教えてLove
未熟だもんって　く・ら・く・ら Cry
こんなに誰か見てるなんて
違う私になっちゃった?
知らないLove*教えてLove
怖がりなのにとめられない
少し背伸びしてみたら
風が吹いたの　あなたの風にさらわれたい

今ときめいた…この鼓動早まるほどにときめいた
苦しくなる微熱より熱い好奇心

私にもっと近付いて　呼んでほしいの
名まえさえ互いがまだ分からずに　いやっ…いやいやっ

運命信じるなら(叶うの)
言葉なんていらない筈　始まれ目と目で

幼いHeart*開くのHeart
純情ですか　ま・だ・ま・だ mind
恋する気分は未知の冒険
どんな私になっちゃうの?
幼いHeart*開くのHeart
月まで抱いて連れてって
お願いだらけ許してね
星の数より　あなたの夢が見たいのです

知らないLove*教えてLove
未熟だもんって　く・ら・く・ら Cry
あなたを見てる　見てるずっと
こんな私になっちゃった!
知らないLove*教えてLove
怖がりなのにとめられない
少し背伸びしてみたら
風が吹いたの あなたの風にさらわれたい

知らないLove*教えてLove

The song progresses with an engaging opening, the vocals and instrumentation building excitement as it moves from tender verses to catchy choruses. There's a notable emotional shift in the bridge, before returning to the playful energy of the chorus, maintaining a dynamic and lively flow throughout.

The vocals are characterized by a sweet and chirpy quality, expressing youthful energy and emotional depth, particularly during moments of longing and excitement.

The lyrics convey themes of youthful affection, exploration of new love, and the joy of new experiences, wrapped in a whimsical and playful manner.

A lively and youthful song that encapsulates the feelings of young love and discovery. The upbeat tempo, catchy melodies, and playful instrumentation create a whimsical atmosphere, evoking nostalgia and excitement. The blend of expressive vocals and vibrant musical arrangements establishes a joyful soundscape that's both inviting and uplifting.

Upbeat, glittery J-Pop sound with bright synthesizers, energetic drum programming, punchy electric bass, sparkling piano accents, shimmering string pads, and occasional brass stabs

features layered, harmonized female vocals with occasional call-and-response, playful melodic runs, and dynamic group choruses

production is crisp and polished, driving tempo with dance-pop influences, common in anime soundtrack pop

includes electronic effects and percussive claps for rhythmic excitement

no acoustic guitar or rock elements, maintains a light, effervescent, idol-pop aesthetic throughout.


[Verse 1: male vocals; conversational; introspective; synth; drum machine; ambient pads; reflective; heartfelt; contemporary; Smooth male vocals open with a conversational tone, layered over synth pads and a soft drum machine beat that create an introspective atmosphere.]
In de allernieuwste kleren voor de spiegel
Ik kom prima voor de dag en nee, ik ga niet voor je liegen
Ik zit in een goeie flow, ik heb ieder weekend shows
Ik ben wakker in een droom en alles wat ik doe lukt nu
Maar oeh, damn, ik kan me niet gedragen als ik bij haar ben
Je weet het, ik doe m'n best
Ik weet dat jij volledig onbereikbaar bent

[Chorus: male vocals; emotional; heartfelt; drum machine; synth bass; layered vocals; poignant; catchy; emotional; The emotional delivery intensifies as the male vocals capture feelings of longing and desire. The instrumentation becomes richer with synth bass and layered vocals, creating a heartfelt vibe.]
En nu ben ik de allerbeste versie van de sukkel die ik ben
We weten dat het kan, dus waarom drukken we het weg?
Oh, damn, oeh, want ze was er ineens
En ik zag het meteen
Ze keek dwars door me heen
Alles gaat fout, weet niet hoe je dat doet
Ben mezelf niet bij je, maar bedoel het zo goed
Oeh, want ze was er ineens
En ik zag het meteen
Ze keek dwars door me heen

[Verse 2: male vocals; storytelling; reflective; piano; synth; subtle percussion; expressive; narrative; introspective; The storytelling continues with vulnerable male vocals over a delicate piano melody and light percussion, enhancing the reflective mood.]
Ik wil haar laten zien dat ik het met haar meen
Maar ik struikel over bijna elke lettergreep
Zij heeft niemand nodig, zij is selfmade
Maar mocht je zoeken naar een schouder, schat, ik heb er twee
Ik wil een liedje voor d'r schrijven zoals "Goeie Fles Wijn"
Ze zit ergens in m'n hoofd, maar ze ligt buiten mijn bereik
Is volgens vrijwel al m'n vrienden een verspilling van m'n tijd
En misschien wil ik daarom wel zo graag met d'r zijn, maar

[Chorus: male vocals; emotional; heartfelt; drum machine; synth; vocal harmonies; poignant; catchy; emotional; The chorus repeats with a poignant strength, maintaining the emotive feel through coherent vocal harmonies and rhythmic synths.]
Nu ben ik de allerbeste versie van de sukkel die ik ben
We weten dat het kan, dus waarom drukken we het weg?
Oh, damn, oeh, want ze was er ineens
En ik zag het meteen
Ze keek dwars door me heen
Alles gaat fout, weet niet hoe je dat doet
Ben mezelf niet bij je, maar bedoel het zo goed
Oeh, want ze was er ineens
En ik zag het meteen
Ze keek dwars door me heen

[Bridge: male vocals; expressive; longing; piano; synth; ambient pads; hopeful; emotional; The vocals convey a sense of hope and longing as the male vocalist expresses his determination, supported by a gentle piano and ambient synths.]
Oeh, damn, ik kan me niet gedragen als ik bij haar ben
Maar ze weet het, ik doe m'n best
En ik voel dat ik haar bijna heb
Dus ik ben nog steeds de allerbeste versie van de sukkel die ik ben
Maar voor haar is het perfect, zijn inmiddels onderweg
En ik denk dat ik haar bijna heb

[Chorus: male vocals; emotional; heartfelt; drum machine; synth; vocal harmonies; poignant; catchy; emotional; The chorus repeats with a poignant strength, maintaining the emotive feel through coherent vocal harmonies and rhythmic synths.]
En nu ben ik de allerbeste versie van de sukkel die ik ben
We weten dat het kan, dus waarom drukken we het weg?
Oh, damn, oeh, want ze was er ineens
En ik zag het meteen
Ze keek dwars door me heen
Alles gaat fout, weet niet hoe je dat doet
Ben mezelf niet bij je, maar bedoel het zo goed
Oeh, want ze was er ineens
En ik zag het meteen
Ze keek dwars door me heen

The male vocals exhibit a conversational yet expressive style, capturing a range of emotions that resonate with listeners. The smooth delivery enhances the heartfelt nature of the narrative.

A contemporary pop track that delves into themes of longing and self-reflection. It blends smooth vocal melodies with electronic instrumentation, creating a resonant soundscape. The emotive delivery draws listeners in, telling a relatable story of unreciprocated feelings and personal growth.

The lyrics explore the complexity of emotions surrounding love and self-perception, with a focus on the struggle to express feelings in a meaningful way.

The song unfolds smoothly, progressively building layered instrumentation throughout the verses while maintaining a steady rhythm. The frequent return to the emotionally charged chorus reinforces the main theme, and each section flows seamlessly into the next, creating a cohesive listening experience.


[Intro: spoken male vocals; drum machine; synthesized sounds; engaging; establishes theme; Spoken male vocals introduce the track, setting a reflective mood with a rhythmic cadence from underlying beats.]
Małach & Rufuz, Polska Wersja

[Refren: rhythmic male vocals; catchy refrain; bass line; percussion; catchy; recurrent theme; Catchy and engaging refrain sung with a rhythmic flow, inviting the listener to respond.]
Jeśli czujesz, że coś ci zabiera tlen to
Lepiej to zostaw, lepiej to zostaw
Jeśli widzisz, że realne nie jest snem (nie jest)
Bierz to co los da, bierz to co los da

[Zwrotka 1: expressive male vocals; narrative style; drum machine; layered synths; narrative-driven; emotional depth; Expressive male vocals communicate personal narratives, with the supporting beat creating a sense of urgency.]
Ty weź to zostaw co ci wadzi, szkodzi
Poznałeś ludzi już przecież i co cię studzi teraz?
Ze snu cię to budzi, nie godzi mi się z tym zgodzić
Choć mam tu paru takich co za nich dałbym się pobić
Nie wiesz co robić ze swoim własnym życiem?
Chciałbyś odetchnąć, poczuć swego serca bicie
Albo narodzić na nowo, wreszcie być sobą
Bo póki co to jak pies tu gonisz ogon
To nie zabobon, że głową obrazy tworzysz
Które potem w rzeczywistość zmieniają się na twą korzyść
By tego dożyć musisz uparcie dążyć
Dobrze wiesz gdzie, człowieku, więc zostaw te brudy w ścieku
W świecie bez reguł to szczegół zagrać nie czysto
Ale ty bądź ponad to, olej to wszystko
Lepiej to zostaw jeśli coś nie jest snem
A jest realne, bierz co los da, też w tym jestem

[Refren: rhythmic male vocals; catchy refrain; bass line; percussion; reinforces central message; The refrain reoccurs, reinforcing the message with rhythmic male vocals that capture the essence of the song.]
Jeśli czujesz, że coś ci zabiera tlen to
Lepiej to zostaw, lepiej to zostaw
Jeśli widzisz, że realne nie jest snem (nie jest)
Bierz to co los da, bierz to co los da

[Zwrotka 2: percussive male vocals; intense delivery; drum machine; bass; samples; intensity builds; critical themes; Intensely delivered vocals provide an emotional punch, matched with aggressive beats that propel the message forward.]
Tylko patrzysz na zenit i bez zmiany rany
W tyle, marzenia, plany w jednej chwili cały świat jest mały
Tylko powiedz jak żyć, powiedz jak mam to zrobić
By dobić to i zdobyć jak trzeba
Jak MR/PW według reguł, z dala od brzegu
Kiedyś umiałem tylko pisać, dziś mam wszystko przez to
Do dziś nic nie przeszło, wiesz co daje tutaj tlen jak mam sen? Nieraz groźba, wstaje rano
Patrzę co Nam los da, bo nie ma nic od tak
Już od dawna wiem, że prawda tylko może tutaj przetrwać
Jak podwórka na dawnych gettach
Teraz rap - lek na głośnikach, nie tandeta
Przez osiedla, słowa na werblach
Zrobić coś, się pojednać, albo pierdolić to, się pożegnać
Przestań, za mały jest ten świat
Otwórz okno, by marzeniom dać się dotknąć

[Zwrotka 3: contemplative male vocals; reflective tone; drum machine; background synths; reflective; personal insights; Contemplative male vocals reflect on personal struggles, layered over a steady, supportive rhythm.]
Powoli (pozdro) zastanawiasz się czemu tak, co cię boli
A jeśli coś jest, co to jest, w jakiej roli?
Czy to jakiś stres, czy to wkręta
Zostaw, bo dzień jutrzejszy, to już nie ten sam
Zostaw przejścia znane już twoim wrogom
Na twoich ścieżkach oni, już nic nie mogą
Stosy marzeń płoną, bo są za słabi
Chcieli, ale nie mogą tego zostawić
Czasem naprawić jest trochę za późno
Lepiej to zostaw, teraz, dziś, nie jutro
Nerwy na wodzy trzymać, o swoje krótko
Nie wykorzystać swojej szansy musi być smutno
Zabierasz tlen mi, zostaw, daj mi spokój
Zdejmujesz łańcuch - lepiej, jesteś w szoku
I ja zostawiam to za sobą i żegnam
I niech jak dobry rap to lata po osiedlach

[Refren: rhythmic male vocals; catchy refrain; bass line; percussion; reinforces central message; The refrain reoccurs, reinforcing the message with rhythmic male vocals that capture the essence of the song.]
Jeśli czujesz, że coś ci zabiera tlen to
Lepiej to zostaw, lepiej to zostaw
Jeśli widzisz, że realne nie jest snem (nie jest)
Bierz to co los da, bierz to co los da

[Zwrotka 4: melodic male vocals; introspective delivery; drum machine; atmospheric sounds; questioning; searching for meaning; Melodic male vocals that weave introspective thoughts with a gentle cadence as atmospheric sounds enrich the backdrop.]
Czy to światło księżyca, słońca blask na ulicach
Chęć życia widać tak samo w naszych źrenicach
Bo normalne jest, że wdychając powietrze
Wydychasz w przestrzeń, zmartwienia i presje
To właśnie przez nie, to zapamiętaj
Hajs - złe podejście, na szyi pętla
A ja wole tonąć w dźwiękach niż w procentach
I widzieć ścianę w srebrach, nie w siódemkach
Ja wole kochać bliskich, wie to ma kobieta
Nie dziwki egoistki, wszystkich mające za peta
Z nimi podróż daremna i wizja ślepa, wyjścia z piekła
Coś jest nie tak gdy wyjściem jest mefa
Lepiej to zostaw, pytanie sobie postaw
Czy warto tonąć wciąż tam w nowych troskach
To sprawa prosta jednak wiele zmienia
Weź to zostaw, powodzenia!

[Refren: rhythmic male vocals; catchy refrain; bass line; percussion; reinforces central message; The refrain reoccurs, reinforcing the message with rhythmic male vocals that capture the essence of the song.]
Jeśli czujesz, że coś ci zabiera tlen to
Lepiej to zostaw, lepiej to zostaw
Jeśli widzisz, że realne nie jest snem (nie jest)
Bierz to co los da, bierz to co los da

[Tekst i adnotacje na Rap Genius Polska]

Dynamic and lyrical male vocals dominate the track, offering storytelling elements that enhance the impact of the verses.

The lyrics delve into themes of life struggles, self-reflection, and making choices that are true to oneself, engaging the audience with relatable content.

The song flows from an introspective introduction to high-energy verses that convey powerful messages. The refrain acts as a grounding anchor throughout, causing the energy to ebb and flow as personal stories are shared, culminating in a rewarding listening experience that reflects growth and realization.

A powerful rap track that explores personal struggles and the importance of making conscious decisions. The energetic beats combined with lyrical depth create a rich listening experience. Each verse is filled with reflective narratives that resonate with listeners, while the rhythmic refrain serves as a catchy reminder of self-worth and decision-making in the face of adversity.

Polish hip hop track, prominent use of boom bap-style drum machine patterns, deep punchy bass, layered with sampled melodic loops possibly from guitar or keyboard, subtle vinyl crackle effect, rhythmic rapped verses, hook with slightly melodic vocal delivery, minor atmospheric effects, overall raw and underground vibe, no duet.


Oh, oh, oh, oh, oh, oh, oh, oh, oh,oh
Oh, oh, oh, oh, oh, oh, oh, oh oh,oh
Arrête un instant, écoute-moi
La vie que tu cherches n'existe pas
L'amour est très fort, sauve ton coeur
Il meurt, il meurt oh oh oh oh

Looks strikes I got them get out the door
Midnight to moonlight, makes me want more
Don't stop the dancing, out of control
Let's go, let's go oh oh oh oh

Little braveheart beat for me
Un petit peu de plaisir tu sais comment fuir
Little braveheart beat for me
La vie elle passe très vite, elle n'est pas gratuite

Oh, oh, oh, oh, oh, oh, oh, oh, oh,oh
Oh, oh, oh, oh, oh, oh, oh, oh oh,oh

Avant que tu perdes la clé de ta vie
Repense aux leçons que je t'ai déjà dit
Ecoute ton coeur, c'est ça le bonheur
C'est fort, c'est fort oh oh oh oh

Little braveheart beat for me
Un petit peu de plaisir tu sais comment fuir
Little braveheart beat for me
La vie elle passe très vite, elle n'est pas gratuite

Oh, oh, oh, oh, oh, oh, oh
Oh, oh, oh, oh, oh, oh, oh
Oh, oh, oh, oh, oh, oh, oh
Oh, oh, oh, oh, oh, oh, oh

Gonna get the party started
Gonna get my pumps up shine
Oh oh oh oh ph oh oh

Little braveheart beat for me
Un petit peu de plaisir tu sais comment fuir
Little braveheart beat for me
La vie elle passe très vite, elle n'est pas gratuite

Oh, oh, oh, oh, oh, oh, oh, oh
Oh, oh, oh, oh, oh, oh, oh, oh
Oh, oh, oh, oh, oh, oh, oh, oh
Oh, oh, oh, oh, oh, oh, oh, oh

Oh, oh, oh, oh, oh, oh, oh, oh
Oh, oh, oh, oh, oh, oh, oh, oh
Oh, oh, oh, oh, oh, oh, oh, oh
La vie elle passe très vite, elle n'est pas gratuite


[Текст песни «ТМН»]

[Куплет 1: female vocal; playful tone; electronic beats; synthesizer chords; playful; inviting mood; Bright and playful female vocals over a pulsating electronic beat, setting a flirty tone.]
Форы до шести
Выходи, я выхожу искать
И твой пес мастиф
Очень мил, ага!
В тебе либерти
Позавидует сам Аллен Вуди
И Aston Martin (ого)
Чересчур, будет
Будь что будет

[Припев: female vocal; catchy and upbeat; drum machine; synth bass; electronic elements; catchy; energetic; repetitive; Catchy and upbeat chorus, the vocals are lively and engaging, inviting listeners into a dance.]
Ты мне нравишься
Ты мне нравишься
Ты мне нравишься, да!
Ты мне нравишься
Ты мне нравишься
Пойдем гулять!

[Куплет 2: female vocal; enthusiastic and lively; drum machine; synthesizer build-up; enthusiastic; lively interaction; Energetic delivery, maintaining an enthusiastic vibe with rhythmic beats and synthesizer flows.]
Обещаю сок, шот, сок
Или что ты там на утро пьешь?
Парень все сечёт
НУ ДАВАЙ ЕЩЕ-ЕЩЕ-ЕЩЕ!

[Припев: female vocal; catchy and upbeat; full electronic arrangement; driving beat; infectious; memorable; Full instrumental arrangement joins the catchy vocals, driving the song to an energetic sweep.]
Ты мне нравишься
Ты мне нравишься
Ты мне нравишься, да!
Ты мне нравишься
Ты мне нравишься
Пойдем гулять!

[Постприпев: background vocalizations; playful; electronic loops; synth pads; playful repetition; joyous feel; Layered vocalizations create a playful ambiance, enhancing the track's infectious rhythm.]
О-о-о-о-о
О-о-о-о-о
О-о-о-о-о
О-о-о-о-о

[Куплет 3: female vocal; expressive and direct; drum machine; upbeat synths; flirtatious; edgy vibe; Direct and expressive vocals convey a confident message, supported by rhythmic electronic backdrops.]
Каблуки клик-клак
Мам, плохие новости
Вижу, что мудак
Только я иду знакомиться!

[Припев: female vocal; catchy and upbeat; full electronic arrangement; driving beat; infectious; memorable; Full instrumental arrangement joins the catchy vocals, driving the song to an energetic sweep.]
Ты мне нравишься
Ты мне нравишься
Ты мне нравишься, да!
Ты мне нравишься
Ты мне нравишься
Пойдем гулять!

[Постприпев: background vocalizations; playful; electronic loops; synth pads; playful repetition; joyous feel; Layered vocalizations create a playful ambiance, enhancing the track's infectious rhythm.]
Ты мне нравишься
Ты мне нравишься
Ты мне нравишься, да!
Ты мне нравишься
Ты мне нравишься
Пойдем гулять!

[Бридж: female vocal; repetitive; building energy; synthesizers; creating a dynamic ambiance; building intensity; engaging; Repetitive phrases build energy, creating anticipation with vibrant synthesizer layers maintaining a dynamic feel.]
Ты мне нравишься
Ты мне нравишься
Ты мне нравишься
Ты мне нравишься
Ты мне нравишься
Ты мне нравишься

[Припев: female vocal; catchy and upbeat; full electronic arrangement; driving beat; infectious; memorable; Full instrumental arrangement joins the catchy vocals, driving the song to an energetic sweep.]
Ты мне нравишься
Ты мне нравишься
Ты мне нравишься, да!
Ты мне нравишься
Ты мне нравишься
Пойдем гулять!
Ты мне нравишься
Ты мне нравишься
Ты мне нравишься, да!
Ты мне нравишься
Ты мне нравишься
Пойдем гулять!

The song opens with a playful introduction that immediately sets a lively tone, followed by alternating verses and choruses full of catchy hooks. Bright synthesizers and punchy drums create an infectious rhythm, while the repeated phrases throughout build familiarity and engagement, ensuring the energy remains high.

The lyrics focus on flirtation and youthful romance, capturing an exciting sense of attraction and spontaneity.

Bright and expressive female vocals dominate the arrangement, effortlessly blending catchiness with warmth, and elevating the track's lively feel.

An upbeat pop anthem radiating with energy and playfulness. The dynamic combination of catchy melodies paired with vibrant electronic instruments delivers an infectious groove that encourages dancing. The light-hearted lyrics and flirty themes resonate with youthful exuberance and romance, making it a perfect party track.


[Coro: male vocals; emotional delivery; catchy chorus; keyboards; drums; bass; catchy; emotional expression; The chorus features smooth male vocals that convey emotional depth, catchy melody with layers of keyboards and a steady rhythmic beat.]
Si tuviese una máquina 'el tiempo
Volvería al día en que te conocí, y
Recuperaría todo el tiempo que perdí
Estar contigo fue un error, pero aprendí (Aprendí)

[Verso 1: male vocals; reflective; emotional; keyboards; bass; melancholic; introspective; Reflective male vocals dominate this verse, speaking of past regrets, accompanied by subtle bass and keyboard harmonies that enhance the somber mood.]
Si supieras que yo me arrepiento
Del cariño y todo el amor que te di
De fingir por tanto tiempo ser feliz
Cuando en realidad contigo no lo fui
Me voy de aquí, me cansé de sufrir
Me cansé de llorar, e cansé de sentir que to’ me sale mal
Sólo me vo'a quedar, así mejor vo'a estar
Me cansé de intentarlo
Y no, no, oh-oh-oh
El amor que tenía se murió
Yo te quería pero ya todo acabó
La mujer que tanto amaba me falló

[Coro: male vocals; emotional delivery; catchy chorus; keyboards; drums; bass; catchy; emotional expression; The chorus features smooth male vocals that convey emotional depth, catchy melody with layers of keyboards and a steady rhythmic beat.]
Si tuviese una máquina ’el tiempo
Volvería al día en que te conocí, y
Recuperaría todo el tiempo que perdí
Estar contigo fue un error, pero aprendí (Aprendí)

[Verso 2: male vocals; soothing; self-reflective; keyboards; bass; subtle percussion; reflective; uplifting; The vocals maintain a soothing tone, as the instrumentation builds slightly, providing a feeling of self-reflection and newfound peace.]
Que decidí amarte
Cuando debí amarme a mí
Por estar detrás de ti me perdí
Y no, no, oh-oh-oh
Ya no quiero saber más de este amor
Dile a Cupido que me haga el favor
Que encontré la paz y sólo me siento mejor
Me siento mejor, me siento mejor

A deeply emotional piece that explores themes of heartbreak and self-discovery. The song combines soothing melodies and heartfelt lyrics delivered through expressive male vocals. The instrumentation features a blend of electronic and acoustic elements, creating a contemporary sound that resonates with listeners. The overall mood captures a sense of nostalgia and introspection, while also suggesting personal growth and healing.

The lyrics reflect on past relationships, emphasizing the importance of self-love and the experiences learned through pain.

The male vocals are soothing and expressive, effectively conveying a range of emotions from regret to a sense of newfound peace.

The song begins with a soft introduction of keyboards and gradually builds with the addition of rhythmic drums and bass. The first chorus showcases a catchy refrain, while the verses delve into introspective narratives, maintaining a consistent emotional tone throughout.

moody reggaetón and alternative R&B blend, steady dembow rhythm, deep sub bass, syncopated dancehall percussion, layered synth textures, prominent autotuned male vocal delivery with emotional and passionate tone, hints of melancholia and yearning in the melody, subtle guitar licks in background, minimalistic piano accents, dynamic beat drops, reverb-drenched vocal ad libs, electronic effects for atmospheric depth, lyrics center on nostalgia and emotional aftermath of a breakup, no duet, no noted awards or chart placements


[Intro]
Ehi, ehi, ehi
De quello che dite non ce frega 'n cazzo
Famo un po' come ce pare
Ne bevo una di troppo, poi divento un artro
Di cose serie non riesco a parlare

[Ritornello]
De quello che dite non ce frega 'n cazzo
Famo un po' come ce pare (Ehi)
Ne bevo una di troppo, poi divento un artro
Di cose serie non riesco a parlare
[Strofa 1]
Guardo con un occhio, me so alzato storto (Eh)
Guardame nell'occhi l'ansia da trasporto (Ehi)
So' finiti i giochi l'anni me li scordo (Seh)
So' finiti i modi, basta, 'n te sopporto
Vedo il tempo che scorre
Ricordo serate trascorse (Ehi)
Sopra n'SH a fa le ronde (Ehi, ehi)
Voglio sta in vacanza al mare in mezzo alle onde (Seh)
Ma che parli a fare, tanto nessuno risponde

[Ritornello]
De quello che dite non ce frega 'n cazzo
Famo un po' come ce pare
Ne bevo una di troppo, poi divento un artro
Di cose serie non riesco a parlare, ehi
De quello che dite non ce frega 'n cazzo
Famo un po' come ce pare
Ne bevo una di troppo, poi divento un artro
Di cose serie non riesco a parlare

[Strofa 2]
Parlo solo del mio
Qua da solo davanti ad un bivio e rido
Cento canne qua è un rito (Ehi)
Do un abbraccio visivo
È assurdo che appena pensi qua passa tutto
Nun me scordo le belle cose fatte in gruppo
Io per loro farei tutto
Ho perso già due fratelli che erano stretti, pace a loro
Te volevi move, statte bono
Ho detto che ce pensamo dopo
Il tempo è un arma
Devi poter usarla
Ma al momento giusto
Guarda che paga il karma
Ma forse è vero ancora non t'ho detto tutto

[Ritornello]
De quello che dite non ce frega 'n cazzo
Famo un po' come ce pare
Ne bevo una di troppo, poi divento un artro
Di cose serie non riesco a parlare, ehi
De quello che dite non ce frega 'n cazzo
Famo un po' come ce pare
Ne bevo una di troppo, poi divento un artro
Di cose serie non riesco a parlare

Modern Italian rap with a melancholic, introspective tone

prominent trap-influenced beat with crisp hi-hats, deep 808 bass, atmospheric synth layers, and subtle melodic piano motifs

rhythm-driven vocal lines marked by emotionally charged delivery and occasional autotune effects

minimal backing vocals and occasional vocal ad-libs

song structure alternates between intense verses and melodic refrains

urban soundscape punctuated by ambient effects

lyrics focused on personal struggle and reflection


Wie sie schwitzen, wie sie stinken
Wie dumm sie schauen wenn sie kauen
Wie sie nicht im Rhythmus dancen
Ich hab' keinen Bock auf Menschen!
Wie sie balzen, sich vermehren
Acht Milliarden kranker Schädel
Bringen mich an meine Grenzen
Ich hab' keinen Bock auf Menschen!

Bin so oft am verzweifeln
Fühl' mich so oft einfach leer
Gäb's da nicht jemand' wie dich
Wär' ich längst nicht mehr hier

Die ganze Welt
Kann mich mal
Willst du mit mir alleine sein?
Ein Haus am See
Nur für uns zwei
Willst du mit mir alleine sein?

Wie sie leiden, sich belügen
Sich um Iphones zu prügeln
Und wie ihr Autos glänzen
Ich hab keinen Bock auf Menschen!
Wie sie gleich nach Thailand fliegen
Sonntags ihren Tatort lieben
Diese plagen von scheiß Menschen
Ich hab keinen Bock auf Menschen!

Bin so oft am verzweifeln
Fühl' mich so oft einfach leer
Gäb's da nicht jemand' wie dich
Wär' ich längst nicht mehr hier

Die ganze Welt
Kann mich mal
Willst du mit mir alleine sein?
Ein Haus am See
Nur für uns zwei
Willst du mit mir alleine sein?

Bitte, bitte, bitte
Seit einfach still
Bitte, bitte, bitte
Das ist alles was ich will
Bitte, bitte, bitte
Geht mir aus den Augen
Das Leben ist viel zu schön
Um es mit Menschen zu verbringen

Die ganze Welt
Kann mich mal
Willst du mit mir alleine sein?
Ein Haus am See
Nur für uns zwei
Willst du mit mir alleine sein?
Allein
Ganz allein
So allein
Allein


[Coro]
He estado abajo por tanto tiempo, me parece como arriba
Me admiran
Tengo a gente falsa dándome amor falso
Directamente a mi cara, directamente a mi cara
He estado abajo por tanto tiempo, me parece como arriba
Me admiran
Tengo a gente falsa dándome amor falso
Directamente a mi cara, directamente a mi cara

[Verso 1]
Algo no está bien cuando hablamos
Algo no está bien cuando hablamos
Parece que ocultas tus problemas
De verdad, nunca eras sólida
No, no me puedes enseñarme como si fuera tu hijo
Nunca podrás estar conmigo
Justo cuando la mierda parece fuera del alcance
Alcanzo hacia atrás como uno, tres
Como uno, tres, sí
[Pre-Coro]
Ahí es cuando sonríen en mi cara
Todo el tiempo quieren tomar mi lugar
Todo el tiempo quieren tomar mi lugar
Todo el tiempo quieren tomar mi lugar
Sí, sé que quieren tomar mi lugar
Puedo ver que el amor es falso
No confío en nada de lo que dices
¿Comó quieres pasarla juntos después de tus errores?
Te miro a la cara, y es que no es lo mismo

[Coro]
He estado abajo por tanto tiempo, me parece como arriba
Me admiran
Tengo a gente falsa dándome amor falso
Directamente a mi cara, directamente a mi cara
He estado abajo por tanto tiempo, me parece como arriba
Me admiran
Tengo a gente falsa dándome amor falso
Directamente a mi cara, directamente a mi cara

[Verso 2]
Sí, directamente a mi cara, intentando a ir a lo seguro
Cambiando vibras como noche y día
Lo puedo ver, como, enseguida
Subí, cambiaste
Vi toda la jugada
Desde entonces, las cosas nunca han sido iguales

[Pre-Coro]
Ahí es cuando sonríen en mi cara
Todo el tiempo quieren tomar mi lugar
Todo el tiempo quieren tomar mi lugar
Todo el tiempo quieren tomar mi lugar
Sí, sé que quieren tomar mi lugar
Puedo ver que el amor es falso (Puedo ver que el amor es falso)
No confío en nada de lo que dices (No confío en nada)
¿Comó quieres pasarla juntos después de tus errores?
(Esto es solo lo que oí)
Te miro a la cara, y es que no es lo mismo

[Coro]
He estado abajo por tanto tiempo, me parece como arriba
Me admiran
Tengo a gente falsa dándome amor falso
Directamente a mi cara, directamente a mi cara
He estado abajo por tanto tiempo, me parece como arriba
Me admiran
Tengo a gente falsa dándome amor falso
Directamente a mi cara, directamente a mi cara

[Outro]
Skrrt
Y más chune para tú headtop
Entonces ten cuidado como hablas de mí, ¿me entiendes?

Billboard Hot R&B/Hip-Hop Songs 2017 2016


Tá achando que tá enganando quem?
Trocar de amor não é trocar de roupa
Louca
Quer mostrar pros seus amigos que tá zen
Só se for
Zen amor
Zen ninguém
Zen minha boca ai ai

Pesou na maquiagem pra sair na noite
Mas quem te dá um close
Vê que seu sorriso é só pose
Vai encher a cara e rebolar com "azamiga"
Mas só de sacanagem
Eu vou colar no seu rolê
Só pra causar
Vou espalhar boato
Que a gente voltou
Pra espantar FDP
Que quer pegar meu ex amor

De sacanagem
Eu vou colar no seu rolê
Só pra causar
Vou espalhar boato
Que a gente voltou
Pra espantar FDP
Que quer pegar meu ex amor

Se eu não pegar ninguém pegou
Se eu não pegar ninguém pegou
Ninguém pegou

The male vocals are smooth and convey a conversational tone, adding to the playful nature of the song with a dynamic delivery.

The song kicks off with rhythmic guitar and percussion, establishing an upbeat foundation. The verses alternate between playful vocal lines and catchy instrumentals, creating an engaging dynamic throughout. The chorus amplifies the infectious rhythm, encouraging listeners to join in the fun, while the overall structure allows for a seamless flow between sections.

A lively and playful tune that encapsulates the essence of young love and party vibes. The rhythmic guitar and vibrant percussion establish an upbeat atmosphere that's perfect for dancing. The combination of smooth vocals and engaging melodies creates an inviting sound that effortlessly draws listeners in. The lyrics reflect a light-hearted approach to relationships, filled with playful banter and youthful confidence. Overall, it exudes a fun, carefree spirit ideal for social settings.

The lyrics portray a playful and light-hearted take on love and relationships, filled with humor and youthful exuberance.

Lively sertanejo arrangement blending acoustic guitar, bass, drums, and accordion

prominent use of duet vocals featuring two male leads and guest harmonies for energetic call-and-response

crowd noise and live performance ambiance add to festive, interactive atmosphere

lyrics in Portuguese with flirty, lighthearted themes

synth pads subtly layered for modern touch

claps and percussion enrich danceable groove.


[Verso 1: male vocal; emotional delivery; introspective; synthesizer; electronic beats; melancholic; reflective; Deep, resonant vocals overlay electronic beats, establishing a somber and introspective atmosphere.]
Otra noche acompaña'o, pero otra vez me siento solo
Y la baby no e' mi tipo, pero, ni modo
Me encuentro ahora mismo en ese período
En el que se lo meto, pero na' má' me sé su apodo
Sé que ya tiene' otro hombre
Pero anoche yo estaba con otra y se me zafó tu nombre
Mami, dime si te pasa a ti
¿O qué carajo es lo que me pasa a mí?
Yo sé que te fallé, yo voy cargando esa cru'
En lo oscuro me quedé, pero to' salió a la lu'
Todas me quiеren comer, mi bicho e' еl menú
Y veo tu cara en otra cara e' un déjà vu

[Pre-Coro: male vocal; reflective tone; synthesizer; soft beats; tension; questioning; The vocal delivery remains contemplative, with an intriguing mixture of doubt and vulnerability.]
Hola, sé que estas no son hora'
¿Estás con él o estás sola?
¿Qué e' lo que no tengo yo que lo tenga él? (Emma, ¿tú 'tás peleando de nuevo?)

[Coro: male vocal; intense emotion; synthesizer; prominent bass; emotional; intense; Emotion escalates with powerful vocal intensity, backed by a strong bass that accentuates the urgency.]
Oah, mi vicio y mi droga
Yo mismo me eché la soga
¿Qué e' lo que tengo que hacer?
¿Quién carajo e' él? (Emma, ya estoy cansada)

[Verso 2: male vocal; melancholic delivery; synthesizer; electronic beats; introspective; solemn; The vocal tone transitions to a more solemn register, highlighting feelings of regret and introspection.]
El tiempo fue mi enemigo
¿Cómo un cabrón que nunca estaba a mi nivel va a estar contigo?
Me hiciste ser tiempo perdío' y a vece' le pregunto a Dio' por qué ese cabrón habrá nacío'
Sé que extraña' la chinga'era en el río (En el río)
Aunque te tatuaste un "Fuck you" encima del nombre mío (Nombre mío)
Tanto dinero y me siento vacío
Las sonrisa' no se compran por eso ya nunca me río
Mi corazón está muerto
Tratando de aterrizar, pero no encuentro el aeropuerto
Me siento más vivo dormío' que despierto
Porque te sueño y vuelve' exactamente a ese momento
Cuando el amor no existía, pero hicimo' el amor
Ver tu foto con él fue conmovedor (Conmovedor)
Tengo un amigo nuevo, se llama licor
La soledad me tiene preso y él e' mi libertador

[Pre-Coro: male vocal; questioning tone; synthesizer; soft beats; introspective; seeking answers; A reflective tone pervades, as the vocalist questions and seeks clarity amidst emotional turmoil.]
Hola, sé que estas no son hora'
¿Estás con él o estás sola?
¿Qué e' lo que no tengo yo que lo tenga él? (Emmanuel
Él es fiel, tú no)

[Coro: male vocal; emotional struggle; synthesizer; strong bass line; intense; emotional conflict; Intense vocal delivery, stirring emotions, reinforced by a prominent bass line that drives the conflict.]
Oah, mi vicio y mi droga
Yo mismo me eché la soga
¿Qué e' lo que tengo que hacer?
¿Quién carajo e' él? (Emma, yo estoy embarazada)

[Outro Instrumental: instrumental; synthesizer; gradual fade; calm; resolution; Gradual fading of synths, creating a subtle and contemplative closure.]

The song reveals an intricate tapestry of emotions, woven through powerful vocals and dynamic beats. It portrays a journey of heartbreak and self-reflection, delivered with an emotive intensity that resonates deeply. The instrumental arrangement supports the vocal narrative, featuring electronic synths and rhythmic bass that enhance the weight of the lyrical content. Overall, this piece encapsulates the essence of modern reggaeton and trap, evoking feelings of loss and longing.

The lyrics convey a narrative of heartbreak and internal conflict, exploring themes of loneliness and betrayal.

The vocals are characterized by deep emotional resonance, with low-pitched tones delivering a narrative steeped in introspection and regret.

The song unfolds through a series of heartfelt verses, interspersed with reflective pre-chorus sections that build tension before culminating in powerful, emotionally charged choruses. The progression reflects the tumultuous emotions experienced, with electronic elements providing a contemporary backdrop.

moody reggaetón and Latin trap fusion with crisp trap hi-hats, deep sub-bass, sparse piano or synth atmospherics, distant melancholy melody layers, complex reggaetón drum programming, tightly produced soundscape, rap flow with assertive and emotional vocal delivery, Auto-Tuned vocals enhancing an introspective tone, subtle effects like vocal chops and filtered transitions, recurring motifs of crime and personal struggle, nocturnal urban ambiance, no duet, no notable charting or awards


Yeah
Ey, guck ma', folgendermaßen (stellt sich die Sache dar)
Hör genau zu, junger Strolch
Ah, yeah, ey

Ich komm' nach etlichen Nächten voll Ecstasy- und Weed-Verkauf
Mescalin- und Speedverkauf an Gangster in den Streets der Town
Endlich wieder hier nach Haus
Und seh' auf diese das Antlitz des Macs nicht spiegelnden
Sondern dreckverschmierten Fliesen drauf (ey)
Diese Hexe Consuela denkt sich nix und liegt da faul
Pizza fressend wie das Brangelina-Liebesaus (ey)
Ich zeig' der hässlichen Latina-Braut
Während sie sich mexikanische Soaps auf dem Flatscreen im TV anschaut
Den glänzenden Machine-Gun-Lauf (wooh), du nichtsnutzige Schlampe
Komm' ich heim, will ich, dass alles hier so blitzt wie diese Waffe
Und jetzt wischst du miese Schlange die Stühle und den Holztisch da
Und komm mir nicht wieder mit, „¡Solo hablo español, Mister!“
Du Drecksstück verstehst das nie
Letztens brachtest du mir erst, nachdem ich dir den Weg
Mit dem elektrischen Taser wies, das Tee-Service
Du faule Haushälterin (tzhe), du rührst bloß mal 'nen Finger, wenn überraschenderweise
Grade der Boss in sei'm Beamer kommt und vorm Haus hält darin
Ah, denkst, dass ich saudämlich bin, jetzt nimm den Staubwedel
Bevor ich's tu, deine Augäpfel damit rausbreche (pass auf)
Und dich zum Aufessen zwing'
Danach wäschst du die Pelzjacken
Wie bitte? (Was?) Was hast du gesagt? Ich soll es selbst machen?
Tzeh, widerliche Hure
Du weißt, dass ich solche niederen Dinge wie der Diener tue, ist wider die Natur
Und jetzt wiener mir die Schuhe (sí) und die Fliesen hier im Flur (sí)
Sieh's positiv: Du tust damit was für deine Figur (sí)

Du fette kleine Schlampe, dat kann ja wohl nicht wahr sein
Normal, dass das ewig dauert (jajaja), guck ma', wie fett du bist, Alter (jajaja)
Was für 'ne elende—dat kann doch wohl nicht wahr sein, Alter
Ich hab' nix gegen Dicke
Ja, jetzt kommt die scheiß Bild-Zeitung wieder an und sagt
Ey, der macht hier wieder Randgruppen-Beleidigung (Ja! Ja!)
Aber guck dich ma' bitte an (sí), das sind dreihundert Kilo (das ist jenseits von Gut und Böse)
Hör mir auf mit der Scheiße, du hast dich seit Jahren vollgefressen
(Woah) Auf Kosten anderer
Menschen verhungern auf der Welt (in Afrika) und du frisst hier ein Baguette (komplett)
Und 'ne Pizza nach der anderen rein (nein), von meinem Geld (meinem Geld)
Was ich dir bezahle jeden Tag (jeden Tag)
Damit du hier saubermachst, nicht dass du hier frisst (mach' ich, mach' ich doch)
Pizza fressend wie das Brangelina-Liebesaus
Muss man sich wirklich schämen


My love is gone
Just let it go
You break me down
Like them dominos
My love is gone
Just let it go
You break me down
Like them dominos

Uriga ssaatdeon sungandeul modeun geot
Muneojeonaeryeo
Witaerowosseotdeon sigan han jogagi
Muneotteuryeosseo Girl
Adios adios
Nae modeun geol gajeoga
Tteugeowotdeon mam tteugeopdeon bam
Adios adios
Dareun namja pumeseo
Budi haengbokhagil girl

My love is gone
Just let it go
You break me down
Like them dominos
My love is gone
Just let it go
You break me down
Like them dominos

Seoroga hangoseul barabwatdeon naldeul
Muneojeonaeryeo
Heeojim sogedo gateun goseul bomyeo
Muneojeonaeryeo girl

Adios adios
Namgimeopsi gajeoga
Jjarithaetdeon kiss
Moonlight kiss
Adios adios
Dareun yeoja pumeseo
Nado haengbok halge girl

My love is gone
Just let it go
You break me down
Like them dominos
My love is gone
Just let it go
You break me down
Like them dominos

My love is gone
You break me down
Just let it go
Like them dominos
My love is gone
You break me down
Just let it go
Like them dominos


Je voudrais partir, jusqu'à la mer
M'allonger sur le sable, prendre un peu l'air
Sentir les embruns, rester encore
Rester jusqu'à, ensaler le corps

On s'rait juste toi et moi, près d'ici ou là-bas
Sans règles dignes et sans foi, quand tu veux on y va
Toutes les couleurs du ciel, plein de bouteilles
Du rhum du vin du miel, quand tu veux on y va

Cachés par les dunes, entre terre et mer
Voler un peu de paix, les refrains à la mer
Bien sûr tu serais là, moi blotti contre toi
J'te raconterai ce rêve, quand tu veux on y va

On s'rait juste toi et moi, près d'ici ou là-bas
Sans règles dignes et sans foi, quand tu veux on y va
Toutes les couleurs du ciel, plein de bouteilles
Du rhum du vin du miel, quand tu veux on y va

Si on vit cachés, si on vit damnés
Et si le temps se compte, on frustre nos hontes
Là-bas tu peux mentir, là-bas tu peux tricher
Là-bas on peut salir, là-bas... on peut

Etre juste toi et moi, près d'ici ou là-bas
Sans règles dignes et sans foi, quand tu veux on y va
Toutes les couleurs du ciel, plein de bouteilles
Du rhum du vin du miel, quand tu veux on y va

On s'rais juste toi et moi, près d'ici ou là-bas
Sans règles dignes et sans foi, quand tu veux on y va

On s'rais juste toi et moi, près d'ici ou là-bas
Sans règles dignes et sans foi, quand tu veux on y va

Quand tu veux on y va


[Verse 1: male vocals; soft and emotional; synthesizer; soft beats; melancholic; wistful; Soft male vocals create an emotional atmosphere, accompanied by gentle synthesizers and understated beats, capturing a sense of loneliness.]
이렇게 달이 아름다운 밤이 오면
감정이 올라 So, lonely
며칠간 묵었던 내 역경
북받쳐 올라, Oh, fuggy
무작정 네게 전활 걸어
술 한잔해줄래요, Baby
네가 필요해, 나 네가 필요해, now

[Pre-Hook: male vocals; smooth and inviting; synth pads; gentle percussion; intimate; soothing; The vocals become smoother, inviting as they delve into themes of comfort, with synth pads enhancing the ambiance.]
눈이 반쯤 감기도록, yeah
잔이 오르락내리락, yeah
하소연을 해, 내 고민을 나눠 줘
Baby, you don't know me
힘든 만큼 많이 취해, yeah
네가 너무 예뻐 보여, yeah
이 밤의 끝엔 우리 등에 날개를 달고선
We’ll fly

[Hook: male vocals; melodic and heartfelt; drums; bass; synthesizer; tender; comforting; Heartfelt and melodic male vocals rise with a warm, enveloping sound, underpinned by a steady bass and drums that provide a soothing rhythm.]
Do you wanna go with me?
나의 잠을 재워줘
I just wanna stay with you
내 등을 토닥여줘
내 팔을 베고 누워
네 머리카락을 넘겨
조심스럽게 입 맞춰
힘들 때마다
위로 해줄래, 네가?
위로 해줄래, 네가?
위로 해줄래, 아님 내가 위로 할까?
위로 해줄래, 네가?
위로 해줄래, 네가?
위로 해줄래, 아님 내가 위로 할까?

[Verse 2: male vocals; expressive and conversational; synthesizer; subtle beats; contemplative; raw; The vocals take on a conversational tone, expressing introspection supported by subtle beats and soft synthesizer sounds.]
너나 나나 뭐라 따로 할 말 없잖아
감정보다 앞서는 뭔가가 있잖아
야, 아닌 척하는 건 불필요한 걸
넌 알고 있어, 너의 한숨이 깊은 만큼 깊게, ay
땅이 꺼질 수도 있네, ay
토닥이던 등에 기스내
Hold up, baby let me breathe

[Pre-Hook: male vocals; smooth and inviting; synth pads; gentle percussion; intimate; soothing; The inviting sentiment returns, maintaining the smooth vocal delivery with gentle percussion reinforcing the feelings of comfort.]
눈이 반쯤 감기도록, yeah
잔이 오르락내리락, yeah
하소연을 해, 내 고민을 나눠 줘
Baby, you don't know me
힘든 만큼 많이 취해, yeah
네가 너무 예뻐 보여, yeah
이 밤의 끝엔 우리 등에 날개를 달고선
We'll fly

[Hook: male vocals; melodic and heartfelt; drums; bass; synthesizer; tender; comforting; The emotional vocal delivery continues, reinforcing the desire for connection while the instrumentation lifts the spirit.]
Do you wanna go with me?
나의 잠을 재워줘
I just wanna stay with you
내 등을 토닥여줘
내 팔을 베고 누워
네 머리카락을 넘겨
조심스럽게 입 맞춰
힘들 때마다
위로 해줄래, 네가?
위로 해줄래, 네가?
위로 해줄래, 아님 내가 위로 할까?
위로 해줄래, 네가?
위로 해줄래, 네가?
위로 해줄래, 아님 내가 위로 할까?

[Outro: male vocals; rhythmic and playful; drum machine; rhythmic synths; playful; repetitive; Playful rhythmic chanting creates a light-hearted conclusion, with engaging repetitions of the phrases bringing an intimate touch.]
위 아래 위 아래 위, 위 아래
네 안에 네 안에 네, 네 안에
미안해, 미안해, 미, 미안해
내가 위로 할게

A smooth blend of hip hop and R&B, this track encapsulates themes of loneliness and emotional yearning. The production features soft synthesizers and gentle percussion, creating an inviting atmosphere. The overall sound is both introspective and comforting, fostering a sense of connection through its heartfelt lyrics and vocal delivery. The lush instrumentation complements the emotional depth conveyed through the vocals.

The lyrics explore feelings of loneliness and the yearning for comfort and connection, inviting listeners to resonate with the shared human experience of seeking solace.

The male vocals are characterized by their smoothness and emotional resonance, providing a melodic anchor throughout the song.

Beginning with delicate melodies and soft beats, the song evolves through introspective verses, heartwarming hooks, and ultimately ends on a playful note. Each section maintains a cozy, reflective mood while gradually building emotional intensity through lyrical themes and melodic delivery.


Dovahkiin, Dovahkiin,
Naal ok zin, los vahriin,
Wah dien vokul mahfaeraak ahst vaal!
Ahrk fin norok paal graan,
Fod nust hon zindro zaan,
Dovahkiin, fah hin kogaan mu draal!

Huzrah nu,
Kul do od,
Wah aan
Bok lingrah vod,
Ahrk fin tey,
Baziik fun,
Do fin gein!

(Wo lost fron wah ney dov,
Arhk fin reyliik do jul,
Voth aan suleyk wah ronit faal krein!

Fod zeymah win kein
Meyz fundein!
Alduin, feyn do jun,
Kruziik vokun staadnau,
Voth aan bahlok nah diivon fin lein.)

Nuz aan sul,
Fent alok,
Fod fin vul
Dovah nok,
Fen kos nahlot
Mahfaeraak ahrk ruz!
Paaz Keizaal fen kos stin nol bein Alduin jot!
Nuz aan sul,
Fent alok,
Fod fin vul
Dovah nok,
Fen kos nahlot
Mahfaeraak ahrk ruz!

Dovahkiin, Dovahkiin,
Naal ok zin, los vahriin,
Wah dien
Vokul mahfaeraak ahst vaal!
Ahrk fin norok paal graan,
Fod nust hon zindro zaan, Dovahkiin, fah hin kogaan mu draal!


Diz o calendário pendurado na parede
"O futuro está mais do perto amanhã"
Revendo compromissos, em azul dias felizes
Em vermelhos os que não nem quis viver

Vem, preste atenção
Escute um coração
Que não quer mais sofrer
Vou, quanto mais eu vou
Menos mal ficou
A vida sem você
Se a gente sabe que o melhor está bem longe
Porque nunca se preocupa em chegar
Correndo contra o tempo e muitas vezes contra o vento
Que me avisa quando é hora de parar

Foi muito cruel esse jeito de me amar
Quantas vezes sem motivo
Seu descaso foi castigo
Pra quem só lhe quis tão bem

Vem, preste atenção
Escute um coração
Que não quer mais sofrer
Vou, quanto mais eu vou
Menos mal ficou
A vida sem você

The song unfolds gradually, starting with a soft acoustic introduction that sets a reflective mood. The structure alternates between verses and emotive choruses, with instrumentation that builds upon the melodic themes, reinforcing the emotional landscape clarified by the vocal performances.

The lyrics reflect themes of love, heartbreak, and the passage of time, encapsulating personal emotions that resonate with listeners.

The vocals are characterized by a soft, expressive quality that conveys deep emotion. The delivery is intimate and nuanced, drawing the listener into the poignant themes of love and loss.

A beautifully tender tune that conveys a deep sense of longing and nostalgia. The delicate guitar strums and soft piano melodies evoke a reflective atmosphere, inviting listeners to empathize with the emotional weight of the lyrics. The vocals are soft yet impactful, illustrating a poignant tale of love and heartache. This piece moves with a gentle flow, making it a serene and contemplative listening experience.

Gentle acoustic guitar forms the backbone of the arrangement, paired with subtle electric piano and delicate percussion, giving the track a soft, introspective pop feel

warm, airy lead vocals, sung in Portuguese, float above, at times layered with light background harmonies

tasteful bass supports the rhythmic structure, while understated synth pads add dimension

the overall production is clean and intimate, emphasizing lyrical emotion and melodic clarity

no notable chart or award distinctions for this track.


[Couplet 1]
Ce que je ressens pour toi
J'aimerais qu'tu le sentes
Être dans tes bras, dans tes bras
C’est vrai ça me manque
C'est dur d'avancer seule j'avoue (un peu)
Des larmes ont coulé sur ma joue (un peu)

[Refrain]
Prends le temps pour le faire, pour le faire
Ton amour varie selon les saisons
Prends le temps pour me plaire, pour me plaire
Tes envies vacillent selon les saisons
Hé
Je t'ai tout donné, pardonné (pardonné, ouais pardonné)
J'essaie (BB)
J'aimerais oublier, t'oublier
J'essaie
[Couplet 2]
(Owé, owé, owé)
J'aimerais tant te croire mais
Tout ce que tu m'as promis
T'en as trop dit
J'aimerais tant te croire mais
Tout ce que tu m'as promis
T'en as trop dit
J'aimerais tant te croire mais
(Mais) Tous nos projets de vie
Dans le vide
J'aimerais tant te croire mais

[Refrain]
Prends le temps pour le faire, pour le faire
Ton amour varie selon les saisons
Prends le temps pour me plaire, pour me plaire
Tes envies vacillent selon les saisons
Hé
Je t'ai tout donné, pardonné (pardonné, ouais pardonné)
J'essaie (BB)
J'aimerais oublier, t'oublier
J'essaie eh

[Outro]
J'aimerais tout lui dire
(Hey non) Mais je ne peux pas
J'aimerais tout lui dire
(Hey non) Mais je ne peux pas

Eh eh eh eh eh Hmm mon bébé
Unh Eh eh hmm mon bébé


Eu guardei tudo em segredo
Mas agora vou dizer
Simplesmente que é você
Quem eu quero pra viver

Ir com você ao cinema
Mostrar meu novo poema
Resolver os seus problemas
Quero viver com você

Quero os seus papos astrais
As caras que você faz
Quando eu falo demais
Eu quero estar com você

Quero os beijos da sua boca
Quero desatar sua roupa
Beber você gota a gota
Eu quero te dar prazer

Quero sempre ser olhado
Com o olhar maravilhado
De quem sabe que é amado
Ser amado por você

Quero ser quem você quis
Quero apenas ser feliz
Sem medo, como se diz
Quero ser só de você

Quero sentar na calçada
Te chamar de namorada
Esperando a madrugada
A lua, eu e você

E quando o dia nascer
Todo mundo vai saber
Quem eu amo pra valer
Que meu amor é você, oh

Quero os beijos da sua boca
Quero desatar sua roupa
Beber você gota a gota
Eu quero te dar prazer

Quero sempre ser olhado
Com o olhar maravilhado
De quem sabe que é amado
E ser amado por você

Quero ser quem você quis
Quero apenas ser feliz
Sem medo como se diz
Quero ser só de você

Quero sentar na calçada
Te chamar de namorada
Esperando a madrugada
A lua, eu e você

E quando o dia nascer
Todo mundo vai saber
Quem eu amo pra valer
Que meu amor é você, oh

Eu guardei tudo em segredo
Mas agora vou dizer
Simplesmente que é você
Quem eu quero pra viver


[Куплет 1]
Якщо ти трохи наляканий
Ти живеш на межі
Важко втекти від своїх хвилювань
Якщо ти хочеш сховатися
Ти втрачаєш свій розум
Ти маєш на когось покластися
Я буду цим “кимось” для тебе
Тисячі миль, це не має значення
Коли ти почуваєшся під тиском
Скажи хоч слово, я буду тут
[Куплет 2]
Тому що ти можеш легко зв’язатися зі мною, коли захочеш
Напиши у приватні повідомлення у Twitter, Kakao або FaceTime
Поки ми не зможемо зустрітися за кавою та з посмішкою
До зустрічі з іншого боку

[Передприспів]
Не дозволяй цьому дістатися тебе, не дозволь цьому тягнути тебе вниз
(тягнути тебе вниз, тягнути тебе вниз, тягнути тебе вниз)
Це колись закінчиться, це закінчиться, я впевнений
Я тут, затамувавши подих
Просто не можу дочекатися, щоб побачити тебе знову
О так, таке відчуття, наче минула ціла вічність
Рахую дні

[Приспів]
Коли це нестерпно, тримайся міцно
Я буду тут, не забувай про це
Тому що в житті іноді нам потрібна рука допомоги
З тобою все буде гаразд, просто продовжуй повільно, день за днем

[Куплет 1]
Якщо ти думаєш, що потрапив у пастку
Ти в тій коробці, яку побудував власноруч
Я допоможу тобі її зламати (зламати, зламати, зламати)
І я спіймаю тебе, коли ти впадеш або коли ти тонеш
І коли усього стає занадто, не думай про це
Не озирайся назад, відпусти минуле (Відпусти)
Просто зберігай спокій і продовжуй

[Куплет 4]
Так, вони багато говорять, але я не спотикаюся
Вони намагаються втопити нас, але продовжуй пливти
Те, що ми маємо, залишиться в даному моменті
Ми не можемо зупинитися, просто намагаємося бути чесними
Закрийте на замок, ми зможемо підтягнутися
Так, ми зможемо не відставати, це про кохання
Ми піднімаємось наверх, ні, це не “пощастило”
Так, усі вони можуть спробувати, але ніколи не зломлять нас

[Приспів]
Коли це нестерпно, тримайся міцно
Я буду тут, не забувай про це
Тому що в житті іноді нам потрібна рука допомоги
З тобою все буде гаразд, просто продовжуй повільно, день за днем

[Брідж]
О, ти зайшов так далеко
Ми справляємося з цим разом
Незважаючи на те, що ми далеко
Це ненадовго, це ненадовго
На нас чекає штормова погода
Дощ ллє, але він ніколи не триває нескінченно
З цього моменту стає тільки краще

[Приспів]
Коли це нестерпно, тримайся міцно
Я буду тут, не забувай про це
Тому що в житті іноді нам потрібна рука допомоги
З тобою все буде гаразд, просто продовжуй повільно, день за днем