広がる景色 見慣れたワンシーン
続いてく
時は流れ 歳重ね
色づくはずの Life

不変的 History
疑いもせず
止まったままの針
見つめて

鏡の中 映し出してく
偽りの世界
信じてたものがひとつまた崩れてく
でも胸に覚えたこの愛は奪えない
真実がここに無くても
きっと待つ未来 I believe
I believe... I believe...

小鳥の声も 花の唄も
聞こえるよ
陽が昇れば 伸びる影も
そこにあるのに

全てがフェイクでLonely
虚しさ覚え
零れ落ちる涙
見つめて

宇宙に浮かぶ 何処か彼方の
星に生まれて
知らされた真実が胸を締め付ける
でもいつか この痛みは そう 愛なんだと
受け入れて 立ち向かうから
陽はまた昇る I believe... I believe...

風に乗り時空超えて
身体で感じるパワー
ただ前に 進みたい
You and me

鏡の中 映し出してく
偽りの世界
信じてたものがひとつまた崩れてく
でも胸に覚えたこの愛は奪えない
真実がここに無くても
きっと待つ未来 I believe
I believe... I believe...


[黎展峯「跳」歌詞]

[前奏: male vocals; soft emotional delivery; synthesizer; atmospheric pads; gentle; atmospheric introduction; Soft atmospheric pads establish a gentle, inviting introduction.]
跳吧 為飛氈正飛過而跳下
到處正轟炸
死不去就要生 會嗎
行前原來行魔間
無門無牆無界限
跳下 會嗎

[主歌一: male vocals; expressive intensity; guitar; bass; electronic beats; motivational and introspective tone; Expressive tenor vocals intertwine with rhythmic electronic elements, imparting a motivational and introspective tone.]
喜愛衝出世界 但世界教我轉彎
話人類必須適應 怪我要找魔法
但時代永遠靠魔法才偉大
我不怕 次元我都想穿插

[導歌: male vocals; pleading and introspective; electronic beats; atmospheric soundscapes; reflective and searching; Vocals take on a reflective quality as electronic beats create a searching atmosphere.]
各有各廝殺 偏偏想攬住被單
你會愛我嗎 爭取時間
如在電競 讓現實脫下
找一刻 妖怪別理它
有崖就跳下

[副歌: male vocals; powerful; uplifting; full band with synthesizer; drums; powerful and soaring; celebratory; Powerful vocals soar as the full band joins, creating a triumphant and celebratory sound.]
跳吧 傲慢地讓千千個掙扎能放下
我不怕 死不去就要生
祝福我  浪漫地讓千千個希冀來接下
行前原來行魔間
無城無池無界限
我不怕 我還有青春
統統不怕

[主歌二: male vocals; earnest and reflective; guitar; rhythmic bass; contemplative and self-aware; The contemplative moment is underpinned by rhythmic guitar and bass, enhancing the self-aware lyrics.]
話成熟差差差
多麼差 都能擔當新劍客
拼命去天真 會嗎

[導歌: male vocals; energizing plea; electronic beats and strings; energizing and revealing; Energetic electronic beats reinforce a tone of revelation and encouragement.]
各著各盔甲 偏偏想剝下襯衫
你會愛我嗎 爭取時間
如在電競 讓現實脫下
找一刻 妖怪別理它
有崖就跳下

[副歌: male vocals; emotionally intense and soaring; full instrumentation; synthesizer; drums; guitar; climactic energy; triumphant feel; The climactic energy builds, culminating in a triumphant expression filled with hope.]
跳吧 慢慢地讓千千個新我能誕下
我不怕 死不去就要生
一直行前原來行魔間
無平無常無界限
我不怕 我還有青春
統統不怕

[過渡: male vocals; yearning expression; synthesizer; uplifting sounds; yearning and uplifting moment; Yearning vocals aim to inspire as uplifting sounds envelop the listener.]
我想飛 自然能插翼
崖多麼深 都不怕

[副歌: male vocals; climactic and empowering; full instrumentation; with a focus on synthesizer and drums; powerful finale; filled with hope; The powerful finale, driven by intense instrumentation, resonates with an empowering message.]
飛吧 傲慢地讓千千個掙扎能放下
我不怕 飛氈現在吻我
祝福我 浪漫地讓千千個希冀來接下
行前原來行魔間
是命是運是出發
跳吧 如何活著太魔幻
不怕 有崖就跳下
跳吧

A vibrant and energetic anthem that encourages listeners to embrace life and leap into the unknown with courage. The combination of dynamic electronic beats and expressive vocals creates an uplifting atmosphere. The music evolves through different sections, allowing for a rich tapestry of sounds that build in intensity and emotion.

The song transitions from a gentle introduction to powerful choruses, with each section building on the energy and emotion. The instrumental backdrop evolves alongside the vocals, enhancing the overall climatic experience as it unfolds.

The lyrics explore themes of perseverance, self-discovery, and the courage to embrace change, inspiring listeners to overcome obstacles and pursue their dreams.

The vocals are characterized by an expressive tenor delivery that conveys a range of emotions, from introspection to empowerment, creating a captivating listening experience.


Es parecida la iglesia, pero es otra chica
Y aunque sea altiva y coqueta, es noble y bonita

Una ceremonia para no olvidar
No fue convencida pero se caso
Hay, la muchacha es buena pero en la ciudad
Tanta adversidad le turbó el corazón
Y así, y así la encontré yo
Salimos de ocasión, por Dios que si

Corrí el vídeo de tiempo atrás
El soltero mas cotizado del pueblo entonces
Puedo palpar el plenilunio de aquella noche
Que habían dos novios fundidos de felicidad
Pero el galán tan infeliz destruye el nido
Con una vida tan perversa

Es prodigioso como el destino da la vuelta
El mismo tipo en otra iglesia y yo estoy aquí
Pues sí, pues si
Aquí estoy yo
Y aquí esta ese señor
Hee y hazme reír
Y ahora de perdedor
Es triste el fin

Hay miren como toca Juancho
Como toca Juancho DeLaEspriella

En la homilía de la misa
El cura está hablando
Y no me quita la vista
La que está cansando
Tan iluso el novio ni cuenta se da
Que todos los ases se los tengo aquí

Hay, cuentas que uno tiene que pagar
Arruino una vida y eso no es así
Y una día la vi y me timbro
La convide a salir, ella accedió

Se está casando por presión
Me pide allá en mi ceremonia quiero mirarte
Bien circunspecto estoy acá en la banca de adelante
Compra' el tiquete no es lo mismo que entra' al avión
Feligreses vallan en paz
El cura invita y por deber yo voy a la fiesta
Bailando el vals me hace ojito al dar la vuelta
Dios mío no me pongas en ese papel jamás

Y aquí, y aquí, oye bien, y aquí estoy yo
No es Robert Calderon, estoy soy yo
Y acá está ese señor
Payaso al fin


[Estrofe 1: male vocals; reflective tone; acoustic guitar; soft percussion; nostalgic; reflective mood; Gentle acoustic guitar sets a reflective mood, the warm male vocals introduce a nostalgic theme.]
Se alguém pudesse pôr um fim à maldição
Que entristece a nossa anti-geração
Talvez se o Maradona ainda jogasse futebol
E o rock'n'roll ainda fosse a canção

[Estrofe 2: male vocals; conversational style; acoustic guitar; light keyboard; whimsical storytelling; playful references; Continuing with a playful tone, the acoustic guitar and light keyboard build up a conversational atmosphere.]
Tantas memórias, tantas pontas desconexas
Se o Chuck Norris 'inda fosse o rei do Texas
E derrubasse o muro entre nós e o amanhã
Sem fé no futuro, rumo ao passado a cantar
Cantar, cantar

[Refrão: male vocals; strong and engaging; full band; acoustic guitar; keyboard; percussion; uplifting; anthemic feel; The instrumental arrangement expands, creating an engaging and anthemic feel as strong male vocals convey hope.]
Não ficamos à espera, não sustemos a respiração
À espera que o Dom Sebastião nos traga a redenção
O povo não desespera, a gente sabe que 'inda há solução
Porque o Fizz Limão
Ai o Fizz Limão há de voltar
Num dia de sol, o Fizz Limão há de voltar

[Estrofe 3: male vocals; intimate storytelling; acoustic guitar; subtle keyboard; melancholic; reflective; A delicate acoustic guitar accompanies intimate male vocals, evoking a sense of longing and memory.]
A nossa estética perdeu-se no vazio
A nossa ética anda presa por um fio
Valham-nos as memórias de um céu bem mais azul
De quando o "Verão Azul" dava na televisão

[Estrofe 4: male vocals; nostalgic warmth; acoustic guitar; minimal percussion; personal; warm; Minimal instrumentation emphasizes personal storytelling, evoking warmth and nostalgia.]
Não sinto orgulho nas notícias da manhã
Já só vasculho nos baús da minha irmã
E o cheiro a naftalina é que me aquece o coração
La la la la la la, rumo ao passado a cantar
Cantar, cantar

[Refrão: male vocals; strong and engaging; full band; acoustic guitar; keyboard; percussion; uplifting; anthemic feel; The sound swells again with full instrumentation, supporting powerful male vocals that resonate with optimism.]
Não ficamos à espera, não sustemos a respiração
À espera que o Dom Sebastião nos traga a redenção
O povo não desespera, a gente sabe que 'inda há solução
Porque o Fizz Limão
Ai o Fizz Limão há de voltar
Num dia de sol, o Fizz Limão há de voltar

[Ponte: male vocals; contemplative; gentle acoustic guitar; reflective; contemplative; Gentle guitar creates a contemplative atmosphere, inviting reflection on past times.']
No nosso tempo ninguém morria
No nosso tempo ninguém sofria
Tanto que no nosso tempo
Ninguém dizia "no nosso tempo"

[Refrão: male vocals; strong and engaging; full band; acoustic guitar; keyboard; percussion; uplifting; anthemic feel; The final refrain captures the uplifting essence of the song, merging all elements into an anthemic conclusion.]
Não ficamos à espera, não sustemos a respiração
À espera que o Dom Sebastião nos traga a redenção
O povo não desespera, a gente sabe que 'inda há solução
Porque o Fizz Limão
Ai o Fizz Limão há de voltar
Num dia de sol, o Fizz Limão há de voltar

The lyrics explore themes of nostalgia, taking a reflective look at the past while expressing a yearning for the return of brighter days.

A charming and nostalgic composition that beautifully blends melodic folk elements with contemporary pop influences. The gentle acoustic guitar and warm keyboard create an inviting soundscape, while the rich male vocals convey heartfelt reflections on memory and the passage of time. The lyrics transport listeners to a place of reminiscence, filled with whimsical references and an affirming sense of hope.

The song unfolds gradually, starting with intimate guitar moments that lead into fuller instrumental sections during the choruses. It alternates between personal verses and anthemic refrains, maintaining an engaging ebb and flow that draws the listener in. Each section builds on the last, creating a dynamic emotional journey.

The male vocals are characterized by a warm and smooth delivery, rich with emotional resonance and personal storytelling.


死にたい今日も
仕方がないでしょう?
誰かにバレてしまう前に

ドス黒い夜に呑まれてしまう前に
縛り付けて何にも出来ないようにして
私を殺して欲しいのです

誰にも何も もう何も期待はしないけど
君を好きでは居たい
中身でも顔でも何でもない
君のその日々の一部で居たい

爆音で脳と胸を焦がして
意味の無い論理で紛らわすロンリネス
性の二乗 離れられなくなって
意地悪な恩義で曝け出すロンリネス

痛々しい痕も
言い出したい過去も
誰かに頼れる日が来るまで

ドス黒い中に光があったらいいな
釘を打って何処にも行かないようにして
その身を好き勝手したいのです

呆れる程に もう誇りは蔑ろだけど
生きてる意味を知りたい
真面目でも馬鹿でも何でも無い
人ならざるものなのかも知れない

愛の起源 理性と許容を飛ばして
嘘の無い本意で皮肉にもロンリネス
別の次元 「踏み込んでしまった」って
堕ちてゆく深くへ 治らないロンリネス

絶頂ね あそこもここも濡らして
錆びついた心に油をさして
ベッドにね 2人の香りを残して
触れられない時も 心を絡ませて

誰にも何も もう何も期待はしないけど
君を好きでは居たい
古傷を裂いても確かめたい
僕のこの中の異物を見たい

爆音で脳と胸を焦がして
意味の無い論理で紛らわすロンリネス
性の二乗 離れられなくなって
意地悪な恩義で曝け出すロンリネス

愛の起源 理性と許容を飛ばして
嘘の無い本意で皮肉にもロンリネス
別の次元 「踏み込んでしまった」って
堕ちてゆく深くへ 治らないロンリネス

君という刺激で気付かされるロンリネス


Melodic electric guitar riffs, steady electric bass, energetic drum patterns, prominent lead vocals with a slightly raspy timbre, subtle keyboard/synth pads filling out the background, backing vocals adding harmonic texture, mid-tempo groove, classic Brazilian rock character, dynamic transitions between verses and choruses, no notable sound effects, standard pop rock instrumentation.

Quantas coisas eu ainda vou provar?
E quantas vezes para a porta eu vou olhar?
Quantos carros nessa rua vão passar?
Enquanto ela não chegar

Quantos dias eu ainda vou esperar?
E quantas estrelas eu vou tentar contar?
E quantas luzes na cidade vão se apagar?
Enquanto ela não chegar

Eu tenho andado tão sozinho
Que eu nem sei no que acreditar
E a paz que busco agora
Nem a dor vai me negar

Não deixe o Sol morrer
Errar é aprender
Viver é deixar viver

Não deixe o sol morrer
Errar é aprender
Viver é deixar viver

Quantas besteiras eu ainda vou pensar?
E quantos sonhos no tempo vão se esfarelar?
Quantas vezes vou me criticar?
Enquanto ela não chegar

Eu tenho andado tão sozinho
Que eu nem sei no que acreditar
E a paz que busco agora
Nem a dor vai me negar

Não deixe o Sol morrer
Errar é aprender
Viver é deixar viver

Não deixe o Sol morrer
Errar é aprender
Viver é deixar, é deixar
É deixar viver
É deixar viver
É deixar viver

Viver é deixar viver

Não deixe o Sol morrer
Errar é aprender...
Não deixe o Sol morrer
Errar é aprender
Viver é deixar viver


[Songtext zu „Niemandsland“ ft. Tua]

[Hook: male vocals; melodic; reflective; synth; light electronic beats; moody; reflective atmosphere; subdued energy; Melodic synth-led introduction with reflective male vocals, establishing a somber mood as it invites listeners into a contemplative space.]
Hier ist das Niemandsland, hier ist niemand daheim
Wie's scheint, herrscht hier Zufriedenheit
Anonym und du kannst alles haben
Inklusive dem Gefühl, alles verpasst zu haben
Hier ist das Niemandsland, hier ist niemand daheim
Wie's scheint, herrscht hier Zufriedenheit
Alles strahlt in blassen Farben
Inklusive dem Gefühl, alles verpasst zu haben

[Part 1: male vocals; narrative style; rhythmic; bass; synthesized pads; drums; dark themes; commentary on existence; A narrative vocal unfolds over a carefully produced bassline and synth elements, exploring themes of disillusionment with vivid imagery and introspection.]
Willkommen im Land, in dem Milch und Honig fließen
Doch wird die Milch schnell schlecht und der Honig klebt fest
Und das Mondlicht hängt im Netz der Atomenergie
Kolibris sieht man Koka zieh'n, um hochzufliegen
Während du der Illusion erliegst
Alle deine Angstzustände werden zwangsverpfändet
Hast du Angst, du könntest ohne sie kollabier'n?
Wenn dir nichts fehlt, scheint es, als ob du alles hast
Wenn jeder an sich denkt, ist an alle gedacht
Ich lieg' wach, YouTube-Videos
Bring' mich durch die Nacht, jede Erinnerung zerplatzt
Mit jedem Bissen wird man hungriger, unsicher
Wer man is', weil um dich herum sind alle Wunderkinder
Ungefiltert droht dich der Alltag zu vergiften
Unsere Existenzen sind reine Unterhaltungsmechanismen
Denn ich werd' nie erkannt, hier wurde Liebe verbannt
Dafür gibt's sonst alles hier im Niemandsland, na vielen Dank

[Hook: male vocals; melodic; reflective; synth; light electronic beats; moody; reflective atmosphere; subdued energy; Repeats the reflective theme, bringing back the melodic elements and creating a sense of continuity in the message.]
Hier ist das Niemandsland, hier ist niemand daheim
Wie's scheint, herrscht hier Zufriedenheit
Anonym und du kannst alles haben
Inklusive dem Gefühl, alles verpasst zu haben
Hier ist das Niemandsland, hier ist niemand daheim
Wie's scheint, herrscht hier Zufriedenheit
Alles strahlt in blassen Farben
Inklusive dem Gefühl, alles verpasst zu haben

[Part 2: male vocals; conversational tone; introspective; bass; light drums; synth ambiance; playful yet serious undertones; critical; Conversational tone in the vocals, paired with minimalist instrumentation, conveys a critical viewpoint on societal expectations and personal identity.]
Mir sind gerade beide Beine eingeschlafen aus Langeweile
Während ich Fragezeichen in Facebook schreib' und mit ander'n teile
Apropos teile, heut' bin ich noch trauriger als sonst
Was gut is', denn daran erkenn' ich dann, worauf ich war
Denn so wie immer erinner' ich mich überhaupt nicht mehr
Ich habs nichts zu scheißen, wieso? Mein Bauch is' leer!
Wer ist schon gut genug für dein Augenmerk?
Wir sind viel zu aufgeklärt, um jemand' zu brauchen
Yeah, hier wahnsinnig tolle Stimmung, paar so Typen mit Partyhütchen
Faseln was von Gewinnern und betrinken sich und grinsen
Sie labern sich weg und kichern dumm
Partyuniform, in die Jahre gekommene Hitlerjungen
Wow, find' ich alles scheiße und mich auch, rauch' Weed
Versuch' zu fliegen, doch tauch tief
Mein Rausch is' aufgebraucht
Fantasie is' blank
Club 27
Say "Goodbye Niemandsland"

[Hook: male vocals; melodic; reflective; synth; light electronic beats; moody; reflective atmosphere; subdued energy; Repeats the reflective theme, bringing back the melodic elements and creating a sense of continuity in the message.]
Hier ist das Niemandsland, hier ist niemand daheim
Wie's scheint, herrscht hier Zufriedenheit
Anonym und du kannst alles haben
Inklusive dem Gefühl, alles verpasst zu haben
Hier ist das Niemandsland, hier ist niemand daheim
Wie's scheint, herrscht hier Zufriedenheit
Alles strahlt in blassen Farben
Inklusive dem Gefühl, alles verpasst zu haben

The lyrics explore feelings of emptiness and identity within a contemporary society, expressing thoughts on anonymity and the pervasive sensation of missing out on life.

The song presents a reflective narrative that delves into themes of disillusionment and existential angst, set against a moody electronic backdrop. The melody, carried by soft synths and steady beats, complements the introspective lyrics, creating an atmosphere that encourages contemplation. It captures a blend of personal struggles amid societal dynamics, making it relatable to a modern audience.

The song begins with a melodic hook that sets an introspective tone, flowing into verses that narrate personal experiences intertwined with social commentary. Through various sections, the instrumentation subtly evolves while maintaining a cohesive sound, culminated by the reiteration of the reflective hook.

Vocals feature a rhythmic and narrative style that shifts between introspection and societal critique, creating a diverse vocal experience that enhances the lyrical themes.

Moody, atmospheric rap track with introspective lyrics, melancholic piano chords, subtle synth layers, deep bass, crisp programmed drums, vinyl crackle effects, and layered harmonized vocals, featuring a duet dynamic between two rappers with alternating verses and blended hooks, understated production with emotional depth and poetic delivery, characteristic of contemporary German hip-hop.


[Intro: group vocals; catchy; engaging; upbeat synthesizer; light percussion; lively; inviting; sets the mood; Upbeat synthesizers create a cheerful atmosphere, accompanied by engaging group vocals, inviting listeners into the song.]
La-la-la-la-la-la-la, hey!
La, la, la-la-la-la (Hey! Ah-ah-ah-ah)

[Verse 1: melodic female vocals; conversational tone; synths; drum beats; bass; playful; engaging; establishes a narrative; The vocals are melodic and conversational, setting a light-hearted tone as the instrumentation maintains a playful vibe.]
ชอบมาทักว่าเป็นไงทำไรอยู่ครับ
อยากไปไหนจะเมื่อไหร่เธอก็มารับ
ก็ดีนะ เอาจริง ๆ ก็ดีอยู่นะ
ก็ okay แต่พอก่อน

[Refrain: harmonious vocals; supportive background vocals; synthesizers; maintains rhythmic base; memorable; catchy; smooth transitions; Harmonious vocals provide a catchy backdrop, with a swift melodic hook that encourages listener engagement.]
Let it go, let it go
ไม่ได้เล่นตัวแต่ว่าฉันแค่ไม่ชัวร์, oh
Let it go, let it go
เดี๋ยวจะเกินเลยแต่จะคิดก็เชิญเลย, woo

[Pre-Chorus: confident female vocals; light and airy; synths and light backing beats; uplifting; adding excitement; Light and airy female vocals soar above the instrumentation, conveying confidence as the energy builds.]
ก็ดีที่เธอเอาใจใส่ (Okay)
มีเธอเอาไว้ให้ปรึกษา (Okay)
ขอบคุณทุกเรื่องที่แล้วมา
แค่มันไม่พอนะ (เดี๋ยวมันจะเกินไป)

[Chorus: strong group harmonies; catchy and repetitive; full instrumentation; synths; drums; bass; highly infectious; main hook of the song; The song features strong group harmonies that deliver a catchy and repetitive hook, supported by energetic instrumentation.]
Baby, ฉันไม่ได้มีใคร
Sorry, แค่ไม่ได้มีใจ
เธอไม่แย่ แค่ไม่ใช่นะ
เธอไม่แย่ มันก็ไม่แย่ มันแค่ไม่ใช่นะ
Baby, ก็เธอดีเกินไป
ยื้อไว้ ฉันเองก็เกรงใจ
เธอไม่แย่แค่ไม่ใช่นะ
เธอไม่แย่ มันก็ไม่แย่ มันแค่ไม่ใช่นะ

[Verse 2: engaging group vocals; reflective tone; synths; bass; engaging percussion; reflective; maintaining energy; Engaging group vocals carry a reflective tone, the instrumentation maintains rhythm while enhancing the message.]
คนที่ฉันจะชอบ แค่เป็นคนที่ใช่
ที่เธอทำก็ดี แค่ซื้อความรักไม่ได้
คนจะใช่ก็ใช่ ไม่ต้องทำอะไร
ฉันก็แค่จะหวังดี ให้เธอไปพัก

[Refrain: harmonious vocals; supportive background vocals; synthesizers; maintains rhythmic base; memorable; catchy; smooth transitions; Harmonious vocals once again provide a catchy backdrop, keeping the rhythm lively and encouraging listener participation.]
เธอทำได้ดีแต่ต้องพอ
เห็นเธอไม่ท้อเลยต้องพูด
ให้มันเจ็บแต่ให้มันจบ ให้ได้ไปพบกับคนที่พอ
ไม่ต้องมารอคนที่ไม่รัก เธอคงเข้าใจนะ

[Pre-Chorus: confident female vocals; light and airy; synths and light backing beats; uplifting; adding excitement; Confident female vocals re-emerge, light and airy, preparing for the climactic chorus.]
ก็ดีที่เธอเอาใจใส่ (Okay)
มีเธอเอาไว้ให้ปรึกษา (Okay)
ขอบคุณทุกเรื่องที่แล้วมา
แค่มันไม่พอนะ (เดี๋ยวมันจะเกินไป)

[Chorus: strong group harmonies; catchy and repetitive; full instrumentation; synths; drums; bass; highly infectious; main hook of the song; Strong group harmonies shine again, the infectious and repetitive chorus inviting everyone to sing along.]
Baby, ฉันไม่ได้มีใคร
Sorry, แค่ไม่ได้มีใจ
เธอไม่แย่ แค่ไม่ใช่นะ
เธอไม่แย่ มันก็ไม่แย่ มันแค่ไม่ใช่นะ
Baby, ก็เธอดีเกินไป
ยื้อไว้ ฉันเองก็เกรงใจ
เธอไม่แย่แค่ไม่ใช่นะ
เธอไม่แย่ มันก็ไม่แย่ มันแค่ไม่ใช่นะ

[Bridge: heartfelt vocals; introspective; soft synths; minimal instrumentation; contemplative; shift in mood; protagonist's revelation; Heartfelt vocals emerge with an introspective feel, complemented by softer synths creating an emotional moment.]
ที่เธอทำให้กัน ฉันว่ามันก็ดี
แต่ก็รู้ตัวว่าไม่เคยรู้สึกรัก
ฉันก็คงต้องบอกฉันซ่อนมันไม่เก่ง
ที่ว่างในใจไม่ได้มีเธอ 'cause you're not the one

[Chorus: strong group harmonies; catchy and repetitive; full instrumentation; synths; drums; bass; highly infectious; main hook of the song; The infectious chorus returns with full instrumentation, energizing the atmosphere once more.]
Baby, ฉันไม่ได้มีใคร
Sorry, แค่ไม่ได้มีใจ
เธอไม่แย่ แค่ไม่ใช่นะ
เธอไม่แย่ มันก็ไม่แย่ มันแค่ไม่ใช่นะ
Baby, ก็เธอดีเกินไป
ยื้อไว้ ฉันเองก็เกรงใจ
เธอไม่แย่แค่ไม่ใช่นะ
เธอไม่แย่ มันก็ไม่แย่ มันแค่ไม่ใช่นะ

[Post-Chorus: harmonious group vocals; reflective tone; light instrumentation; maintaining upbeat rhythm; playful; reinforcing the overall message; Group vocals offer a playful conclusion, reinforcing the overall message while maintaining a lively ambiance.]
Baby, ก็เธอดีเกินไป
ยื้อไว้ ฉันเองก็เกรงใจ
เธอไม่แย่แค่ไม่ใช่นะ
เธอไม่แย่ มันก็ไม่แย่ มันแค่ไม่ใช่นะ

[Outro: group vocals; playful and engaging; synths; fading out gently; cheerful; fades out; leaving a lasting impression; The song fades out with bright synths and playful group vocals, leaving listeners with a cheerful impression.]
La-la-la-la-la-la-la

An uplifting and catchy tune characterized by its playful melody and engaging vocal harmonies. Synthesizers create a vibrant soundscape, while rhythmic beat structures ensure it remains danceable throughout. The lyrics revolve around themes of romance and self-discovery, encapsulating youthful emotions with a light-hearted touch.

The song opens with lively synthesizers and inviting vocals. It moves through various sections, maintaining a bright and upbeat atmosphere, culminating in energetic choruses that draw listeners in. The bridge offers a reflective moment before returning to the high-energy chorus that closes out the track.

The lyrical content reflects themes of relationships and personal feelings, combining a playful tone with introspective elements.

The vocals feature bright, melodic harmonies delivered by an engaging female group, creating a sense of camaraderie and excitement.


Driving electric guitar riffs with a raw, slightly overdriven texture

prominent bass line providing rhythmic pulse and melodic counterpoint

tight, punchy drum kit with occasional snare accents

warm, subtly layered vintage-sounding organ/synth

clear, emotive lead vocals with slight reverb

interlocking guitar lines and occasional harmonized backing vocals

overall retro-inspired production blending indie rock and garage/post-punk sensibilities

dynamic shifts between verses and choruses, with notable hooks and melodic phrasing.

[Intro]
[Em]Permite recos[A7]tarme a tu la[D]do - enemigo[Adim]
[Em]Se que mi d[A7]eseo es r[D]aro enemigo[Adim]
[Em]Pero cerca de t[A7]u frente es cuando[D]
Mejor respiro[Adim]
[Em]Permíteme q[A7]uedarme es[G]ta noche cont[Gm]igo
[D]Siempre seguí[F#m]
[Bm]La sugerencia perversa[F#m]
[D]De mantener a[F#m] mis amigos cerca de mi
[Bm]Pero a ti más cerc[F#m]a
[Em]Y por seguir esa voz terca
[Gm]De tu engaño no me di cuenta
[D]Nunca seré tu a[Adim]migo
[G]Soy el am[A7]ante de mi enemigo[D][Bm]
[G]Soy el a[A7]mante de mi enemigo
[Em]Quisiera pode[A7]rme resistir [D]mas no concib[Adim]o
[Em]No sufriré en[A7] seducir
[G]De mi enemig[Gm]o
[D]Siempre seguí[F#m]
[Bm]La sugerencia perversa[F#m]
[D]De mantener a[F#m] mis amigos cerca de mi
[Bm]Pero a ti más cerc[F#m]a
[Em]Y por seguir esa voz terca
[Gm]De tu engaño no me di cuenta
[D]Nunca seré tu a[Adim]migo
[G]Soy el am[A7]ante de mi enemigo[D][Bm]
[G]Soy el a[A7]mante de mi enemigo


THE ORAL CIGARETTES「Shine Holder」の歌詞

私このまま底から抜け出して
目にも止まらぬ速さで加速して
私は　真実だから
誰かが作ったこの世は不条理で
息も出来ないくらいに肥大して
私は　真実だから

光止めないで
期待もたないで
なんて言うつもりもまだないけどね
きっとこのままじゃ
掴むことすら出来ない
Shine holder
いつまで　誰か抑えて
周りの評価をして罵倒して
自分の立場なんかは　見られないな
Shine holder
このまま　何も変わらない
勇気あるものに光与えて
気づかないふりするのは嫌　嫌

しがらみに囚われては
アホ隠し
数え切れない不祥事
神隠し
私は　許せないから

敗退さ　呑気なもんね
毎回さ　こうしないとね
敗退さ　呑気なもんね
繰り返しザマを
感情で　ごまかして
愛情で　リズムとって
最低で　最高だって
いまさら

急ぐことないと
イカレタ鈍間の
言うことなど聴く訳ないでしょう
競う場所すらもう
間違えてしまった

Shine holder
いつまで　誰か抑えて
周りの評価をして罵倒して
自分の立場なんかは　見られないや
Shine holder
このまま　何も変わらない
勇気あるものに光与えて
気づかないふりするのは嫌　嫌

昨日だろうが明日だろうがって
やるべきことは見えてる
だって
未来時点でどうなろうか
考えた
私このまま感じてやってきた
止められない想い
諦められんだろ

Shine holder
いつまで　誰か抑えて
周りの評価をして罵倒して
自分の立場なんかは　見られないや
Shine holder
このまま　何も変わらない
勇気あるものに光与えて
気づかないふりするのは嫌　嫌

The vocals are dynamic and expressive, delivering powerful emotions that resonate with the themes of resistance and self-empowerment.

An energetic rock anthem that tackles themes of self-empowerment and resilience. The driving riffs and intense rhythms create an atmosphere of determination and resistance, encouraging listeners to break free from societal constraints. Vocally, it’s dynamic with passionate expressions that enhance the message, making it a memorable track for those seeking motivation.

The lyrics reflect a journey of breaking free from societal expectations and pushing for personal truth, filled with reflective thoughts yet assertive in nature.

The song begins with a strong opening that establishes an upbeat and energetic tone. The verses build intensity through passionate vocal delivery and rhythmic instrumentation, leading into powerful choruses that serve as anthems of empowerment. The bridge provides a moment of reflection before returning to the climactic choruses, driving home the message of resistance and change.


Me basta mirar
Tu sonrisa tan cerca de mi
Quisiera estar contigo
Toda la eternidad

Me basta decir que nunca te dejare
Te busque tanto
Pero al fin te encontré
No te quisiera perder jamas
Me basta saber
Que solo tu puedes llenar toda mi vida
Con una palabra nada mas...
Con una caricia nada mas

Me basta una pequeña parte de ti
Para ser el hombre mas feliz
Tan solo con tenerte aquí junto a mi
Puedo sentir amor, tan solo así

Me basta decir que nunca te dejare
Te busque tanto
Pero al fin te encontré

Me basta saber que solo tu
Puedes llenar toda mi vida
Con una palabra nada mas...
Con una caricia nada mas

Me basta una pequeña parte de ti
Para ser el hombre mas feliz
Tan solo con tenerte aquí junto a mi
Puedo sentir amor, tan solo así

Puedo sentir amor, tan solo así
Solo así

[Letra de "Una Pequeña Parte de Ti"]

Me basta mirar

A romantic ballad that unfolds with tender melodies and emotive vocals. The instrumentation, consisting of delicate guitar, soft piano, and lush strings, creates an intimate soundscape that enhances the heartfelt lyrics. The song evokes feelings of love and longing, inviting listeners to immerse themselves in its warmth and emotional depth. Each section builds on the last, crafting a narrative of connection and affection.

The lyrics convey a message of love and longing, expressing the narrator's desire for intimacy and connection with a significant other.

The song begins softly with gentle instrumentation, leading into more powerful choruses that emphasize the emotional peaks of the narrative. The progression maintains a balance between tender moments and climactic expressions of love, allowing listeners to feel the journey of longing and fulfillment.

The male vocals are smooth and expressive, delivering the lyrics with an emotional weight that resonates deeply.

Bright, melodic pop ballad driven by gentle piano chords, soft acoustic guitar strumming, subtle programmed drums, delicate synth backgrounds, expressive lead vocal in Spanish with emotive delivery, occasional string section swells, layered background harmonies, clean production with emphasis on warmth and clarity, romantic and heartfelt atmosphere.


[1. verze: male vocals; emotional expression; piano; light strings; soft; tender; reflective; Soft piano introduction sets a reflective mood, accompanied by emotional male vocals expressing longing.]
Alszom, mert nem jössz már
És úgysincs más, ki mellett magam vagyok
Önmagam vagyok
Vártam, de nem hívtál
Csak eszközként tekintesz rám, mert hagyom
Mert mindig hagyom

[1. előrefrén: male vocals; contemplative tone; piano; subtle background strings; contemplative; inward-looking; The piano continues gently while the vocals take on a contemplative tone, leading into the main chorus.]
Tudtam jól, mi más a cél
Már az első kérdésnél
De a válaszod nélkül nem megyek
Naivan, mint egy kisgyerek
Maradnék, még maradnék

[Refrén: male vocals; heartfelt melody; piano; full strings; light percussion; emotional; resonant; A powerful and heartfelt melodic line introduces a stronger instrumentation with strings and light percussion, adding to the emotional weight.]
Valaki remél, valaki csak él
Nem talállak úgysem másban
Hidd el, bármerre is jártam
Valaki remél, valaki csak él
Nem talállak úgysem másban
Hidd el, bármerre is jártam

[2. verze: male vocals; expressive and soft; piano; soft percussion; vulnerable; heartfelt; A shift in dynamic as the male vocals remain heartfelt but grow softer, accompanied by a sustained piano backing.]
Lépnék, csak engedj el!
Hisz mennem kell, de kulcsom nálad marad
Még nálad marad
Ébren, de álmodnék
Hisz úgyis más, kiben megláttad magad
Megláttad magad

[2. előrefrén: male vocals; yearning tone; piano; gentle strings; searching; pleading; The instrumentation remains subdued, providing a space for vocal expression while the emotional intensity builds.]
Miért volt más a cél
Már az első kérdésnél?
Tudnom kell, mi az, mit itt hagyok
Válasz nélkül úgysem indulok
Maradnék, még maradnék

[Refrén: male vocals; passionate delivery; piano; richer strings; drums; longing; heartfelt connection; The instrumentation swells as the male vocals convey a deep sense of longing that resonates strongly with the listener.]
Valaki remél, valaki csak él
Nem talállak úgysem másban
Hidd el, bármerre is jártam
Valaki remél, valaki csak él
Nem talállak úgysem másban
Hidd el, bármerre is jártam

[Bridge: male vocals; reflective and soothing; piano; strings; soft ambience; intimate; serene; A tender moment where soft strings and piano lend an intimate feeling, reflecting the beauty of connection.]
Veled jó, veled még, olyan egyszerűen szép
Csak tudnám, hol tartunk
Hisz üres minden papírlap
Írnék rólunk mindennap
Míg itt vagyunk
Míg itt vagyunk

[Refrén: male vocals; consistent emotional delivery; piano; strings; percussion; consistent emotional resonance; The emotional connection remains, bringing a rich climax to the main themes established earlier with a heartfelt delivery.]
Valaki remél, valaki csak él
Nem talállak úgysem másban
Hidd el, bármerre is jártam
Valaki remél, valaki csak él
Nem talállak úgysem másban
Hidd el, bármerre is jártam

[Bridge: male vocals; tender and reflective; piano; strings; soothing ambiance; deeply reflective; subtle longing; A return to the delicate piano and strings creates a serene atmosphere, letting the reflective vocal take center stage.]
Veled jó, veled még, olyan egyszerűen szép
Csak tudnám, hol tartunk
Hisz üres minden papírlap
Írnék rólunk mindennap
Míg itt vagyunk
Míg itt vagyunk

The song progresses from a soft piano introduction into a build-up of instrumentation, where the emotional intensity grows with each chorus. The verses maintain a reflective mood, while the choruses introduce fuller arrangements that elevate the emotional stakes. Bridges provide a moment of soft reflection before returning to the powerful choruses, creating a dynamic flow that engages the listener throughout.

A deeply emotional ballad marked by a gentle, reflective melody and poignant lyrics that explore themes of love and longing. The arrangement features a harmonious blend of soft piano, strings, and light percussion that support the heartfelt vocal delivery, creating an atmosphere that resonates with nostalgia and yearning. Each section unfolds with a sense of intimacy, inviting the listener into an introspective journey of hope and heartbreak.

The lyrics delve into themes of love, longing, and heartache, reflecting on personal connection and the struggle of moving forward. They evoke a sense of nostalgia and hope through their poignant phrases.

The vocals are smooth and melodic, delivering an emotional performance that captures a sense of vulnerability and longing. The tenor voice conveys depth and sincerity, supported by a rich harmonic framework that enhances the lyrical narrative.


gentle acoustic guitar strumming, rich male vocal harmonies, soft upright bass, understated percussion (soft snare brushes or tambourine), clear folk arrangement, mournful and cyclical melody, simple chord progressions, emphasis on storytelling lyrics, occasional vocal solo lines alternating with group harmonies, no electric instruments or elaborate sound effects

Liujarihim, qoldat tu zohiru ma fihim
Pabadautu shakhson a-khar, kai atafa-khar
Wa zonan tu ana, anni bizalika huztu ghina

Fawajad tu anni kha-sir, fatilka mazohir
La la La nahtajul ma-la Kai nazdada jama-la Jauharna huna Fi qalbi talala
La la Nurdhin nasi bima-la Nardhohu la na ha-la Za-ka jamaluna Yasmu yataa'la

Oh Wo Oh Kun anta tazdada jamala
Attaqabbalhum, anna-su lastu qalliduhum Illa bima yurdhi-ni, kai urdhi-ni
Sa akunu ana, mithli tamaman hazana Fakona a'ti takfini, za-ka yaqi-ni
La la La nahtajul ma-la Kai nazdada jama-la Jauharna huna Fi qalbi talala

La la Nurdhin nasi bima-la Nardhohu la na ha-la Za-ka jamaluna Yasmu yataa'la
Oh Wo Oh Kun anta tazdada jamala
Saakunu ana, man ardho ana, lan asa' la liri dhohum Waakunu ana, ma ahwa ana, ma-li wama liridhohum
Saakunu ana, man ardho ana, lan asa' la liri dhohum Waakunu ana, ma ahwa ana, lan ardho ana biridhohum
La la La nahtajul ma-la Kai nazdada jama-la Jauharna huna Fi qalbi talala
La la Nurdhin nasi bima-la Nardhohu la na ha-la Za-ka jamaluna Yasmu yataa'la
Oh Wo Oh Kun anta tazdada jamala


[Refrain: male vocals; introspective delivery; emotional resonance; rhythmic beats; layered synths; reflective; engaging; community-focused; Strong, rhythmic beats accompanied by layered synths create a compelling atmosphere that encourages sharing.]
Entre poème et vulgarité
J'nique mes rêves, et je ne crois pas aux chaînes de solidarité
Chacun pour soi, la pression est palpable
On est tous solitaire mais on se soigne par le partage
Envoie ce son à 3 personnes de ton entourage
Qui l'enverront à 3 personnes de leur entourage
Qui l'enverront à 3 personnes de leur entourage
Qui l'enverront à 3 personnes et ainsi de suite

[Couplet Unique: male vocals; expressive storytelling; varied dynamics; powerful bass; steady drums; dynamic production; critical; personal; narrative-driven; A dynamic performance where deep vocals convey personal thoughts and societal critiques, supported by a powerful bass and steady drums.]
J'suis en pleine fuite, au moment où j'te parle
Faut pas qu'je sois en pleine cuite, que le bon Dieu m'épargne
J'me répare malgré la rue et ses méfaits
Dans une époque où c'qui est cru est plus important que ce qui est vrai
Tout c'qui m'effraie, c'est les refrés que nos légendes gênent
L'ultime séjour, les mauvais jours pour les gens qu'j'aime
Mon oxygène, c'est quand je veille près de vous
Et mon public est somnambule, je rappe des histoires à dormir debout
Alors j'me bouge entre dédales et cris d'colère
Entre étoiles et vie d'bohême, entre meilleurs freestyles et pires poèmes
J'ai mille problèmes, tant de soucis mais tellement d'inspi
Si j'avais eu un psy, il aurait eu besoin d'un psy
Tout ça m'inspire pour vivre et lutter, mes rimes sont réputées
Mais ce n'sont pas mes rimes qui vont vous éduquer
Ce rap game est truqué comme une pub
Ils prétendent tous faire du lourd alors je reviens léger comme une plume
Le passé lourd comme une enclume, mes démons me l'apprennent
Demain c'est loin, notre futur c'est la seconde d'après
J'étais pas prêt, sorti des bas-fonds
L'histoire : y a ceux qui la lisent, ceux qui l'écrivent, et y a ceux qui la font
Toucher l'plafond, rêveur et indépendant
Être patient, c'est pas attendre, pour moi, c'est agir en attendant
Alors pendant que ce pays me prend pour un intrus
J'prends mon temps, en dilettante, laisse tourner l'instru
J'suis paro comme un stup sur le déclin
Selon l'humeur, j'écris des vers à moitié vides, ou à moitié pleins
Plein d'ironie, mes contradictions deviennent des impasses
Moi, j'suis un genre d'alcoolique avec une licence IV
Je suis d'une puissance calme, ne porte pas de gun
Silencieuses sont les batailles, alors fermez vos gueules
Vous n'êtes pas seuls, n'ayez pas peur, on tolère tous les genres
J'fais pas du rap pour les rappeurs, j'fais du rap pour les gens
C'est pour les bêtes et méchants, les têtes et les jambes
Les thèmes, et les textes de légende
Qu'on a écrit pour s'engager
Même si je sais qu'on peut avoir le bon message tout en restant un mauvais messager
J'viens d'cracher mes états d'âmes, et mes cas d'conscience
Y'a que les connards qui vont croire que c'est du rap conscient
Pourtant, j'n'ai pas confiance, même en mes propres dires
Entre rires de déprime et larmes de crocodiles
Pas de gros deal, que des risques forts
Maint'nant qu'j'ai plus de maison d'disques, j'ai une maison de disques d'or
Triste sort face au charbon, il fallait du cran
Mais je cherche pas à être bon, je cherche à être grand
J'ai pas de clan, j'préfère éviter ; parano
Je crois toujours aux mensonges et doute souvent de la vérité
Quelle idée, vu qu'ici je tourne dans le même schéma
Parfois, je doute, parfois, je pense à retourner chez moi
Laissez-moi libérer mon gospel
La France ne reconnaît pas les communautés mais nous traite comme telles
Quand les gens sont boycottés, forcément, ils se lassent
Quand on met les gens de côté, forcément, ils s'éloignent
C'est pas les lois qui font les hommes, c'est l'inverse
On témoigne, sans respect, un signe de paix sans l'index
Sans déc, les beaux parleurs peuvent mentir, c'est les actions qui comptent
J'écoute pas ce que les gens disent, je regarde ce qu'ils font
J’m'en bats de ce qu'ils sont, j'ne vois qu'un cœur
Quand on voyage, le monde devient plus petit alors il fait moins peur
Viens, on prend de l'ampleur, quoi, viens, on fait une pause
Et, si y'a quelqu'un près de toi, check-le de l'épaule
Et je me pose, authentique dès le départ
C'est plus facile d'assumer ce qu'on est que d'imiter ce qu'on n'est pas
Que Dieu m'épargne de l'aigreur de perdre ma voix
Et qu'il m'épargne de l'erreur de perdre ma foi
Vous êtes ma flamme, je suis fou et malhonnête
Mais, tous les jours, je me soigne et j'apprends à vous connaître
Comme dit le poète : je le cite et je le chante
Faudrait essayer d'être heureux, ne serait ce que pour donner l'exemple
Ça tourne comme un sample, de Paris à Dakar
L'amour nous manque, prends ce texte comme une Sadaqa
On reste calme avant le carnage, qui m'aime me suive
Je cherche la paix pour mon Karma, moi-même, je suis

[Refrain: male vocals; introspective delivery; emotional resonance; rhythmic beats; layered synths; reflective; engaging; community-focused; Strong, rhythmic beats accompanied by layered synths create a compelling atmosphere that encourages sharing.]
Bipolaire, entre poème, et vulgarité
J'nique mes rêves, et je n'crois pas aux chaînes de solidarité
Chacun pour soi, la pression est palpable
On est tous solitaire mais on se soigne par le partage
Envoie ce son à 3 personnes de ton entourage
Qui l'enverront à 3 personnes de leur entourage
Qui l'enverront à 3 personnes de leur entourage
Qui l'enverront à 3 personnes et ainsi d'suite

[Outro: male vocals; concluding thoughts; reflective tone; subdued instrumentation; fading beats; contemplative; closing remarks; A reflective conclusion with subdued instrumentation, allowing the message to resonate even as the music fades.]
Youssoupha, c'est pas d'la crack music, c'est de la love music
MA3, Troisième Underground
Négritude, négritude
Négritude, négritude

The song begins with a strong rhythmic foundation that sets a contemplative tone. Each section builds on the last, with varying dynamics and emotional weight. The refrain invites listeners to engage, while the verses delve deeper into personal and societal reflections. The outro ties the themes together, leaving a reflective space for the listener.

The vocals are deep and emotive, with a narrative style that draws the listener in. There's a dynamic range that captures both the intensity of the subject matter and the subtleties of personal reflection.

The lyrics explore themes of individualism, community, and the challenges of modern life, expressed through a poetic lens.

A compelling narrative that delves deep into personal experiences and societal issues. The artist's delivery is both engaging and introspective, weaving together elements of story and emotion. Rich instrumentation aids in highlighting the lyrical content, creating a captivating auditory experience. The music balances between reflective moments and a driving rhythm, making it both thought-provoking and accessible.


ねえ どれくらい
ねえ 笑えばいい?
今伝えたいことよそに

Let me face, let me face, let me face my fears
Oh, let me face, let me face, let me face my fears
私の地図に載っていない 道に立ちたい

ねえ 生まれつき
ねえ 臆病な人なんていない
初めてのように歩きたい

Let me face, let me face, let me face my fears
Oh, let me face, let me face, let me face my fears
私の地図に載っていない 海は 遠くない

海は 遠くない

Let me face, let me face, let me face my fears
Oh, let me face, let me face, let me face my fears
私の知らない私に 早く会いたい


(Couplet 1)
Gangi í tokuni
Eina í djúpu kvirruni
Síggi ongar varðar
Burtur allir garðar
Rópi men eingin svarar

(Couplet 2)
Inn ímillum gloppini
Í mjørkaklæddu náttini
Hómi eg skuggar
Tykist sum okkurt rørir seg har
Rópi men eingin svarar mær
(Refrain)
Vinur, vinur sært tú meg?
Gangi her í tokuni
Hevur tú reikað líka sum eg
Í deyðadjúpu kvirruni?

(Couplet 3)
Sást tú gøtuljósini
Lýsa í bygdini?
Sást tú hvat tey gjørdu har?
Minnist tú hvussu støðan var?
Leitaði nakar eftir mær?

(Refrain)
Vinur, vinur sært tú meg?
Gangi her í tokuni
Hevur tú reikað líka sum eg
Í deyðadjúpu kvirruni?

(Bridge)
Hevur tú eins og eg
Gingið í tokuni
Burturvilst frá slóðini
Ytst á fjallatromini?
Kennir tú hetta einsemið?

(Refrain)
Vinur, vinur skilur tú meg?
Veitst tú nakran loyniveg?
Hevur tú reikað líka sum eg
Í endaleysu óvissuni?
Vinur, vinur skilur tú meg?
Veitst tú ongan loyniveg?
Hevur tú reikað líka sum eg
Í endaleysu tokuni?

The lyrics explore themes of friendship, solitude, and the search for understanding, adding depth to the overall feel of the song.

The song introduces the gripping atmosphere with gentle acoustic sounds, gradually layering strings and subtle percussion that complement the vocals as it moves into each refrain, creating a build-up of emotional intensity. The progression reflects a journey through introspection and yearning, culminating in a powerful reflection on connection and isolation.

The vocals are characterized by a soaring and ethereal quality, providing a haunting and emotive backdrop to the overall sound.

A deeply introspective piece that merges haunting vocals with ethereal instrumentation. The combination of acoustic guitar and strings drives the reflective mood, while the expressive female vocals weave through the narrative of journeying and searching for connection in loneliness. The lyrical content invites listeners to dive into dark introspections, creating an atmosphere that is both mysterious and emotionally resonant.

Ethereal female vocals layered with rich harmonies, deep electronic beats, atmospheric synth pads, subtle acoustic guitar, rhythmic hand percussion, haunting soundscapes, dynamic shifts between quiet introspection and swelling choruses, lyrics sung in Faroese, elements of Nordic folk tradition merged with contemporary dark pop sensibilities, pronounced use of reverb and echo effects for ambient spaciousness, occasional vocal loops and manipulation, overall mood is intense, mysterious, and emotionally charged.


[1. Bölüm: male vocals; deep and soulful; melancholic; oud; soft percussion; strings; melancholic; reflective; philosophical; The introduction features soft oud melodies accompanied by gentle percussion, creating an intimate and melancholic atmosphere. The male vocalist delivers deep and soulful lines, evoking a sense of longing and reflection.]
Ervah-ı Ezelden levh-i kalemden, levh-i kalemden
Bu benim bahtımı kara yazmışlar
Bilirim güldürmez devr-i alemden, devr-i alemden
Birgünümü yüz bin zara yazmışlar

Bilirim güldürmez devr-i alemden
Birgünümü yüz bin zara yazmışlar
Bilirim güldürmez devr-i alemden
Birgünümü yüz bin zara yazmışlar

[2. Bölüm: male vocals; emotive delivery; reflective; piano; strings; gentle percussion; sorrowful; poignant; introspective; The arrangement builds with a piano leading into emotive vocals, enhancing the reflective mood. Strings swell in the background, adding depth to the sorrowful delivery, inviting introspection.]
Dünyayı sevenler veli değildir, canım değildir
Canı terkedenler deli değildir
İnsanoğlu gamdan hâli değildir, hâli değildir
Her birini bir efkara yazmışlar

İnsanoğlu gamdan hâli değildir
Her birini bir efkara yazmışlar

İnsanoğlu gamdan hâli değildir
Her birini bir efkara yazmışlar

The lyrics delve into themes of remembrance and existential reflection, prompting listeners to engage with the deeper sentiments of life and loss.

The vocals are delivered with deep warmth and emotional resonance, characterized by soulful expressions that convey the weight of the lyrics effectively.

The song opens softly with traditional instrumentation that sets a melancholic tone, gradually building up with emotive vocal phrases. Each section introduces slight variations in instrumentation, maintaining an intimate yet reflective ambiance throughout.

A poignant composition that weaves together melancholic melodies and heartfelt lyrics. The arrangement builds a reflective atmosphere, combining traditional instrumentation with modern sensibilities. The use of the oud provides an intricate texture while the strings and piano contribute to the emotional depth of the piece. This song explores themes of longing and philosophical musings on life, creating a stirring listening experience.


On fait nos vies, demain on verra
Et je souris, pourtant je saigne
J'sais pas ce qui m'attend au virage
On n'emporte rien sous terre, je sais
Donc il me faut tout maintenant
Demain j'suis pas sûr d'être ici
Non, non demain j'suis pas sûr
Donc il me faut tout maintenant
Demain j'suis pas sûr d'être ici
Non, non demain j'suis pas sûr

J'veux que du plata, j'me suis fait péter
Bénéfice élevé, j'ai recommencé (encore)
Combien de frères au placard, Mama je vais rentrer
Là, je suis contraint, j'reste concentré
Posé dans les backstages, un peu trop foncedé
J'prends que des photos, tu peux enclencher
Les sabots viennent de DG, sacoche GG
Quartier trop éteint tout l'monde veut manger
Oh, sur le rinté que des cracks (cracks)
Des CR, des perquises, des mots d'tête (perquises et des mots d'tête)
Pour nous le monde est trop petit
Comme Eren, déter donc je m'entraîne
Jamais je change d'alliés
J'ramène le pain et mange ensemble
On est cramé, les deux mains sont liées
J'me sens comme un prisonnier innocent

On fait nos vies, demain on verra
Et je souris, pourtant je saigne
J'sais pas ce qui m'attend au virage
On n'emporte rien sous terre, je sais
Donc il me faut tout maintenant
Demain j'suis pas sûr d'être ici
Non, non demain j'suis pas sûr
Donc il me faut tout maintenant
Demain j'suis pas sûr d'être ici
Non, non demain j'suis pas sûr

Fusil à pompe chevrotine
Les grands nous ont appris comment dealer
Ça va trop vite pour que tu trottines
Le couteau dans le jean, trop longtemps on a trimé
C'est vrai qu'on a galéré, donc forcément on va s'en sortir
Hey, dans les rues on a traîné, on se faisait la guerre pour des centimes
Déter j'tiens les rênes, je fuis mes cauchemars, j'veux vivre mes rêves
Tous les feux sont verts, faut pas que je me trompe, les jeux sont faits
Aller-retour à Fleury, les murs ont vieilli, les gens aussi
Le keuf m'a dit les deux mains sur le capot, j'coupe les barreaux avec des scies

On fait nos vies, demain on verra
Et je souris, pourtant je saigne
J'sais pas ce qui m'attend au virage
On n'emporte rien sous terre, je sais
Donc il me faut tout maintenant
Demain j'suis pas sûr d'être ici
Non, non demain j'suis pas sûr
Donc il me faut tout maintenant
Demain j'suis pas sûr d'être ici
Non, non demain j'suis pas sûr

(Demain j'suis pas sûr)
(Demain j'suis pas sûr d'être ici, nan)
(Elvira)


Von dort, wo ich herkomm', holt jeder nur Nikes
Jeder will die Weißgold-Kette voll Stein
Dafür zahlen Leuten einen sehr hohen Preis
Geb mir die Hennessy, ich kippe sie auf Eis
Wir sind eiskalt, aber Telefon heiß
Träume sind groß und die Zelle zu klein
Wenn der Mond scheint, kommen die Ghetto Soul Vibes
Mach nicht auf hart, zieh die Ellenbogen ein

Bitte verschwende nicht meine wertvolle Zeit, Dicka
Ich würde niemals einem Verräter verzeihen
Baba, nur mit der Family wird das Paper geteilt
Ich bin immer noch LIP, wenn ein Major mich signt
Meine Leute sind alle wie Militär hier verteilt
Baby, ich würde lieber sterben als Faker zu sein
Guck mal, ich hole alles und danach Cash für daheim
Aber mach damit weiter, bis nur noch Erde von mir bleibt

Bis ins Jenseits (Jenseits)
Auf Jagd mit meinen Hermanos
Die Straßen machten uns schamlos
Und wir gehen rein (geh rein)
Immer bereit (bereit)
Als Warnung für die Chivatos
Die Saga der Desperado

Von dort, wo ich hekomm', muss jeder jeden Cent umdrehen
Das Statussymbol ist das Benz-Emblem
Oder push, bis der Bentley steht
Sie gucken so als würden sie Batman sehen
LIP „Independence Day“
Jeder muss hier das Gesetz umgehen
Es sind sechs von zehn
Rennen, wenn die Bullen ihre Runde wie die Trommel einer Magnum drehen

Erinner' mich immer daran, als ich noch gar nix hatte
Während andere labern, will ich ballern und mache Patte
Leute machen hier Money mit der Waffe und leeren die Kasse
Setzen alles auf eine Karte, geb ihn' auf Kamikaze
Alle wollen im Para baden, bis sie dich dann verhaften
1-1-Zero und Paragraphen machen dich dann zur Ratte
Bist verkabelt auf Undercover, 31er Sache
Nimmst die Leute mit in die Hölle, doch ich bete für alle

Bis ins Jenseits (Jenseits)
Auf Jagd mit meinen Hermanos
Die Straßen machten uns schamlos
Und wir gehen rein (geh rein)
Immer bereit (bereit)
Als Warnung für die Chivatos
Die Saga der Desperado (yeah


아직도 가슴 벅찬
잊을 수 없는 이야기들
꿈꾸던 모습의 날
천천히 만들어가게 됐어
컴컴해 앞은 보이질 않고
참을 수 없이 힘들 때
내 앞에 네가 나타난 거야
무슨 말이 필요해
내겐 너란 낭만이 가득해
Yes I am, yes I am
보여줄게 날 다 줄게
Yes I am
너였어 내가 찾던 사람
너였어 늘 꿈꿔왔던 사람
다시 생각해도 오직 너야
Yes I am
언제나 널 지켜줄 사람
그게 너라서 참 다행이야
네 곁에 그 가까운 곳에
항상 옆엔 내가 있어
Yes you are
하루의 시작이
곤히 잠든 널 보는 거라면
난 잠드는 순간부터 미소를 지어
달빛이 오롯이 우릴 채워줄 때 Oh
네 숨결을 느끼며 잠들고 싶어
Baby, 감히 나 말할게 네게
너를 향한 내 상태는
언제든지 already
분명 난 약하지만
무엇도 두렵지 않게 돼
Because of you
네가 있음에
내겐 너란 낭만이 가득해
Yes I am, yes I am
데려다 줄게 paradise
Yes I am
너였어 내가 찾던 사람
너였어 늘 꿈꿔왔던 사람
다시 생각해도 오직 너야
맑고 투명한 눈동자
거짓 한 점 없을 것 같아
줄곧 내가 꿈꿔온 낭만
넌 영원한 약속을 줄까
I promise you
가끔 지쳐 있을 땐
내 어깨를 빌려
나의 기준이 되어주면 폭풍 속에서도
I'm still wit ya, hold up
When I was down, you helped me up
When I was about to give up, you gave me hope
내 옆에 있어 줘서 정말 고마워
The one I prayed for every night
그게 바로 너
Till the day I die, don't ever leave my side
마지막 숨 쉴 때까지 떠나지 마, ho
이 감동을 너에게 줄게
가슴이 뛸 만큼
찾았어 그려 왔던 사람
너였어 늘 바라왔던 사람
너만 있으면 돼
Only you, only you
언제나 널 지켜줄 사람
그게 너라서 참 다행이야
네 곁에 그 가까운 곳에 항상 옆엔
내가 있어

The lyrics reflect themes of love, devotion, and gratitude, filled with sentiments of longing and appreciation.

An emotional and uplifting romantic ballad that weaves together heartfelt melodies and powerful vocal performances. The instrumentation of soft keyboards, strings, and drums creates a warm soundscape that supports the expressive lyrics. This song captures the essence of love and the joy of finding one's soulmate, with a nostalgic feel that resonates deeply with listeners.

The song begins with a gentle introduction that sets a calm mood, before progressing to verses that build emotion. The transition into the chorus is marked by heightened vocal intensity and fuller instrumentation, culminating in a powerful emotional peak. The song then gradually returns to a soft conclusion, reinforcing the themes expressed throughout.

The vocals are characterized by smooth, melodic phrasing that conveys a range of emotions from hope to passion, supported by harmonized layers that enhance the song's intimacy.

Upbeat and bright K-pop track with glossy synth layers, crisp electronic beats, grooving bass line, syncopated claps, electric guitar accents, and shimmering keys

polished group vocals with occasional harmonies, playful rap interludes, and dynamic vocal runs

elaborate arrangement with brassy synth stabs and rhythmic breakdowns

energetic, confident mood with layered sound effects and clean production


[Verse 1]
I'm a loser, 지고 말았네
이길 수 없는 사랑이란 game
영원할 거라고 믿었는데
Oh, why? 의미 없게

[Pre-Chorus]
너에게 돌아가
아무리 애써도
난 갇혀버린 듯해 과거 속에
무덤덤해질까?
다 잊을 거라고
다짐해 봐도 소용없잖아
[Chorus]
'Cause I can hear it play
우리 함께 듣던 그 melody 속에
너를 떠올리고
Yeah I just wanna play
잠깐이라도 좋아 눈을 감고서
깨어 날 수 없는 꿈 속으로

[Post-Chorus]
Play, yeah-yeah-yeah
The memories
Play, yeah-yeah-yeah
영원토록 둘이서
Play, yeah-yeah
With you again
난 또 다시 꿈속으로, yeah

[Verse 2]
매일 상상해 날 보던 네 모습을
여전히 선명해
널 더 기억하고 싶어
지우고 싶지 않아 너를

[Pre-Chorus]
널 더 보내기 싫었던
날 더 이해해 줄 순 없을까?
오랜 버릇처럼 계속 너를 찾아
난 잠들 수 없어

[Chorus]
'Cause I can hear it play
우리 함께 듣던 그 melody 속에
너를 떠올리고
Yeah I just wanna play
잠깐이라도 좋아 눈을 감고서
깨어 날 수 없는 꿈 속으로

[Post-Chorus]
Play, yeah-yeah-yeah
The memories
Play, yeah-yeah
영원토록 둘이서
Play, yeah-yeah-yeah
With you again
난 또 다시 꿈속으로, yeah

[Bridge]
그리워 그리워 그리웠던
언제나 언제나 행복했던
시간에 I'm dreaming
깨지 않도록

[Chorus]
And I wanna replay
꿈에서 날 부르던 네 목소리가
또 다시 들리고
I wanna replay
잠깐이라도 좋아
너와 어디든 날아갈게

[Chorus]
'Cause I can hear it play (Yeah)
우리 함께 듣던 그 melody 속에 (Yeah)
너를 떠올리고 (너를 떠올리고)
Yеah I just wanna play (Play)
잠깐이라도 좋아 눈을 감고서 (눈을 감고서)
깨어 날 수 없는 꿈 속으로

[Post-Chorus]
Play, yeah-yeah-yeah (Oh-oh)
Thе memories (Oh)
Play, yeah-yeah
영원토록 둘이서 (둘이서)
Play, yeah-yeah-yeah
With you again
난 또 다시 꿈속으로, yeah

Upbeat K-pop production featuring layered synths, punchy electronic drums, crisp hi-hat patterns, pulsing bass line, bright rhythmic electric guitar accents

dynamic vocal arrangement with harmonized hooks, high-energy rap sections, call-and-response elements, and melodic group chorus

background vocal chants and crowd effects enhance anthem-like feel

subtle vocal processing and energetic ad-libs

standard use of claps and electronic sound effects for emphasis.


[Strofa 1: male rap vocals; aggressive delivery; sharp and gritty; heavy bass; strong beat from drums; dark synths; intense; confrontational; raw energy; Gritty and aggressive male rap vocals set the tone with a powerful bassline and heavy beats, reflecting the dark themes of street life.]
Ridic inca o data paharul si sangele Fiului rupe
Rasuna in plamanii mei fiindca sunt spart, dar teasta mea-i iute
1000 probleme, o tarfa nu-i una si Killa o fute
Hip-hop-ul e sumbru, stai geana, in industrie sunt prea multe tarfe
Un milion petale, la a mea inmormantare, numai pizde goale, sa ploua cu cash
Tu sari in sandale si ajungi in spitale ca halesti fecale si nu ne opresti
Fiindca-s alb inseamna ca nu-s cioara, dar am o Satra ce te asteapta afara
Ma-ta plange, tacto nu e iara, plin de sange si lesini pe scara (wooh)
O lume nebuna, societatea naste criminali nu gluma
Cand ma vezi iti aduc la gura spuma
Cand nu mai vezi e ca ti-ai luat-o-n gura
Aud clopote-n timpan si tocuri de dama
Auzi dracii, te macina, atata drama
O noapte shukara cu o pizda vulgara
Si casa-i murdara in padure la tara
Si fratii sunt lupii, sunt foamea, sunt setea
Si banii sunt mierea, tu stai dupa perdea
Sunt lacrimi, sudoare, golanii mei, i-auzi
Sange pe strada, o luam razna, e haos (wooh)

[Bridge: male rap vocals; upbeat chant-like repetition; minimalistic beat; electronic elements; repetitive; engaging; high energy; Energetic chant with repetitive male vocals, supported by minimalistic beats, creating an engaging atmosphere.]
Killa Fonic, Killa, Killa House Klan
Killa Fonic, Killa, Killa House Klan
Killa Fonic, Killa, Killa House Klan
Killa Fonic, Killa, Killa House Klan

[Refren: male rap vocals; catchy and assertive; heavy bassline; driving rhythmic percussion; memorable catchiness; assertive attitude; Catchy and assertive rap vocals, combined with driving percussion, helping to emphasize the song's rebellious theme.]x2
Si strada ma striga si ma cheama iar
Ma cheama ca lupii, nu-i subliminal
Ma instiga la scandal ca de-acolo-s, clar
Ma instiga ca-s golan si paranormal

[Strofa 2: male rap vocals; confident and narrative style; pronounced beat; underlying synths adding depth; reflective; confident; educational tone; Confident storytelling through male rap vocals, layered with pronounced beats and synth support that highlights the narrative depth.]
Pune cartile pe masa, bagabont cu clasa
Pizdele sunt prea usoare, d-aia zboara boarfe
Doar apropiatii imi calca in casa
Niciodata nu judec dupa carcasa
Stilul pe sub masa il cunosc
Am plecat de jos, oricand ti-o recunosc
Jocul e facut deci nu ma joc
Si tot strada m-a invatat sa nu pun bot
Din nou, stiu rap-ul asta pe de rost
Pizde care sug si inghit tot
Tortul e al meu, delicios
Curul e la fel, il vreau pe tot
Ispita e testul, cat pot e pretextul
Si n-o sa-mi spui tu, iti spun eu cand e destul
Clar, dar niciodata nu e cazul (Haa)
Nu clipi cand cade zarul
Viata ta nu e sigura
Banii ma striga, Domnul ma asigura (Doamne)
Am o suta probleme deci tre' sa ma asigur ca n-am una singura (Nu)
Daca-ti dau o bomba e sigura, sigur nu-ti dau amagire
Sunt paranormal, deci mi se pare normal sa nu fiu ca tine (Domnuul)

[Refren: male rap vocals; catchy and assertive; strong beat; consistent rhythms; memorable catchiness; assertive attitude; Strong and catchy rap lines with a consistent rhythmic structure, reinforcing the overall intensity of the track.]x2
Si strada ma striga si ma cheama iar
Ma cheama ca lupii, nu-i subliminal
Ma instiga la scandal ca de-acolo-s, clar
Ma instiga ca-s golan si paranormal

[Strofa 3: male rap vocals; storytelling with a reflective tone; layered beats; bass emphasis; rhythmic support; reflective; storytelling; nostalgic melody; Reflective male rap vocals that narrate personal experiences, accompanied by layered beats that evoke nostalgia.]
Ziceai că banii n-aduc fericirea, muie!
Că tu cauți fericirea unde nu e!
Aaaah, mai bine să nu te gândești la ce pierzi fiindcă poți să te pierzi
Ca viața-i o târfă, te fute, îți ia banii, nu-ți vine să crezi
Da' eu am ginit-o și o fut înainte ca tu să o vezi
Că de pildă, tu, ești plin de pilde
Si-n gașca ta e plin de pizde
Si depinzi de, ele ca de drog, tre'
Să faci ceva să-ți revii repede
Nu mai sunt copiii ca pe vremuri
Puștii de azi sunt pe alte trenduri
Da' se trag cu mine de șireturi
Pe vremea mea, știam ce-i respectul
In locul tău aș fi invidios pe mine
Că se vede de la o poștă cât o dau de bine
Boom Shakalaka, like a mothafucka
Dau pe orice beat oricând, asta se numește artă
Deci pentru puștii ăștia-s ca un tată
Să vina când au lecția învățată
Dacă nu, mai bine s-o lase moartă, yup!

[Refren: male rap vocals; catchy and assertive; heavy bass; driving rhythmic percussion; memorable catchiness; assertive attitude; Memorable and assertive, the repeating lines create a strong connection with the audience.]x2
Si strada ma striga si ma cheama iar
Ma cheama ca lupii, nu-i subliminal
Ma instiga la scandal ca de-acolo-s, clar
Ma instiga ca-s golan si paranormal

[Bridge: male rap vocals; upbeat chant-like repetition; minimalistic beat; electronic elements; repetitive; engaging; high energy; High energy chant revisiting the earlier vocal patterns, maintaining the dynamic flow of the song.]
Killa Fonic, Killa, Killa House Klan
Killa Fonic, Killa, Killa House Klan
Killa Fonic, Killa, Killa House Klan
Killa Fonic, Killa, Killa House Klan

The vocals are assertive and filled with emotion, featuring dynamic and raspy tones that convey strength and defiance. The delivery ranges from aggressive storytelling to catchy refrains that engage listeners.

The lyrics explore themes of rebellion, struggles in life, and reflections on society, presented through a confident and confrontational lens.

The song opens with powerful rap verses accompanied by a heavy rhythmic foundation. Each section builds upon the last, introducing new elements and variations in instrumentation. The chorus acts as a high point, drawing listeners in with its catchiness, while maintaining the intense energy throughout.

A raw and energetic song that dives deep into the realities of street life, characterized by gritty lyrics and a powerful beat. The combination of aggressive rap verses and catchy hooks offers a compelling listening experience. Synths and heavy bass lines drive the track, creating an intense atmosphere that captures the struggles and triumphs within urban culture.


さよなら 呟く君が
僕の傘 残して 駆けだしてゆく
哀しみ 降り出す街中が
銀色に煙って 君だけ消せない

最後の雨に濡れないように
追い掛けて ただ抱き寄せ 瞳閉じた

本気で忘れるくらいなら
泣けるほど愛したりしない
誰かに盗られるくらいなら
強く抱いて 君を壊したい

ほどいた 髪を広げて
僕の夜 包んだ優しい人さ...
不安な波にさらわれる
砂の城 怖くて誰かを求めたの？

強がりだけを覚えさせたね
微笑みは もう二人の夢を見ない

本気で忘れるくらいなら
泣けるほど愛したりしない
さよならを言った唇も
僕のものさ 君を忘れない

明日の君を救える愛は
僕じゃない でもこのまま 見つめている

言葉に出来ないのが愛さ
言葉では君を繋げない
行き場ない愛がとまらない
傘を捨てて 雨を見上げてた
本気で忘れるくらいなら
泣けるほど愛したりしない
誰かに盗られるくらいなら
強く抱いて 君を壊したい


L'impressione è quella di
Non appartenersi più
Forse è già così
Lo avverti anche tu?

Anche tu che ormai
Come me non sai
Che decisione prendere
L'impressione è quella che
Vale insistere

Per quel che è stato e c'è
E ancora esiste anche se

Insieme a te
Ho conosciuto giorni che
Erano migliori
Ma il silenzio che ora c'è
Fortifica i rancori

Ma tu eri come me
E adesso è come se
Niente c'è

E' superfluo aggiungere
Come senza te
Ogni emozione in me
Diventa inutile
Anche tu oramai
Anche tu non sai
Che atteggiamento scegliere
Quello che non vuoi
Quello che non sai
Se vale insistere
Per quel che è stato e c'è
E resiste anche se

Insieme a te
Ho conosciuto giorni che
Erano migliori
Ma il silenzio che ora c'è
Ci costringe a nuovi errori
A nuove scelte, a nuovi amori
A nuove scelte
Senza te
Senza te

Ma tu eri come me
E adesso è come se
Niente c'è


[Songtext zu „Haus“]

[Strophe 1: female vocals; soft and gentle; emotive delivery; piano; light synth pads creating a warm atmosphere; intimate; personal; setting the narrative; Soft and gentle female vocals introduce a warm piano melody, creating an intimate ambiance as emotions begin to surface.]
Ich weiß du kennst meine Welt nicht
Und hast deshalb um mich Angst
Doch dann gesagt, als ich weg ging
Dass ich das schaffen kann
Und schau mich an wo ich jetzt steh'
Diese Welt ist nicht genug
Kann mich immer bei dir melden
Wenn ich nicht weiß, was ich hier tu

[Pre-Refrain: female vocals; soaring and expressive; indicating vulnerability; piano; subtle synth builds; increasing intensity; emotional tension builds; vulnerability expressed; The vocals soar with emotional intensity, building anticipation and capturing the vulnerability felt in the lyrics.]
Weiß ich kann nur deshalb so fliegen
So fliegen, so fliegen
Weil ich bei dir immer sicher landen kann
Manchmal hab' ich Angst, dass wenn ich falle
Wenn ich falle, wenn ich falle
Du mich irgendwann dann nicht mehr halten kannst

[Refrain: female vocals; strong and affirming; catchy and memorable; piano; fully developed instrumental arrangement with strings and synths; uplifting; optimistic outlook; memorable hook; A strong and affirming delivery from the vocalist, accompanied by a fuller instrumental arrangement that enhances the catchy melody.]
Du weißt, ich kauf' dir mal ein Haus
Am Meer so wie du's wolltest
Ich weiß, ich kauf' dir mal ein Haus
Du weißt, ich kauf' dir mal ein Haus
Am Meer so wie du's wolltest
Ich weiß, ich kauf' dir mal ein Haus

[Strophe 2: female vocals; tender and reflective; displaying growth; piano; gentle backdrops enhancing reflective mood; reflective; gratitude expressed; narrative develops; The vocalist brings a tender and reflective quality as the piano underlines a moment of gratitude and understanding.]
Als es damals bei uns knapp war
Hat's mir nie an was gefehlt
Hast auf so viel verzichtet
Das kann ich jetzt erst versteh'n
Wie soll ich dir das jemals zurück geb'n?
Aber dafür jeden Tag
Und wenn du irgendwann mal alt bist
Dann bin ich für dich da

[Refrain: female vocals; strong and affirming; catchy and memorable; piano; fully developed instrumental arrangement with strings and synths; uplifting; optimistic outlook; memorable hook; The energy swells as the vocalist returns with a powerful declaration, supported by rich instrumentation that elevates the hopeful message.]
Du weißt, ich kauf' dir mal ein Haus
Am Meer so wie du's wolltest
Ich weiß, ich kauf' dir mal ein Haus
Du weißt, ich kauf' dir mal ein Haus
Am Meer so wie du's wolltest
Ich weiß, ich kauf' dir mal ein Haus

[Pre-Refrain: female vocals; soaring and expressive; indicating vulnerability; piano; subtle synth builds; increasing intensity; emotional tension builds; vulnerability expressed; Emotive female vocals rise again, preparing for the memorable refrain, encapsulating feelings of safety and trust.]
Weiß ich kann nur deshalb so fliegen
So fliegen, so fliegen
Weil ich bei dir immer sicher landen kann
Manchmal hab' ich Angst, dass wenn ich falle
Wenn ich falle, wenn ich falle
Du mich irgendwann dann nicht mehr halten kannst

[Refrain: female vocals; strong and affirming; catchy and memorable; piano; fully developed instrumental arrangement with strings and synths; uplifting; optimistic outlook; memorable hook; The energy swells as the vocalist returns with a powerful declaration, supported by rich instrumentation that elevates the hopeful message.]
Du weißt, ich kauf' dir mal ein Haus
Am Meer so wie du's wolltest
Ich weiß, ich kauf' dir mal ein Haus
Du weißt, ich kauf' dir mal ein Haus
Am Meer so wie du's wolltest
Ich weiß, ich kauf' dir mal ein Haus

The female vocals are warm and emotive, transitioning from soft and delicate to powerful and affirming, capturing the essence of love and hope.

The lyrics explore themes of aspiration, love, and safety, conveying a personal journey filled with vulnerability and optimism.

The song opens with a gentle piano that sets the intimate tone, gradually introducing emotional vocal lines. The pre-chorus builds intensity, leading seamlessly into an uplifting and catchy refrain. Each subsequent section maintains the reflective mood while expanding on the narrative, culminating in a rich instrumental tapestry that supports the powerful delivery of the vocalist.

A heartfelt pop ballad that intertwines themes of love and aspiration. The song unfolds gently, drawing listeners into an emotional narrative with a blend of soft piano and rich synths. The female vocalist delivers a captivating performance, marked by a tender yet powerful expression that enhances the reflective mood throughout the track.


[Pré-refrain: male vocals; soft and gentle; reflective; synthesizers providing ambient textures; brooding; dreamlike atmosphere; Soft male vocals create a reflective tone, layered synthesizers set an ambiance while drum beats subtly anchor the moment.]
Dans le noir depuis un moment
Encore une dose et
J'irai mieux, dis pas à maman
J'sais plus quoi faire et
J'vois la lune depuis un moment
Encore une dose et
J'ferme les yeux, l'dis pas à maman, hein ?

[Refrain: male vocals; melodic; catchy repetition; drum beats and bass synth creating a rhythmic foundation; catchy; repetitive melodic line driving the theme; Captivating melodic repetition introduces a catchy and memorable refrain that resonates emotionally, with rhythmic bass and synths enhancing the energy.]
Sur ma fusée je me sau–au–au–au–auve
Si Vénus était mau–au–au–au–auve
Sur ma fusée je me sau–au–au–au–auve
Si Vénus était mauve

[Couplet 1: male vocals; mellow; introspective; melodic synths accompanied by soft percussion; melancholic; introspective storytelling; Mellow male vocals accompany gentle percussion, establishing a dreamy atmosphere that aligns with the introspective lyrical theme.]
Ooh, ooh, ooh, oublie moi je m'en vais
Ooh, ooh, ooh, où j'sais pas, je m'en vais
Ah, ah, ah, amène moi des fleurs noires
Ooh, ooh, ooh, dernière fois que tu m'vois
Ooh, ooh, ooh, oublie moi je m'en vais
Ooh, ooh, ooh, où j'sais pas, je m'en vais
Ah, ah, ah, amène moi des fleurs noires
Ooh, ooh, ooh, dernière fois que tu m'vois

[Pré-refrain: male vocals; soft and gentle; reflective; synthesizers providing ambient textures; brooding; dreamlike atmosphere; Soft male vocals create a reflective tone, layered synthesizers set an ambiance while drum beats subtly anchor the moment.]
Dans le noir depuis un moment
Encore une dose et
J'irai mieux, dis pas à maman
J'sais plus quoi faire et
J'vois la lune depuis un moment
Encore une dose et
J'ferme les yeux, l'dis pas à maman, hein ?

[Refrain: male vocals; melodic; catchy repetition; drum beats and bass synth creating a rhythmic foundation; catchy; repetitive melodic line driving the theme; Captivating melodic repetition introduces a catchy and memorable refrain that resonates emotionally, with rhythmic bass and synths enhancing the energy.]
Sur ma fusée je me sau–au–au–au–auve
Si Vénus était mau–au–au–au–auve
Sur ma fusée je me sau–au–au–au–auve
Si Vénus était mauve

[Couplet 2: male vocals; emotive; layered reflections; deep bass synths; electronic effects enhancing the atmosphere; expressive; contemplative and isolated vibe; Impressive vocal expressions intertwine with synthesizers and bass, depicting a sense of emotional and physical isolation while maintaining a rhythmic pulse.]
Sauve-moi, aide-moi à m'en sortir
Aime-moi, laisse-moi et je n'sais pas si
J'cours toujours après les étoiles
Mais j'vois moins, non, me laisse pas
J'suis dans l'espace
A lost boy, c'est moi
A lost boy, c'est moi
J'm'envole si loin
Et j'm'envole si loin
J'veux partir, m'enfuir, rejoindre le SAS
Ici, c'est l’désordre, j'me sens mieux si seul
Quand j'suis loin des autres
J'écoute pas les gens, j'prefère le silence
J'décolle et j'm'isole
J'crois et j'me sauve, j'suis dans mon vaisseau, hey, hey, hey

[Pré-refrain: male vocals; soft and gentle; reflective; synthesizers providing ambient textures; brooding; dreamlike atmosphere; Soft male vocals create a reflective tone, layered synthesizers set an ambiance while drum beats subtly anchor the moment.]
Dans le noir depuis un moment
Encore une dose et
J'irai mieux, dis pas à maman
J'sais plus quoi faire et
J'vois la lune depuis un moment
Encore une dose et
J'ferme les yeux, l'dis pas à maman, hein ?

[Refrain: male vocals; melodic; catchy repetition; drum beats and bass synth creating a rhythmic foundation; catchy; repetitive melodic line driving the theme; Captivating melodic repetition introduces a catchy and memorable refrain that resonates emotionally, with rhythmic bass and synths enhancing the energy.]
Sur ma fusée je me sau–au–au–au–auve
Si Vénus était mau–au–au–au–auve
Sur ma fusée je me sau–au–au–au–auve
Si Vénus était mauve

The song unfolds with a steady introduction of ambient synthesizers, gradually layering in rhythmic elements. As it progresses, catchy refrains emerge amidst reflective verses, creating a dynamic flow that balances high-energy moments with intimate introspection.

The song presents a dreamy soundscape, merging contemplative lyrics with melodic and rhythmic elements. A synth-heavy production creates a modern electronic vibe, while the emotional vocals convey themes of escape and introspection, drawing listeners into a world of personal reflection. The arrangement combines both rhythmic beats and ambient sound textures, fostering a captivating experience that resonates on an emotional level.

Reflecting on themes of solitude and the desire for escape, the lyrics portray a journey through personal struggles and dreams of another world, fostering an emotional connection with the listener.

The vocal delivery is soft and gentle, employing various layers to enhance the melodic qualities of the song. There is a mix of melancholic tones and smooth transitions that elevate the introspective nature of the lyrics.


[Songtext zu „Haus & Boot“]

[Part 1]
Wir häng'n auf Hasch, kiff'n im Park
Jeden Tag, bis die Bubillen komm'n
Schau mich doch an, seh' ich so aus
Als war'n meine Taschen mit Drogen voll?
Bin schon seit Jahren in Offenbach
Viele am reden, doch keiner hat Ahnung da
Wallah, Herr Kommissar
Komm ma' [?] verteidigen, wann kommt mein Intikam?
Wieso schiebt ihr hier wieder Welle, Mann?
Elena, Annika brennt so wie Anne-Puth
Pack' ich das Koka in Cellophan
Kriegst du Hurensohn gar nix mit
Ich mach' die Patte wie Peter Pan
Sitz' auf dem Fahrrad in Afrika – AMG
Kommt drauf an, wie schlau du bist
Kommt drauf an, wie schlau du bist
[Hook]
Ay, streck' Jay für den Benz (streck' Jay für den Benz)
Ich will ein Haus und ein Boot (ich will ein Haus und ein Boot)
Ich dreh' verdeckt mein Geschäft
Und wenn ich draufgeh', fick die Welt, wir war'n am hungern, mussten renn'n
Ay, streck' das Jay für den Benz (streck' Jay für den Benz)
Ich will ein Haus und ein Boot (will ein Haus und ein Boot)
Ich dreh' verdeckt mein Geschäft
Für den Benz, für die Rolex, für mein'n Pelz, der mich warm hält

[Post-Hook]
Für mein'n Pelz, der mich warm hält
Für den Benz, für die Rolex, für mein Pelz, der mich warm hält
Für den Benz, für die Rolex, für mein Pelz, der mich warm hält

[Part 2]
Lang vor FFM, kurz vor dem Deal
Ich häng' noch immer im Babylon
Wir jagen das Geld, wollten nur Es
Guck ma', der Nachbar ruft wieder Bull'n
Ich schau' mir als kleines Kind Scarface an
Und wusste sofort, ich will Kokain
Immerhin verpackten wir aus Amsterdam
Genauso wie die oben, die
Guck ma', mein Choya ist abgefuckt
„Abi, gib mir bitte Abiat“
Gestern fünf Riesen verballert
In kürzester Zeit an 'nem Hurensohn-Automat
Ich schwöre dir, Standard in diesem Loch
Wir sind gefangen seit Jahren und ballern Flex
Wo sie mit Armen lenken, vorm Spiegel im Nacken
Schieben Neid, weil wir Mios machen

[Hook]
Ay, streck' das Jay für den Benz (streck' Jay für den Benz)
Ich will ein Haus und ein Boot (ich will ein Haus und ein Boot)
Ich dreh' verdeckt mein Geschäft
Und wenn ich draufgeh', fick die Welt, wir war'n am hungern, mussten renn'n
Ay, streck' das Jay für den Benz (streck' Jay für den Benz)
Ich will ein Haus und ein Boot (will ein Haus und ein Boot)
Ich dreh' verdeckt mein Geschäft
Für den Benz, für die Rolex, für mein'n Pelz, der mich warm hält

[Post-Hook]
Für mein'n Pelz, der mich warm hält
Für den Benz, für die Rolex, für mein Pelz, der mich warm hält
Für den Benz, für die Rolex, für mein Pelz, der mich warm hält


Me enamoré
Con esa tibieza que tiene toda tu piel
Con la furia loca que sólo vive el amor
Ese amor que es parte de todo, todo mi ser

Me enamoré
Como sólo un niño pequeño sueña el amor
Como una paloma que vuela en busca del sol
Para ser un ángel que implora por nuestro amor

Me enamoré
Del clavel del aire, de tus caricias, de tu sonrisa
Por eso quiero darte mi vida
Ay, amor
Por ti me juego el alma
Sin ti ya no hay mañana
Sin ti, mi amor
Mi vida no vale nada

Ay, amor
Por ti me juego el alma
Sin ti ya no hay mañana
Sin ti, mi amor
Mi vida no vale nada

Me enamoré
Como sólo un niño pequeño sueña el amor
Como una paloma que vuela en busca del sol
Para ser un ángel que implora por nuestro amor

Me enamoré
Del clavel del aire, de tus caricias, de tu sonrisa
Por eso quiero darte mi vida

Ay, amor
Por ti me juego el alma
Sin ti ya no hay mañana
Sin ti, mi amor
Mi vida no vale nada

Ay, amor
Por ti me juego el alma
Sin ti ya no hay mañana
Sin ti, mi amor
Mi vida no vale nada

Sin ti, mi amor
Mi vida no vale nada
No vale nada

The song opens softly with gentle strumming, gradually incorporating fuller instrumentation and harmonized vocals leading to powerful emotional climaxes in the chorus, before tapering gently toward the end.

The lyrics express deep feelings of love and longing, illustrating the importance of union between two lovers, emphasizing vulnerability and devotion.

The song is a romantic ballad brimming with heartfelt emotions, characterized by smooth melodies and rich harmonies. The blend of various instruments like guitar, piano, and strings creates a warm, inviting atmosphere that resonates deeply with listeners. Each section flows seamlessly into the next, building emotional momentum.

The vocals are soulful and expressive, featuring a blend of male and female harmonies that enhance the emotional impact of the song.


Fiz essa canção de amor pra ela
Essa mina é fora do normal
Ela vem assim toda princesa
Que que isso? Eu to passando mal

Ela tem o corpo bronzeado
Deixa a marquinha aparecer
Ei novinha, tá pegando fogo
Deixa que o nego vai resolver
Nego resolve
Oôô
O teu bombeiro chegou
Oôô
Pra acabar com teu calor
Então pode incendiar

Chega pra cá, chega pra cá, vou te pegar, vai
Oôô
O teu bombeiro chegou
Oôô
Pra acabar com teu calor

Então pode incendiar
Chega pra cá, chega pra cá, vou te pegar, vai
Fiz essa canção de amor pra ela

Essa mina é fora do normal
Ela vem assim toda princesa
Que que isso? Eu to passando mal

Ela tem o corpo bronzeado
Deixa a marquinha aparecer
Ei novinha, tá pegando fogo
Deixa que o nego vai resolver
Nego resolve

Oôô
O teu bombeiro chegou
Oôô
Pra acabar com teu calor

Então pode incendiar
Chega pra cá, chega pra cá, vou te pegar, vai
Oôô
O teu bombeiro chegou
Pra acabar com teu calor

Então pode incendiar
Chega pra cá, chega pra cá, vou te pegar, vai
E é desse jeito, tu me deixa louco
Tu desce uma vez, e tu desse de novo

Chama o bombeiro, tá pegando fogo
Que que isso, heim?
Ela vai pra frente, ela vai pra trás
Ela desce, ela mexe pro papai

Vem descendo tá demais
Vai, vai, vai, vai, vai
Oôô
O teu bombeiro chegou
Oôô
Pra acabar com teu calor
Então pode incendiar

Chega pra cá, chega pra cá, vou te pegar, vai
Oôô
O teu bombeiro chegou
Pra acabar com teu calor
Então pode incendiar

Chega pra cá, chega pra cá, vou te pegar, vai

The song opens with a catchy dance beat and synthesizer, setting an energetic tone. Verses introduce smooth vocals with light instrumentation, gradually building in intensity. The chorus features a strong melodic hook that invites participation, while rhythmic bridges keep the energy flowing. The vocal delivery maintains a playful vibe throughout, culminating in a lively outro.

The male vocals are smooth and playful, filled with charisma that enhances the flirtatious energy of the song.

A vibrant and energetic track that pulses with an upbeat tempo, inviting listeners to enjoy the dance floor. The combination of smooth male vocals and lively instrumentals creates an atmosphere that's festive and engaging. The song depicts themes of romance and celebration, making it perfect for lively gatherings and parties. Overall, the rhythm and playful lyrics combine to deliver a fun listening experience.

The lyrics revolve around themes of romance and flirtation, capturing the excitement of attraction and celebration.


[Couplet 1: male vocals; smooth and melodic; flirtatious tone; drum machine; synth bass; melodic guitar riff; playful; flirty; lively; Smooth male vocals introduce playful lyrics over a catchy synth bass line, creating an engaging atmosphere.]
Por que mi casa no es tu casa yeah yeah
J’aime quand tu danses ma
Jaime quand tu danses, quand tu dis non, chaque fois j’suis devant toi
J’aime quand tu fais semblant
Quand j’te regarde tes pensées se glacent
Forcément, je sais qu’tu mens
Party devient sweet comme daddy
Défouraille la blanche et le juice
J’ai pris six pack soldier
Elle dit qu’j’suis le plus beau de tous
J’sais que ton nom c’est Mendosa
J’sais aussi t’aimes ken avec les lossas
J’demande plus maintenant c’est comme ça
J’suis le numéro dix donne-moi mon dossard

[Refrain: male vocals; catchy and rhythmic; playful repetition; drum machine; bass; synthetic background layers; catchy; infectious rhythm; inviting; The chorus features rhythmic repetition with playful, catchy vocals, inviting listeners to join in.]
Por que mi casa no es tu casa yeah yeah (mi casa no es tu casa)
You know mi casa no es tu casa yeah yeah (mi casa no es tu casa)
Yé yé yé, yéya yéya yéya yé
Mi casa no es tu casa
Yé yé yé, yéya yéya yéya yé
Mi casa no es tu casa
Yé yé yé, yéya yéya yéya yé
Mi casa no es tu casa
Yé yé yé, yéya yéya yé yé yé

[Couplet 2: male vocals; engaging and smooth; intimate delivery; drum machine; synth accents; atmospheric sounds; intimate; engaging; light-hearted; The vocals remain intimate and light-hearted, supported by atmospheric synths and subtle percussion.]
Ok, j’te dis de faire comme chez toi
Tous les deux, on sait bien qu’j’ai menti
Non non, déshabille-toi
Ou tu connais le chemin d’la sortie
J’ai pris ton Uber, il est déjà là
À tout moment, tu sais qu’j’peux l’annuler
Y’ a du Jack, y’ a du tagada
Hum, mademoiselle se met à bégayer

[Refrain: male vocals; catchy and rhythmic; playful repetition; drum machine; bass; synthetic background layers; catchy; infectious rhythm; inviting; The chorus returns with rich instrumentation and infectious energy, maintaining a lively ambiance.]
Porque mi casa no es tu casa yeah yeah (mi casa no es tu casa)
You know mi casa no es tu casa yeah yeah (mi casa no es tu casa)
Yé yé yé, yéya yéya yéya yé
Mi casa no es tu casa
Yé yé yé, yéya yéya yéya yé
Mi casa no es tu casa
Yé yé yé, yéya yéya yéya yé
Mi casa no es tu casa
Yé yé yé, yéya yéya yé yé yé

[Pont: male vocals; shifts in tone; passionate expression; ambient synths; subtle percussion; atmospheric; calm; reflective; Vocals shift in tone, expressing passion with a calm backdrop, creating a reflective mood.]
Y'en a qui, esta la mañana (esta la mañana)
Esta la mañana (ouh esta la mañana)
Esta la mañana
Ouuh que era te por la noche
Era te, asta la mañana (esta la mañana)
Esta la mañana (ouh esta la mañana)
Esta la mañana
Ouuh que era te por la noche

[Refrain: male vocals; catchy and rhythmic; playful repetition; drum machine; bass; synthetic background layers; catchy; infectious rhythm; inviting; The chorus returns with rich instrumentation and infectious energy, maintaining a lively ambiance.]
Porque mi casa no es tu casa yeah yeah (mi casa no es tu casa)
You know mi casa no es tu casa yeah yeah (mi casa no es tu casa)
Yé yé yé, yéya yéya yéya yé
Mi casa no es tu casa
Yé yé yé, yéya yéya yéya yé
Mi casa no es tu casa
Yé yé yé, yéya yéya yéya yé
Mi casa no es tu casa
Yé yé yé, yéya yéya yé yé yé
Por la noche
Por la noche

A vibrant and playful song filled with infectious energy, merging smooth vocals with rhythmic beats. The instrumental arrangement incorporates catchy synths and a solid bass foundation, inviting listeners to the dance floor. Its themes revolve around playful romantic interactions and festive gatherings, making it a perfect party anthem.

The lyrics explore playful flirtation and romantic contexts, reflecting charming interactions.

Beginning with a captivating introduction, the song quickly establishes a lively energy. Each verse adds layers of rhythmic elements, complementing the catchy chorus that brings everyone together. The instrumentation maintains a danceable beat while allowing space for expressive vocal moments.

The vocals are smooth and melodic, highlighting an intimate and playful singing style that engages listeners throughout the track.


[Текст песни «Маршрутка»]

[Куплет 1: female vocals; soft and expressive; guitar; keyboard; nostalgic; reflective; Gentle guitar and soft keyboard create an intimate atmosphere while the expressive female vocal delivers a nostalgic sentiment.]
Я не искала будто минуты
Чтобы побыть, как раньше, вдвоём
Перебила гору нашей посуды
На свадьбу дарили её
На первом свидании говорил о балете
В Газели как устроен мотор
Сказал, что слов не бросает на ветер
Покорил сердце моё

[Припев: female vocals; dynamic and catchy; drums; keyboard; catchy; romantic; The dynamic vocals rise, adding a catchy essence as drums accentuate the rhythmic flow, evoking feelings of romance.]
Это не шутки, мы встретились в маршрутке
Под номером один, едем и молчим
Он говорит: "Доброе утро", а я не слышу будто
Он сжал мне руку сильно
А дальше, как бывает в лучших фильмах
В лучших фильмах

[Куплет 2: female vocals; warm and reflective; guitar; keyboard; warm; introspective; The instrumental blends remain warm, with the vocal tone becoming more reflective, expressing emotional depth.]
Я вижу, твой взгляд всё теплее с годами
Сжимается сердце моё
И про меня говорил своей маме
Я всё отдам за неё
Поговорила с остывающим кофе
Мол, что он ещё не пришёл?
Его задержали опять на работе
Всё будет у нас хорошо

[Припев: female vocals; dynamic and catchy; drums; keyboard; catchy; romantic; The energy returns with increased intensity in the vocals, supported by a consistent drum and keyboard backdrop, creating a catchy and romantic vibe.]
Это не шутки, мы встретились в маршрутке
Под номером один, едем и молчим
Он говорит: "Доброе утро", я не слышу будто
Он сжал мне руку сильно
А дальше, как бывает в лучших фильмах
В лучших фильмах
В лучших фильмах
В лучших фильмах
Это не шутки, мы встретились в маршрутке
Под номером один, едем и молчим
Он говорит: "Доброе утро", я не слышу будто
Он сжал мне руку сильно
А дальше, как бывает в лучших фильмах
В русских фильмах
В лучших фильмах
В русских фильмах
В русских фильмах
В лучших фильмах
В русских фильмах

The vocals are soft and expressive, drawing listeners in with a warm, melodic quality that reflects the song's themes of love and nostalgia.

The lyrics paint a vivid picture of chance encounters and romantic reflections, filled with relatable moments and heartfelt emotions.

A standout track that showcases a melodic pop sensibility with a romantic narrative. The blend of gentle instrumentation underlines the warmth of the vocals, creating an inviting and nostalgic sound. The song captures a moment of serendipity, evoking feelings of love and connection in everyday situations. The dynamic vocal delivery enhances the emotional weight of the lyrics while maintaining a catchy hook.

The song progresses with a steady build-up from a soft, intimate opening to more energetic and catchy choruses. The instrumentation balances simplicity with a rich layering that complements the vocal melodies, enhancing the overall romantic atmosphere.


[Letra de Superación]

[Intro: male vocal; assertive introduction; minimal synth; rhythmic beat; assertive; sets the stage for the message; The track opens with assertive vocals setting a confident tone, accompanied by minimal synth and rhythmic beats.]
(La Asociación de los 90 piketes, cabrón)
(Let's get it)
Uh

[Verso 1: male vocal; confident and motivational; bass-heavy beat; rhythmic percussion; motivational; speaks to struggle and success; A powerful, confident delivery discussing overcoming challenges, layered over a bass-heavy beat and rhythmic percussion.]
Superación (Yeh, yeh), hablando claro
Es el mensaje que yo trato ’e llevar en cada canción (True)
Al que me apoya le deseo bendición
Al que habla mierda 'e mí, tú lo que te falta e' atención (Prr)
Joseando me lo gané, me gané la posición (Yeh, yeh, yeh, yeh)
Y les causa rabia con admiración
En este juego para muchos soy como un ladrón (Ajá)
Porque llegué y les dije: "Denme lo que es mío por obligación"
Y ahora ando por España y dentro ’e España me muevo en avión
HP, tú no tienes dos cara', tú tiene' un millón (Wuh, wuh, wuh)
De to' los que me tiran tú ere' el anfitrión
Parece que por decir embuste' les pagan comisión (Prra)
Sobran Roletas y los Patek Philippe (Yeah)
Las cubanas en oro que combinan con los phillie (True)
La combi sin ensalada Plein, como Philipp
¿Que a esa puta na' más le diste tú? Nigga, I don't really
Ey, compro to’ cash, nunca layaway (Layaway)
No es el oro, es el pennyweight (Pennyweight, ey)
Los que hablan mierda ’e mí
Todavía su carrera sigue con delay (Prr, prr)
Ronquen lo que ronquen
Les clavo a sus puta' anyway, uh (Hol’ up)

[Pre-Coro: male vocal; reflective and driven; deeper bassline; driving rhythm; introspective; builds anticipation; A reflective moment where the vocals build anticipation, supported by a deeper bassline and driving rhythm.]
Vengo de abajo y por eso (Por eso)
Sé lo que es tener hambre y en encima no tener un fuckin' peso
Pensando en superarme y en progreso (Let's get it)
Pa' tener to’ saldo y el bolsillo obeso

[Coro: male vocal; powerful anthem; strong message; fuller instrumental arrangement; energetic beats; triumphant; celebratory of achievements; The anthem reaches a peak; powerful vocals embody the message of triumph and self-improvement, backed by a full energetic instrumental arrangement.]
Par de cabrones quieren ver
Mi cabeza puesta donde van los pie'
Pero me superé (Superé)
Sube la cuenta 'e banco y aumenta el poder
Nadie conmigo ha podido joder
Aunque quieren ver
Mi cabeza puesta donde van los pie'
Pero me superé (Superé)
Y al que no creyó, cabrón, lo hice creer
Nadie conmigo ha podido joder
Aunque

[Verso 2: male vocal; narrative-driven; resilient; rhythmic percussion; bass and synth prominent; narrative; recounting personal growth; Continues with rapid delivery, recounting personal growth amidst challenges, complemented by rhythmic percussion and prominent bass and synth.]
Me superé, salir de la pobreza lo logré (Yeah)
No le bajé
Y a to' el que habló mierda 'e mí lo ignoré (Wuh, wuh, wuh)
Me dijeron que el dinero llega solo y no esperé
Salí a buscarlo y joseando en la calle lo encontré
La vida es pa' el que trabaje, bo', aquí nada es regala'o (True)
Juega cuatro ojo' porque siempre aparece un vira'o
La fama trata de cambiarme, pero yo no me he deja'o (Never)
Dicen que no se endereza palo que nace dobla'o
Yo no dejo que la opinión de nadie me afecte
Pero si eres un falso, puede que te deteste (Yeh, yeah)
No importa con quién tú te conecte'
Los cojone' no crecen aunque B12 te inyectes (Prr)
A ti no te gusta, pero sí a tu baby (Heh)
Porque controlo el juego, flow Tom Brady (Uh, uh, uh; trra)
No me olvido cuando oraba por lo que ahora tengo
Y mala mía si por superarme los ofendo (I'm done)

[Pre-Coro: male vocal; reflective and driven; deeper bassline; driving rhythm; introspective; builds anticipation; Returns to a reflective tone, further enhancing the buildup with deeper bass and rhythmic support.]
Vengo de abajo y por eso (Por eso)
Sé lo que es tener hambre y en encima no tener un fuckin' peso
Pensando en superarme y en progreso (Let's get it)
Pa' tener to' saldo y el bolsillo obeso

[Coro: male vocal; powerful anthem; strong message; fuller instrumental arrangement; energetic beats; triumphant; celebratory of achievements; Repeats the triumphant message, emphasizing the power of success, backed once again by a full and energetic sound.]
Par de cabrones quieren ver
Mi cabeza puesta donde van los pie'
Pero me superé (Superé)
Sube la cuenta 'e banco y aumenta el poder (Ah)
Nadie conmigo ha podido joder
Aunque quieren ver
Mi cabeza puesta donde van los pie'
Pero me superé (Superé)
Y al que no creyó, cabrón, lo hice creer
Nadie conmigo ha podido joder
Aunque

[Outro: male vocal; motivational and reflective; fades out with rhythmic elements; reflective; encourages self-improvement; The track concludes with motivational vocals, leaving listeners with a sense of empowerment.]
Superación
No compitas con nadie, asegúrate de superarte
Y ser la mejor versión de ti mismo (Sabe' lo que te digo)
El OG, ey
No te voy a mentir, cabrón
Everything real, ey
Everything real, ey
El OG, ey
Ammu-Nation, what up?
Gold2 Latin Music, nigga
Está de más decir que no capeamo' feka, never
"La Asociación de los 90 pikete", cabrón: El Álbum

The vocals are assertive and dynamic, employing a rapid delivery that enhances the motivational tone of the song. The vocalist effectively conveys confidence and determination through their performance.

The lyrics delve into themes of overcoming challenges and striving for success, encouraging listeners to aim for self-improvement and not compete with others, but rather focus on personal growth.

The piece is a dynamic exploration of personal growth and resilience, characterized by strong beats and persuasive lyrics that convey a message of empowerment. The melodic contours are shaped by compelling rhythms and a rich tapestry of instrumental support, reinforcing the emotional weight of the narrative. Its high energy makes it suitable for inspiring settings.

The song progresses from an assertive introduction to a narrative-driven first verse, building intensity through reflective pre-choruses that lead into the powerful anthemic choruses. The rhythm maintains a consistent drive, with instrumentation supporting the vocal crescendos, culminating in a motivational outro.


El sol llama al rey
El sol llama a un rey
De sangre roja
De alma propia

Ayer llegó el rey
Ayer creyó sin ver
Al que lo azota
A quién lo escoja
Para que muestre el prisma de la verdad
A nuestro mundano pueblo de máscaras
Y que dé constancia de los que tiñen hoy su sangre azul

El sol envió al rey
El rey volvió a ver
Al que lo azota
A quién lo escoja

Para emprender la marcha de la verdad
Que hemos ensuciado por años de posesividad
Y que dé constancia de los que tiñen hoy su sangre azul

Ha llegado
La hora de juntar
A todo este mundo
En un solo y simple idioma
Las nubes se aglutinan
Para descender al rey
Que viene de visita
Para llevarnos con él

A emprender la marcha de la verdad
En nuestro mundano pueblo de máscaras
Y que dé constancia de los que tiñen hoy su sangre azul

[Letra de "El Rey"]

El sol llama al rey

The song begins with a haunting guitar intro, leading into a strong verse that establishes the narrative. The chorus erupts with dynamic energy, embodying the message's essence. As it progresses, both the intensity and emotion increase, culminating in a thoughtful conclusion that invites further reflection.

The vocals deliver a strong and emotive performance, characterized by powerful delivery and passionate expression that captivate the listener from start to finish.

The lyrics delve into concepts of truth and societal roles, using rich imagery to convey a powerful message.

This song resonates with powerful energy, exploring themes of truth and identity within society. The instrumentation combines dynamic guitar work with a solid rhythm section, creating an enveloping sound that adds to the emotive nature of the vocals. The overall experience invites reflection while maintaining an engaging and intense musical narrative.